Posts tagged ‘Book Shelves’

May 20, 2012

Book Shelves #21, 5.20.2012

by Biblioklept

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Book shelves series #21, twenty-first Sunday of 2012: William T. Vollmann and David Foster Wallace

Sorry about the glare in the photo above. As I seem to attest weekly, photography is hard. Photographing books is hard. Lighting issues, glare etc. Anyway, this shelf is half Vollmann, half DFW. I’ve written so extensively about these guys on the site that I won’t bother linking to anything here. A few months ago, Gaddis’s JR and The Recognitions was hanging out here, but then I put Expelled and Imperial on the shelf, bought Everything and More, and also picked up some more Gaddis, and, well, anyway, had to move him up with Joyce, where he seems to belong. The paperback of The Pale King is a review copy; it has additional stuff. Maybe I should part with the hardback. It seems ridiculous to have them both.

The copy of Girl with Curious Hair is extremely important to me, as silly as that sounds. It was one of the first books I ever “reviewed” on this blog, back when I still focused almost entirely on books I’d stolen or books I’d never returned to. From that review:

Scott Martin was kind enough to loan me this book. Did he know that it would forever change the way I read? It was the first semester of my freshman year in college, and I was slowly reaching beyond stuff like Henry Miller, Wm Burroughs and Franz Kafka. David Foster Wallace’s short story collection Girl With Curious Hair introduced me to a whole new world of writing. Reading DFW is like having a very witty friend tell you a moving and funny story over a few beers. He’s hilarious, thought-provoking, and not nearly as hard to read as people seem to think.

I leave the bookmark I’ve been using in almost every book I read. When I pulled Girl from the shelf, I found a Polaroid of my cat:

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He’s just a kitten here. His name is Remy. He no longer lives with us, but he’s still around. We moved a year ago from a bungalow set above the ground (i.e. with cat crawl space) to a ranch on a block (i.e. no crawl space). He didn’t want to move because he was having this romance with a stray my daughter named Pearly. I eventually trapped him and moved him to the new place, but I foolishly forgot he’d have no place to run and hide while getting acclimated. He ran away. A few months later I found him down the street. He looked happy and came up and talked to us. He followed us back to the new place and we gave him some people food treats. Then he left again. We seem him every now and then. He’s gotten surprisingly fat and seems to like the new people he’s taken up with. They have two boys, a little older than my kids. Sometimes I miss my cat.

May 13, 2012

Book Shelves #20, 5.13.2012

by Biblioklept

1.4.  Things which aren’t books but are often met with in libraries

Photographs in gilded brass frames, small engravings, pen and ink drawings, dried flowers in stemmed glasses, matchbox-holders containing, or not, chemical matches (dangerous), lead soldiers, a photograph of Ernest Renan in his study at the College de France, postcards, dolls’ eyes, tins, packets of salt, pepper and mustard from Lufthansa, letter-scales, picture hooks, marbles, pipe-cleaners, scale models of vintage cars, multicoloured pebbles and gravel, ex-votos, springs.

 —From Georges Perec’s essay “The Art and Manner of Arranging One’s Books”

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Book shelves series #20, twentieth Sunday of 2012: In Which I Try to Prove I Am Not Just Phoning It In

Last week I was accused of “going through the motions” with this project, which accusation may or may not be true. I was out of town on vacation, and last week’s post was composed a few days ahead of time in a harried rush of end-of-the-semester grading + summer semester planning + packing + bad bad writer’s block.

The shelf featured last week is the top shelf in the shot above.

Here is a detail of the shelf below, which clearly features things which are not books:

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My wife and I—not actually married at the time, kids really—bought these kokeshi dolls when we were living in Japan. We lived in Tokyo, but I’m almost positive we bought these on a vacation in Kyoto. (Or maybe it was in Kamakura. Or I suppose it could have been in Tokyo).

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The screen in the background was a gift from a student, as was the screen in the shot below, a shelf that twins this one (if anyone cares at all, the shelf would be sequenced between shelves 10 and 11).

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May 6, 2012

Book Shelves #19, 5.06.2012

by Biblioklept

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Book shelves series #19, nineteenth Sunday of 2012.

When I started this project, this shelf was all Tolkien and Joyce; now it’s mostly Gaddis and Joyce.

I have dupes of most of the Joyce books here; there’s also Joyce criticism/guides on the shelf.

Another angle. Glare is horrible. iPhone is not a good camera; lots of glare; shelf is much taller than me, etc.:

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Here’s a tight shot of the Brownie Six-16 that serves as bookend:

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Something from Finnegans Wake :

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April 29, 2012

Book Shelves #18, 4.29.2012

by Biblioklept

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Book shelves series #18, eighteenth Sunday of 2012.

Lots of issues of McSweeney’s on this shelf. I abandoned The InstructionsSome Tintin omnibuses. Crumb-illustrated Kafka bio. Bookended by Will Eisner’s masterwork A Contract with God:

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A Chris Ware comic from McSweeney’s #13:

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April 22, 2012

Book Shelves #17, 4.22.2012

by Biblioklept

Book shelves series #17, seventeenth Sunday of 2012.

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Hemingway, Fitzgerald, Steinbeck, Camus, Nabokov, Celine, Kafka.

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Jonathan Littell’s The Kindly Ones with Revere movie camera as bookend. Littell’s lurid, bizarre book is only shelved here temporarily (he’s in too-rarefied company, perhaps).

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A friend gave me this in high school.

April 15, 2012

Book Shelves #16, 4.15.2012

by Biblioklept

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Book shelves series #16, sixteenth Sunday of 2012.

It’s hard to photograph books, and using an iPhone 3gs probably doesn’t help. Lots of glare. Anyway: This shelf houses mostly Melville, with some Hawthorne, Poe, and Whitman, as well as some critical works on the American Renaissance movement. (Henry James and F.O. Matthiessen). I have other versions of a lot of these books, including a fraternal twin in my office, a bit bulkier (Emerson, Dickinson, Thoreau, etc.), although these days I’m apt to go to the Kindle for American Renaissance stuff. Here’s a better angle, perhaps:

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The version of Typee is bizarre: no colophon, no publisher info, just text. I love these midcentury Rinehart Editions of Hathorne and Melville stuff:

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April 1, 2012

Book Shelves #14, April 1, 2012

by Biblioklept

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Book shelves series #14, fourteenth Sunday of 2012.

This is a strange shelf: it’s the bottom shelf of the ladder book shelf I’ve been photographing over the past few weeks, and it’s probably the least organized so far. There’s also a higher ratio of unread books on this shelf than in previous shelves. Anyway, left to right:

I was far more enthusiastic about Jonathan Lethem just a few years ago. I still think The Fortress of Solitude and Motherless Brooklyn hold up (they do in my memory, anyway), but Chronic City was awful (then why is it still on my shelf) and You Don’t Love Me Yet is one of the most pointless, silly, and gross books I’ve ever read.

I had good intentions to read John Crowley’s Little, Big and  Patrick Chamoiseau’s Texaco and John Wray’s Lowboy and Katherine Dunn’s Geek Love: I’m actually pretty sure I got all these novels around the same time. They must have been in a stack that eventually got shelved here during a reshelving.

I’ve read at least five or six more Margaret Atwood novels than the ones here, but have no idea where they are (likely a combination of cheap mass markets that I gave to friends or lost).

Chris Bachelder’s U.S.! is an underread gem. Chris Adrian: Again, I was more enthusiastic about his work a few years ago, but I think it holds up. Also, would the person who borrowed my first edition hardback of The Children’s Hospital please return it? Padgett Powell’s slim novel is not bad.

Will Self’s Great Apes holds the distinction of being the ickiest novel I’ve ever read. Horrifying stuff. I bought it at an airport—in Bangkok? LA? Houston? I really can’t remember—I was returning to the US from Thailand and had bought the cheapest possible plane ticket—one that would basically keep me en route for three days, sleeping on planes and in airports. Anyway, Self’s nightmare book is bound up in that experience: it’s a riff on Kafka; dude wakes up to find that he’s become a chimp. It’s just so gross on so many levels. (Maybe I should add that I find seeing chimps dressed as humans to be the acme of perversion).

The Wells Tower collection is gold.

David Mitchell’s Cloud Atlas is gold, but I never got past the first 20 pages of number9dream, which seemed to really bite from William Gibson. I loved both the Tom McCarthy books, particularly C. Eco’s The Name of the Rose is a bit overrated and Baudolino’s first half is not bad, but it just goes on and on and on . . .  but it’s funny.

March 18, 2012

Book Shelves #12, 3.18.2012

by Biblioklept

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Book shelves series #12, twelfth Sunday of 2012.

The shelf holds literature in translation: Witold Gombrowicz, Heinrich Böll, W.G. Sebald, Julio Cortázar, and Roberto Bolaño. There was a geode bookend here until Thursday, when I reorganized (finally giving the Gombrowicz a home and restoring the finished copy of Between Parentheses to its brothers). No, I never finished Hopscotch, nor much of the Böll (although I did read Irish JournalThe Train Was on Time, and The Clown); I haven’t read Ferdydurke yet either.

