The nice people at Pantheon sent along a bound galley of Michael Cho’s graphic novel Shoplifter when they sent me a copy of Charles Burns’s Sugar Skull. Both titles are out this fall.
I read Shoplifter in one short sitting—it’s a pleasant read, and Cho’s talent shows in the small panels and big splashes alike.
Corinna Park used to have big plans. Studying English literature in college, she imagined writing a successful novel and leading the idealized life of an author. After graduation, she moved to a big city and took a job at an advertising agency—just to pay off her student loans. Now she’s worked in the same office for five years and the only thing she’s written is . . . copy. She longs for companionship (other than her cat),gets no satisfaction from her job, and feels numbed by the monotony of a life experienced through a series of screens. But whenever she shoplifts a magazine from the corner store near her apartment, she feels a little, what? A little more alive. Yet Corinna knows there must be something more to life, and she faces the same question as does everyone of her generation: how to find it?
Is the story a bit familiar? Sure. But Cho updates it to the post-social media world, where advertisers have convinced almost everyone (especially themselves) that what they are doing is Important Art. There’s a smallness to Shoplifter—the book shouldn’t be an epic, of course, but 96 pages feels slim here. I guess I would’ve liked to see Corinna the biblioklept, you know, steal more. Still, her ultimate resistance to a mundane life feels like a victory in the end.
Got a bound black and white proof of Sugar Skull, the final book in Charles Burns’s Tintin-punk-rock-Interzone trilogy. Out from the good people of Pantheon this September.
Back cover image:
A tender moment: