The possibility of mislocation of the self (Donald Barthelme)

It was suggested that what was admired about the balloon was finally this: that it was not limited, or defined.  Sometimes a bulge, blister, or subsection would carry all the way east to the river on its own initiative, in the manner of an army’s movements on a map, as seen in a headquarters remote from the fighting.  Then that part would be, as it were, thrown back again, or would withdraw into new dispositions; the next morning, that part would have made another sortie, or disappeared altogether.  This ability of the balloon to shift its shape, to change, was very pleasing, especially to people whose lives were rather rigidly patterned, persons to whom change, although desired, was not available.  The balloon, for the twenty-two days of its existence, offered the possibility, in its randomness, of mislocation of the self, in contradistinctions to the grid of precise, rectangular pathways under our feet.  The amount of specialized training currently needed, and the consequent desirability of long-term commitments, has been occasioned by the steadily growing importance of complex machinery, in virtually all kinds of operations; as this tendency increases, more and more people will turn, in bewildered inadequacy, to solutions for which the balloon many stand as a prototype, or “rough draft.”

From Donald Barthelme’s short story “The Balloon.”

Is there any value that has value? (Donald Barthelme)

I asked the Cardinal questions, we had a conversation.

“I am thinking of a happy island more beautiful than can be imagined,” I said.

“I am thinking of a golden mountain which does not exist,” he said.

“Upon what does the world rest?” I asked.

“Upon an elephant,” he said.

“Upon what does the elephant rest?”

“Upon a tortoise.”

“Upon what does the tortoise rest?”

“Upon a red lawnmower.”

I wrote in my book, playful.

“Is there any value that has value?” I asked.

“If there is any value that has value, then it must lie outside the whole sphere of what happens and is the case, for all that happens and is the case is accidental.” He was not serious. I wrote in my book, knows the drill.

From Donald Barthelme’s story “See the Moon?”

Barthelme has managed to place himself in the center of modern consciousness (William H. Gass)

Barthelme has managed to place himself in the center of modern consciousness. Nothing surrealist about him, his dislocations are real, his material quite actual. Radio, television, movies, newspapers, books, magazines, social talk: these supply us with our experience. Rarely do we see trees, go meadowing, or capture crickets in a box. The aim of every media, we are nothing but the little darkening hatch they trace when, narrowly, they cross. Computers begin by discriminating only when they’re told to. Are they ahead that much? since that’s the way we end. At home I rest from throwing pots according to instructions by dipping in some history of the Trojan war; the fete of Vietnam is celebrated on the telly; my daughter’s radio is playing rock—perhaps it’s used cars or Stravinsky; my wife is telling me she loves me, is performing sexercises with a yogi Monday, has accepted a proposal to be photoed without clothing and now wonders if the draft will affect the teaching of freshman chemistry. Put end to end like words, my consciousness is a shitty run of category errors and non sequiturs. Putting end to end and next to next is Barthelme’s method, and in Barthelme, blessed method is everything.

From William H. Gass’s 1968 essay “The Leading edge of the Trash Phenomenon,” an ostensible review of Donald Barthelme’s collection Unspeakable Practices, Unnatural Acts.

“Sentence” — Donald Barthelme

Donald Barthelme

Or a long sentence moving at a certain pace down the page aiming for the bottom-if not the bottom of this page then some other page-where it can rest, or stop for a moment to think out the questions raised by its own (temporary) existence, which ends when the page is turned, or the sentence falls out of the mind that holds it (temporarily) in some kind of embrace, not necessarily an ardent one, but more perhaps the kind of embrace enjoyed (or endured), by a wife who has just waked up and is on her way to the bathroom in the morning to wash her hair, and is bumped into by her husband, who has been lounging at the breakfast table reading the newspaper, and doesn’t see her coming out of the bedroom, but, when he bumps into her, or is bumped into by her, raises his hands to embrace her lightly, transiently, because he knows that if he gives her a real embrace so early in the morning, before she has properly shaken the dreams out of her head, and got her duds on, she won’t respond, and may even become slightly angry, and say something wounding, and so the husband invests in this embrace not so much physical or emotional pressure as he might, because he doesn’t want to waste anything-with this sort of feeling, then, the sentence passes through the mind more or less, and there is another way of describing the situation too, which is to say that the sentence crawls through the mind like something someone says to you while you are listening very hard to the FM radio, some rock group there, with its thrilling sound, and so, with your attention or the major part of it at least already rewarded, there is not much mind room you can give to the remark, especially considering that you have probably just quarreled with that person, the maker of the remark, over the radio being too loud, or something like that, and the view you take, of the remark, is that you’d really rather not hear it, but if you have to hear it, you want to listen to it for the smallest possible length of time, and during a commercial, because immediately after the commercial they’re going to play a new rock song by your favorite group, a cut that has never been aired before, and you want to hear it and respond to it in a new way, a way that accords with whatever you’re feeling at the moment, or might feel, if the threat of new experience could be (temporarily) overbalanced by the promise of possible positive benefits, or what the mind construes as such, remembering that these are often, really, disguised defeats (not that such defeats are not, at times, good for your character, teaching you that it is not by success alone that one surmounts life, but that setbacks, too, contribute to that roughening of the personality that, by providing a textured surface to place against that of life, enables you to leave slight traces, or smudges, on the face of human history-your mark) and after all, benefit-seeking always has something of the smell of raw vanity about it, as if you wished to decorate your own brow with laurel, or wear your medals to a cookout, when the invitation had said nothing about them, and although the ego is always hungry (we are told) it is well to remember that ongoing success is nearly as meaningless as ongoing lack of success, which can make you sick, and that it is good to leave a few crumbs on the table for the rest of your brethren, not to sweep it all into the little beaded purse of your soul but to allow others, too, part of the gratification, and if you share in this way you will find the clouds smiling on you, and the postman bringing you letters, and bicycles available when you want to rent them, and many other signs, however guarded and limited, of the community’s (temporary) approval of you, or at least of it’s willingness to let you believe (temporarily) that it finds you not so lacking in commendable virtues as it had previously allowed you to think, from its scorn of your merits, as it might be put, or anyway its consistent refusal to recognize your basic humanness and its secret blackball of the project of your remaining alive, made in executive session by its ruling bodies, which, as everyone knows, carry out concealed programs of reward and punishment, under the rose, causing faint alterations of the status quo, behind your back, at various points along the periphery of community life, together with other enterprises not dissimilar in tone, such as producing films that have special qualities, or attributes, such as a film where the second half of it is a holy mystery, and girls and women are not permitted to see it, or writing novels in which the final chapter is a plastic bag filled with water, which you can touch, but not drink: in this way, or ways, the underground mental life of the collectivity is botched, or denied, or turned into something else never imagined by the planners, who, returning from the latest seminar in crisis management and being asked what they have learned, say they have learned how to throw up their hands; the sentence meanwhile, although not insensible of these considerations, has a festering conscience of its own, which persuades it to follow its star, and to move with all deliberate speed from one place to another, without losing any of the “riders” it may have picked up just being there, on the page, and turning this way and that, to see what is over there, under that oddly-shaped tree, or over there, reflected in the rain barrel of the imagination, even though it is true that in our young manhood we were taught that short, punchy sentences were best (but what did he mean? doesn’t “punchy” mean punch-drunk? I think he probably intended to say “short, punching sentences,” meaning sentences that lashed out at you, bloodying your brain if possible, and looking up the word just now I came across the nearby “punkah,” which is a large fan suspended from the ceiling in India, operated by an attendant pulling a rope-that is what I want for my sentence, to keep it cool!) we are mature enough now to stand the shock of learning that much of what we were taught in our youth was wrong, or improperly understood by those who were teaching it, or perhaps shaded a bit, the shading resulting from the personal needs of the teachers, who as human beings had a tendency to introduce some of their heart’s blood into their work, and sometimes this may not have been of the first water, this heart’s blood, and even if they thought they were moving the “knowledge” out, as the Board of Education had mandated, they could have noticed that their sentences weren’t having the knockdown power of the new weapons whose bullets tumble end-over-end (but it is true that we didn’t have these weapons at that time) and they might have taken into account the fundamental dubiousness of their project (but all the intelligently conceived projects have been eaten up already, like the moon and the stars) leaving us, in our best clothes, with only things to do like conducting vigorous wars of attrition against our wives, who have now thoroughly come awake, and slipped into their striped bells, and pulled sweaters over their torsi, and adamantly refused to wear any bras under the sweaters, carefully explaining the political