March 11, 2012

Book Shelves #11, 3.11.2012

by Biblioklept

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Book shelves series #11, eleventh Sunday of 2012. DeLillo, Denis Johnson, Pynchon (no, I have not read Against the Day nor finished Mason & Dixon). There’s also a hardback copy of Bolaño’s Between Parentheses; I have an ARC of the same shelved with the other Bolaños, which are on the shelf under—but the finished copy won’t fit on the shelf and it fits here. For now.

March 4, 2012

Book Shelves #10, 3.04.2012

by Biblioklept

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Book shelves series #10, tenth Sunday of 2012. I’m very ill today. These are some books; I own multiple copies of some of these. A painted gourd stands in as a book end. Look, I’m really ill today, these are books, I think you get the idea.

February 26, 2012

Book Shelves #9, 2.26.2012

by Biblioklept

We should first of all distinguish stable classifications from provisional ones. Stable classifications are those which, in principle, you continue to respect; provisional classifications are those supposed to last only a few days, the time it takes for a book to discover, or rediscover, its definitive place. This may be a book recently acquired and not read yet, or else a book recently read that you don’t quite know where to place and which you have promised to yourself you will put away on the occasion of a forthcoming ‘great arranging’, or else a book whose reading has been interrupted and that you don’t to classify before taking it up again and finishing it, or else a book you have used constantly over a given period, or else a book you have taken down to look up a piece of information or a reference and which you haven’t yet put back in its place, or else a book that you can’t put back in its place, or else a book that you can’t put back in its rightful place because it doesn’t belong to you and you’ve several times promised to give it back, etc.

—Georges Perec, from “The Art and Manner of Arranging One’s Books”

Book shelves series #9, ninth Sunday of 2012: In which I photograph three book shelves that I will examine more closely over the next several weeks.

Georges Perec goes on to admit that over three-quarters of his own books are provisionally categorized (at best). Libraries, like governments and tectonic plates and personalities, are not stable entities. Still, most of us try to impose some sense of order on our book collection, even if it’s an order apparent and relevant to ourselves alone. The three book shelves photographed below are probably the most “stable” in the house:

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Despite an ongoing process of accretion, relocation, and removal, these shelves tend to remain fairly constant, with minor rearrangements happening maybe monthly instead of weekly or daily. As of today, there’s only one slim piece of a shelf “free”—that is, holding unsorted books waiting to be read, shelved, or, in one case, reviewed (I swear I’ll make another stab at writing up Breece D’J Pancake one day . . .). These books will be elsewhere by the time I get to photographing the shelf they rest on now:

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February 19, 2012

Book Shelves #8, 2.19.2012

by Biblioklept

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Book shelves series #8, eighth Sunday of 2012. This is likely the most boring post in this series (at least I hope it is). I keep books that folks send me that I intend to review but haven’t gotten to yet in this magazine stand thing; it abuts the sofa in the sitting room. Some of the books in here came in last summer. So, out of shame alone, I won’t be yanking any out for individual pics. Next week, we’ll get a gander at some of the finer shelves in the house.

 

February 12, 2012

Book Shelves #7, 2.12.2012

by Biblioklept

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Book shelves series #7, seventh Sunday of 2012: In which I photograph a coffee table.

We have three coffee tables. This is one of them (it’s next to the unit I photographed last week). Like many folks’ coffee tables, I suppose, it gets littered with books; the books on this one tend to rotate. Pictured above: lots of recent books acquired, including the Aira on top and Stuart Kendall’s new translation of Gilgamesh. There’s also the new issue of Lapham’s Quarterly and, for some reason (can’t remember) George Saunders’s Pastoralia. The Kindle is also there: my daughter and I read the first three comics in a colorized version of Jeff Smith’s epic graphic novel Bone—amazing stuff, and the color adds depth and beauty to an already beautiful book. I took this photo on a Friday afternoon, or maybe Friday evening (or night). I was drinking wine.

The big book is Walton Ford’s Pancha Tantra, which my lovely wife gave me for Christmas. Some images:

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February 5, 2012

Book Shelves #6, 2.05.2012

by Biblioklept

Book shelves series #6, sixth Sunday of 2012: In which we dig into the comix inside the book shelf we looked at last week.

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When I was 13, I sold a fairly large collection of superhero comic books and earned enough money to buy an electric guitar—a weird mutant by Fender called the Bullet—and a small practice amp. It was the early nineties, and Marvel was about to burst the comic book bubble big time by flooding the market with gimmicky covers, hologram cards, and other nonsense.

