Books whose blueness penetrates the pages between their covers are books which, without depriving us of the comfort of our own commode or the sight of our liberal selves, place us inside a manufactured privacy. This privacy is really not that of someone else. It must be artificial because the real world plainly bores us. Impatient, we can’t wait for nature to take its course.
When we take our textual tour through the slums, we want crime, violence, starvation, disease, not hours of just sitting around. We want the world to be the world we read about in the papers; all news. What good is my ring if the couple I am using it to spy on make love in darkness once a month, and then are quick, inept, and silent? Better rob banks. The money is always there. What good is my peek at her pubic hair if I must also see the red lines made by her panties, the pimples on her ramp, broken veins like the print of a lavender thumb, the stepped-on look of a day’s-end muff? I’ve that at home. No. Vishnu is blue in all his depictions. Lord Krishna too. Yes. The blue we bathe in is the blue we breathe. The blue we breathe, I fear, is what we want from life and only find in fiction. For the voyeur, fiction is what’s called going all the way.
The privacy which a book makes public is nevertheless made public very privately—not like the billboard which shouts at the street, or the movie whose image is so open we need darkness to cover the clad-ass and naked face that’s settled in our seat. A fictional text enters consciousness so discreetly it is never seen outdoors . . . from house to house it travels like a whore . . . so even on a common carrier I can quite safely fill my thoughts with obscene adjectives and dirty verbs although the place I occupy is thigh-sided by a parson.
We like that.
Thus between the aesthetically irrelevant demands of the reader and the aesthetically crippling personal worries of the writer, sexuality reaches literature as an idee fixe, an artifically sweetened distortion or an outright lie, while the literature itself leaks quality like a ruptured pipe.
From William H. Gass’s On Being Blue: A Philosophical Inquiry.
Human life must be some kind of mistake. The truth of this will be sufficiently obvious if we only remember that man is a compound of needs and necessities hard to satisfy; and that even when they are satisfied, all he obtains is a state of painlessness, where nothing remains to him but abandonment to boredom. This is direct proof that existence has no real value in itself; for what is boredom but the feeling of the emptiness of life? If life—the craving for which is the very essence of our being—were possessed of any positive intrinsic value, there would be no such thing as boredom at all: mere existence would satisfy us in itself, and we should want for nothing. But as it is, we take no delight in existence except when we are struggling for something; and then distance and difficulties to be overcome make our goal look as though it would satisfy us—an illusion which vanishes when we reach it; or else when we are occupied with some purely intellectual interest—when in reality we have stepped forth from life to look upon it from the outside, much after the manner of spectators at a play. And even sensual pleasure itself means nothing but a struggle and aspiration, ceasing the moment its aim is attained. Whenever we are not occupied in one of these ways, but cast upon existence itself, its vain and worthless nature is brought home to us; and this is what we mean by boredom. The hankering after what is strange and uncommon—an innate and ineradicable tendency of human nature—shows how glad we are at any interruption of that natural course of affairs which is so very tedious.
From Studies in Pessimism by Arthur Schopenhauer (translation by T. Bailey Saunders).
The brain may be regarded as a kind of parasite of the organism, a pensioner, as it were, who dwells with the body: and leisure, that is, the time one has for the free enjoyment of one’s consciousness or individuality, is the fruit or produce of the rest of existence, which is in general only labor and effort. But what does most people’s leisure yield?—boredom and dullness; except, of course, when it is occupied with sensual pleasure or folly. How little such leisure is worth may be seen in the way in which it is spent: and, as Ariosto observes, how miserable are the idle hours of ignorant men!—ozio lungo d’uomini ignoranti. Ordinary people think merely how they shall spend their time; a man of any talent tries to use it. The reason why people of limited intellect are apt to be bored is that their intellect is absolutely nothing more than the means by which the motive power of the will is put into force: and whenever there is nothing particular to set the will in motion, it rests, and their intellect takes a holiday, because, equally with the will, it requires something external to bring it into play. The result is an awful stagnation of whatever power a man has—in a word, boredom. To counteract this miserable feeling, men run to trivialities which please for the moment they are taken up, hoping thus to engage the will in order to rouse it to action, and so set the intellect in motion; for it is the latter which has to give effect to these motives of the will. Compared with real and natural motives, these are but as paper money to coin; for their value is only arbitrary—card games and the like, which have been invented for this very purpose. And if there is nothing else to be done, a man will twirl his thumbs or beat the devil’s tattoo; or a cigar may be a welcome substitute for exercising his brains.
From The Wisdom of Life by Arthur Schopenhauer (translation by T. Bailey Saunders).
The most general survey shows us that the two foes of human happiness are pain and boredom. We may go further, and say that in the degree in which we are fortunate enough to get away from the one, we approach the other. Life presents, in fact, a more or less violent oscillation between the two. The reason of this is that each of these two poles stands in a double antagonism to the other, external or objective, and inner or subjective. Needy surroundings and poverty produce pain; while, if a man is more than well off, he is bored. Accordingly, while the lower classes are engaged in a ceaseless struggle with need, in other words, with pain, the upper carry on a constant and often desperate battle with boredom. The inner or subjective antagonism arises from the fact that, in the individual, susceptibility to pain varies inversely with susceptibility to boredom, because susceptibility is directly proportionate to mental power. Let me explain. A dull mind is, as a rule, associated with dull sensibilities, nerves which no stimulus can affect, a temperament, in short, which does not feel pain or anxiety very much, however great or terrible it may be. Now, intellectual dullness is at the bottom of that vacuity of soul which is stamped on so many faces, a state of mind which betrays itself by a constant and lively attention to all the trivial circumstances in the external world. This is the true source of boredom—a continual panting after excitement, in order to have a pretext for giving the mind and spirits something to occupy them. The kind of things people choose for this purpose shows that they are not very particular, as witness the miserable pastimes they have recourse to, and their ideas of social pleasure and conversation: or again, the number of people who gossip on the doorstep or gape out of the window. It is mainly because of this inner vacuity of soul that people go in quest of society, diversion, amusement, luxury of every sort, which lead many to extravagance and misery. Nothing is so good a protection against such misery as inward wealth, the wealth of the mind, because the greater it grows, the less room it leaves for boredom. The inexhaustible activity of thought! Finding ever new material to work upon in the multifarious phenomena of self and nature, and able and ready to form new combinations of them,—there you have something that invigorates the mind, and apart from moments of relaxation, sets it far above the reach of boredom.
From Arthur Schopenhauer’s The Wisdom of Life (trans. T. Bailey Saunders).