significance of this refusal to anyone who will listen, or look, but not touch, because that has nothing to do with it, so they say; leaving us, as it were, with only things to do like floating sheets of Reynolds Wrap around the room, trying to find out how many we can keep in the air at the same time, which at least gives us a sense of participation, as though we were Buddha, looking down at the mystery of your smile, which needs to be investigated, and I think I’ll do that right now, while there’s still enough light, if you’ll sit down over there, in the best chair, and take off all your clothes, and put your feet in that electric toe caddy (which prevents pneumonia) and slip into this permanent press hospital gown, to cover your nakedness-why, if you do all that, we’ll be ready to begin! after I wash my hands, because you pick up an amazing amount of exuviae in this city, just by walking around in the open air, and nodding to acquaintances, and speaking to friends, and copulating with lovers, in the ordinary course (and death to our enemies! by and by)-but I’m getting a little uptight, just about washing my hands, because I can’t find the soap, which somebody has used and not put back in the soap dish, all of which is extremely irritating, if you have a beautiful patient sitting in the examining room, naked inside her gown, and peering at her moles in the mirror, with her immense brown eyes following your every movement (when they are not watching the moles, expecting them, as in a Disney nature film, to exfoliate) and her immense brown head wondering what you’re going to do to her, the pierced places in the head letting that question leak out, while the therapist decides just to wash his hands in plain water, and hang the soap! and does so, and then looks around for a towel, but all the towels have been collected by the towel service, and are not there, so he wipes his hands on his pants, in the back (so as to avoid suspicious stains on the front) thinking: what must she think of me? and, all this is very unprofessional and at-sea looking! trying to visualize the contretemps from her point of view, if she has one (but how can she? she is not in the washroom) and then stopping, because it is finally his own point of view that he cares about and not hers, and with this firmly in mind, and a light, confident step, such as you might find in the works of Bulwer-Lytton, he enters the space she occupies so prettily and, taking her by the hand, proceeds to tear off the stiff white hospital gown (but no, we cannot have that kind of pornographic merde in this majestic and high-minded sentence, which will probably end up in the Library of Congress) (that was just something that took place inside his consciousness, as he looked at her, and since we know that consciousness is always consciousness of something, she is not entirely without responsibility in the matter) so, then, taking her by the hand, he falls into the stupendous white puree of her abyss, no, I mean rather that he asks her how long it has been since her last visit, and she says a fortnight, and he shudders, and tells her that with a condition like hers (she is an immensely popular soldier, and her troops win all their battles by pretending to be forests, the enemy discovering, at the last moment, that those trees they have eaten their lunch under have eyes and swords) (which reminds me of the performance, in 1845, of Robert-Houdin, called The Fantastic Orange Tree, wherein Robert-Houdin borrowed a lady’s handkerchief, rubbed it between his hands and passed it into the center of an egg, after which he passed the egg into the center of a lemon, after which he passed the lemon into the center of an orange, then pressed the orange between his hands, making it smaller and smaller, until only a powder remained, whereupon he asked for a small potted orange tree and sprinkled the powder thereupon, upon which the tree burst into blossom, the blossoms turning into oranges, the oranges turning into butterflies, and the butterflies turning into beautiful young ladies, who then married members of the audience), a condition so damaging to real-time social intercourse of any kind, the best thing she can do is give up, and lay down her arms, and he will lie down in them, and together they will permit themselves a bit of the old slap and tickle, she wearing only her Mr. Christopher medal, on its silver chain, and he (for such is the latitude granted the professional classes) worrying about the sentence, about its thin wires of dramatic tension, which have been omitted, about whether we should write down some natural events occurring in the sky (birds, lightning bolts), and about a possible coup d’etat within the sentence, whereby its chief verb would be-but at this moment a messenger rushes into the sentence, bleeding from a hat of thorns he’s wearing, and cries out: “You don’t know what you’re doing! Stop making this sentence, and begin instead to make Moholy-Nagy cocktails, for those are what we really need, on the frontiers of bad behavior!” and then he falls to the floor, and a trap door opens under him, and he falls through that, into a damp pit where a blue narwhal waits, its horn poised (but maybe the weight of the messenger, falling from such a height, will break off the horn)-thus, considering everything very carefully, in the sweet light of the ceremonial axes, in the run-mad skimble-skamble of information sickness, we must make a decision as to whether we should proceed, or go back, in the latter case enjoying the pathos of eradication, in which the former case reading an erotic advertisement which begins, How to Make Your Mouth a Blowtorch of Excitement (but wouldn’t that overtax our mouthwashes?) attempting, during the pause, while our burned mouths are being smeared with fat, to imagine a better sentence, worthier, more meaningful, like those in the Declaration of Independence, or a bank statement showing that you have seven thousand kroner more than you thought you had-a statement summing up the unreasonable demands that you make on life, and one that also asks the question, if you can imagine these demands, why are they not routinely met, tall fool? but of course it is not that query that this infected sentence has set out to answer (and hello! to our girl friend, Rosetta Stone, who has stuck by us through thick and thin) but some other query that we shall some day discover the nature of, and here comes Ludwig, the expert on sentence construction we have borrowed from the Bauhaus, who will-“Guten Tag, Ludwig!”-probably find a way to cure the sentence’s sprawl, by using the improved way of thinking developed in Weimer-“I am sorry to inform you that the Bauhaus no longer exists, that all of the great masters who formerly thought there are either dead or retired, and that I myself have been reduced to constructing books on how to pass the examination for police sergeant”-and Ludwig falls through the Tugendhat House into the history of man-made objects; a disappointment, to be sure, but it reminds us that the sentence itself is a man-made object, not the one we wanted of course, but still a construction of man, a structure to be treasured for its weakness, as opposed to the strength of stones