I continued to buy comics (or comix, if you prefer) over the years, although eventually economic concerns led me to just wait for graphic novel editions. Anyway, the book shelf above now contains most of the “underground” comix that I own. A few samples:

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Most of the comix in this unit though are issues of Dave Sim’s epic (and insane) series Cerebus. I bought issues of Cerebus intermittently for years at a time, usually getting frustrated and then waiting for the “phone book” graphic novel editions of the series. Sim, along with background artist Gerhard, produced 300 issues of Cerebus over 25 years. The issues from the early ’80s to the early ’90s are brilliant; eventually Sim cracked though and went on an insane, reactionary (and arguably deeply misogynistic) bent. He created his own religion, a mix of hardline Judaism, Islam, and Christianity, and the later books in the series suffered greatly, as the book detoured to chronicle projects that seemed far outside its original scope (including strange, long satires of Hemingway and Fitzgerald). Anyway, some issues:

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Cerebus Jam, a one-off collaboration with a cover by one of my favorite artists Bill Sienkiewicz (I still have his entire run on Marvel’s The New Mutants in a box somewhere):

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A panel from the issue’s collaboration with comic book legend Will Eisner, featuring his seminal character The Spirit:

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January 22, 2012

Book Shelves #4, 1.22.2012

by Biblioklept

Book shelves series #4, fourth Sunday of 2012: In which we finally leave the master bedroom and check out the books in my children’s rooms.

In the previous weeks, I illustrated that my kids — a girl and a boy, 4 and 1, respectively (tack on a “half” to each of those numbers if you care to) — my kids leave books all over the house. Their books are everywhere. They are as bad as I am. I indicated at the beginning of this year-long series that the documentation would never be stable or absolute; that books float through my house, come and go like bad house guests or silly ghosts—this is probably more true of the children’s books in this house than any other kind of book.

This week, I photograph the book shelves in my kids’ rooms, starting with my daughter’s. This is her big bookshelf:

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I did not photograph the big pile of books that set to the left. A close up of any of these shelves would reveal a mix of classics—stuff that my wife and I read and cherished as kids—and newer stuff as well. Here’s a shelf, sort of at random—it’s unusually well-organized:

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There’s a lot of Studio Ghibli books here; most narrativize Hayao Miyazaki’s films (we’re big fans in this house). My daughter loves these. The bible was my bible; the blue-spined book is this:

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You might also note a book version of Jim Henson’s creepy classic The Dark Crystal; this was mine as a kid and it disturbed the hell out of me, so I gave it to my daughter, of course:

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The Studio Ghibli books combine beautiful stills of the film with narrative prose and comic book speech bubbles. From the standpoint of a fan of the films, they’re really interesting because they explicate some of the ambiguity. Our daughter loves them and asks for them (too much!):

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Another shelf from another book shelf—the only shelf with books on it in this piece of furniture, actually. Not interesting, but I said I’d photograph all book shelves as part of this project:

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Before my wife and I married, we lived in Tokyo for a while; we bought a bunch of these board books at a 100 yen shop. Here’s one:

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Night stand: always a place of shelving instability:

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The book shelf in my son’s room—lots of board books, Eric Carle, stuff like that. He likes trains and dogs:

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So, I covered both of the kid’s rooms in one post in the hopes of getting to more interesting volumes in the next few weeks. On deck: the den/kitchen space, featuring cookbooks, art books, and travel volumes.

January 15, 2012

Book Shelves #3, 1.15.2012

by Biblioklept

Book shelves series #3, third Sunday of 2012: In which we revisit the master bedroom corner piece bookshelf in the southwest corner; two tiers + top shelf.

So, in last week’s engrossing installment our hero photographed and discussed some of the books in this bookshelf:

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The post optimistically concluded: “So we’ve made it out of my bedroom” — but not so, dear reader, as post-Christmas/New Year cleaning up type activities led to a box of books, still in a storage room in the back of my house, needing to finally be shelved or ejected from the house. Said box:

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Most of the volumes herein are aesthetically-challenged/of a certain sentimental value: lots of books from my youth and the youth of my wife; lots of books that taught me how to read, books that weirded me out, books that I hope my kids will want to read in a few years. The corner piece bookshelf had the most (only, really) free space for shelving; it’s also tucked away from public view where an eyesore like my crumbling copy of Vonnegut’s Cat’s Cradle won’t sore eyes:

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I actually read Goines’s Swamp Man. It’s not the Deliverance knock off you might expect, although it is singularly horrific.

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Some beloved childhood classics. Arthur Ransome, S.E. Hinton, various myths and legends, Roald Dahl, etc.:

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Two books I hated. Hated. I keep them as badges of a strange honor, a sort of “I did it, okay?”:

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Melville stories held together with duct tape. This was the copy my 11th grade teacher assigned; I stole it of course. I used it in numerous subsequent courses and the annotations I made are somehow (unduly) precious to me. I can’t part with it even though I have at least two other volumes of Melville stories;

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Never sure where to shelve this RAW volume:

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Not sure if you can make out the title of this one, but it’s Alcoholic Anonymous’s Big Book. I found it on the beach one night when I was maybe 17 or 18. It’s full of highlighted passages and annotations and I’ve always been intrigued at what led the former owner to cast it away into cattailed dunes, as if the person couldn’t wait to be rid of it but couldn’t bear to bury it in a garbage can. Anyway, I picked it up because I pick up any discarded book, but I’ve kept it because I don’t know why I’ve kept it. Maybe it helped inform my reading of Infinite Jest, I don’t know:

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And here’s the “after” shot. I’ll try not to fret over re-shooting shelves again. But moving the box of books yesterday, knowing I was going to do the book shelf post today, I couldn’t help but photograph some of these as I went.

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January 8, 2012

Book Shelves #2, 1.08.2012

by Biblioklept

. . . it’s not too difficult, very obviously, to keep ten or twenty or let’s say even a hundred books; but once you start to have 361, or a thousand, or three thousand, and especially when the total starts to increase every day or thereabouts, the problem arises, first of all of arranging all these books somewhere and then of being able to lay your hand on them one day when, for whatever reason, you either  want or need to read them at last or even to reread them.

Thus the problem of a library is twofold: a problem of space, first of all, then a problem of order.

—Georges Perec, from “Brief Notes on the Art and Manner of Arranging One’s Books” (1978)

Book shelves series #2, second Sunday of 2012. Master bedroom: Corner piece bookshelf in the southwest corner; two tiers + top shelf.

I didn’t take a picture of the entire bookshelf, a humble little two-tier piece that abuts the corner of any room with corners. Actually, I did take a picture—a few—but they just looked awful. Like I said in the first installment of this series, it’s not my goal to present aesthetically pleasing portraits of bookshelves.

This corner bookshelf was my grandmother’s and I’ve had it for at least 10 years. The top shelf holds five books that rest there for entirely aesthetic purposes; looking at them now I realize that, with the exception of the Audubon volume in the middle and the Lewis Carroll on the end, I’ve never even bothered to flick through them. They look strange photographed here without the framed photographs, plants, and tchotchkes that attend most shelves in the house:

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At one point, this entire piece of furniture was double shelved (is this a term? Do you know what I mean here?) with cheap mass market paperbacks, the kind of books that I bought and received for years. I rarely buy mass markets anymore; nor do I like hardbacks. I’m a trade paperback man. Still, some of the sci-fi/dystopian lit here was fundamental to my early reading habits, to the point where I even pick up newer volumes (like Philip Pullman’s books) in mass market paperback.

We also see here the first of many cameras scattered throughout the books in this house. This particular Polaroid is likely the least antiquated; I think it’s from 1999 or 2000. I took all these photos with an iPhone:

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The shot is blurry, so you might not make out the cracked spines, but there are many Huxley books there (although it occurs to me now how odd it is that only one Vonnegut volume is there, when I know that I have so many more somewhere). Two noteworthy Huxleys:

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We have children. There are children’s books everywhere in the house, organized in no particular fashion. The drawing and painting books belonged to my grandmother, who was an amateur painter. I am fairly familiar with these books.

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More kids books. They were probably stuffed here after piling up on the floor one night. The box is full of homemade dice and preserved insects:

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And more mass markets—sci-fi and fantasy. Many of these were, uh, “borrowed” and never returned, either from a school that I used to work for (The Left Hand of Darkness; Alas Babylon, the aforementioned Pullman volumes), or from dear friends (I’m looking at you, William Gibson books). There are probably 50 more books like this in a secret stash in the back of the house, out of sight:

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The Lord of the Rings trilogy is an early paperback edition, sporting Tolkien’s original illustrations. My aunt gave me these. I’ve probably read The Lord of the Rings more than any other book, and I’m almost certain that I’ve owned it in more editions than any other book:

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 A dear friend lent me Gibson’s Neuromancer years ago; I know Gibson’s other early books (the first two trilogies) must be somewhere around the house, unless I passed them on, but I’ve always been fond of this book, which taught me how to read in some ways:

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So we’ve made it out of my bedroom—I chose not to take a picture of my wife’s night stand, for her privacy, I suppose, although she might not have cared. (She doesn’t read this blog and is likely unaware of this weird project). There was a Hayao Miyazaki adaptation she was reading to our daughter there, and Hemingway’s novel The Garden of Eden, which I think she finished just the other night.

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