Because It’s So Damn Cold, Donald Barthelme’s Recipes for Fine Homemade Oxtail Soup and Fine Homemade Leek Soup

In his introduction to The Teachings of Don B, Thomas Pynchon praises Donald Barthelme’s soups:

Those recipes. That oxtail soup mix. That “burgoo,” with the frozen ducks in it? A notable moment in chef psychopathology, to be sure — yet such is Barthelme’s genius that even the most porkophobic or duck-intolerant among us is drooling, unashamed, by recipe’s end.

I don’t own The Teachings of Don B, but Pynchon’s description (which I found while looking for something entirely different) piqued my interest (first and foremost: was the recipe even a real thing?). Anyway: Via Maude Newton, via Overnight to Many Distant Cities, and then an additional Google search to The Purest of Treats:


Take Knorr Oxtail Soupmix, decant into same any leftover meat (sliced or diced) from the old refrigerator. Follow above strategies to the letter. The result will make you happy. Knorr’s Oxtail is also good as a basic gravy maker and constituent of a fine fake cassoulet about which we can talk at another time. Knorr is a very good Swiss outfit whose products can be found in both major and minor cities. The point here is not to be afraid of the potential soup but to approach it with the attitude that you know what’s best for it. And you do. The rawness of the vegetables refreshes the civilization of the Soupmixes. And there are opportunities for mercy–if your ox does not wish to part with his tail, for example, to dress up your fine Oxtail Soup, you can use commercial products from our great American supermarkets, which will be almost as good.

And if you’re into Lenten observation:


Take one package Knorr Leek Soupmix. Prepare as directed. Take two live leeks. Chop leeks into quarter-inch rounds. Throw into Soupmix. Throw in ½ cup Tribuno Dry Vermouth. Throw in chopped parsley. Throw in some amount of salt and a heavy bit of freshly ground pepper. Eat with good-quality French bread, dipped repeatedly in soup.

(See also: Gordon Lish’s recipe for chicken soup).

Read Donald Barthelme’s short story “At the End of the Mechanical Age”

“At the End of the Mechanical Age”


Donald Barthelme

I went to the grocery store to buy some soap. I stood for a long time before the soaps in their attractive boxes, RUB and FAB and TUB and suchlike, I couldn’t decide so I closed my eyes and reached out blindly and when I opened my eyes I found her hand in mine.

Her name was Mrs. Davis, she said, and TUB was best for important cleaning experiences, in her opinion. So we went to lunch at a Mexican restaurant which as it happened she owned, she took me into the kitchen and showed me her stacks of handsome beige tortillas and the steam tables which were shiny-brite. I told her I wasn’t very good with women and she said it didn’t matter, few men were, and that nothing mattered, now that Jake was gone, but I would do as an interim project and sit down and have a Carta Blanca. So I sat down and had a cool Carta Blanca, God was standing in the basement reading the meters to see how much grace had been used up in the month of June. Grace is electricity, science has found, it is not like electricity, it is electricity and God was down in the basement reading the meters in His blue jump suit with the flashlight stuck in the back pocket.

“The mechanical age is drawing to a close,” I said to her.

“Or has already done so,” she replied.

“It was a good age,” I said. “I was comfortable in it, relatively. Probably I will not enjoy the age to come quite so much. I don’t like its look.”

“One must be fair. We don’t know yet what kind of an age the next one will be. Although I feel in my bones that it will be an age inimical to personal well-being and comfort, and that is what I like, personal well-being and comfort.”

“Do you suppose there is something to be done?” I asked her.

“Huddle and cling,” said Mrs. Davis. “We can huddle and cling. It will pall, of course, everything palls, in time…”

Then we went back to my house to huddle and cling, most women are two different colors when they remove their clothes especially in summer but Mrs. Davis was all one color, an ocher. She seemed to like huddling and clinging, she stayed for many days. From time to time she checked the restaurant keeping everything shiny-brite and distributing sums of money to the staff, returning with tortillas in sacks, cases of Carta Blanca, buckets of guacamole, but I paid her for it because I didn’t want to feel obligated.

There was a song I sang her, a song of great expectations.

Ralph is coming,” I sang, “Ralph is striding in his suit of lights over moons and mountains, over parking lots and fountains, toward your silky side. Ralph is coming, he has a coat of many colors and all major credit cards and he is striding to meet you and culminate your foggy dreams in an explosion of blood and soil, at the end of the mechanical age. Ralph is coming preceded by fifty running men with spears and fifty dancing ladies who are throwing leaf spinach out of little baskets, in his path. Ralph is perfect,” I sang, “but he is also full of interesting tragic flaws, and he can drink fifty running men under the table without breaking his stride, and he can have congress with fifty dancing ladies without breaking his stride, even his socks are ironed, so natty is Ralph, but he is also right down in the mud with the rest of us, he markets the mud at high prices for specialized industrial uses and he is striding, striding, striding, toward your waiting heart. Of course you may not like him, some people are awfully picky… Ralph is coming,” I sang to her, “he is striding over dappled plains and crazy rivers and he will change your life for the better, probably you will be fainting with glee at the simple touch of his grave gentle grizzled hand although I am aware that some people can’t stand prosperity, Ralph is coming, I hear his hoofsteps on the drumhead of history, he is striding as he has been all his life toward you, you, you.”

“Yes,” Mrs. Davis said, when I had finished singing, “that is what I deserve, all right. But probably I will not get it. And in the meantime, there is you.”

God then rained for forty days and forty nights, when the water tore away the front of the house we got into the boat. Mrs. Davis liked the way I maneuvered the boat off the trailer and out of the garage, she was provoked into a memoir of Jake.

Continue reading “Read Donald Barthelme’s short story “At the End of the Mechanical Age””

Donald Barthelme interviewed by George Plimpton (Video)

From The University of Houston and via Jessamyn West.

Read Donald Barthelme’s short story, “The Phantom of the Opera’s Friend”

 “The Phantom of the Opera’s Friend”
Donald Barthelme

I have never visited him in his sumptuous quarters five levels below the Opera, across the dark lake.

But he has described them. Rich divans, exquisitely carved tables, amazing silk and satin draperies. The large, superbly embellished mantelpiece, on which rest two curious boxes, one containing the figure of a grasshopper, the other the figure of a scorpion…

He can, in discoursing upon his domestic arrangements, become almost merry. For example, speaking of the wine he has stolen from the private cellar of the Opera’s Board of Directors:

“A very adequate Montrachet! Four bottles! Each director accusing every other director! I tell you, it made me feel like a director myself! As if I were worth two or three millions and had a fat, ugly wife! And the trout was admirable. You know what the Poles say—fish, to taste right, must swim three times: in water, butter, and wine. All in all, a splendid evening!”

But he immediately alters the mood by making some gloomy observation. “Our behavior is mocked by the behavior of dogs.”

It is not often that the accents of joy issue from beneath that mask.

Monday. I am standing at the place I sometimes encounter him, a little door at the rear of the Opera (the building has 2, 531 doors to which there are 7, 593 keys). He always appears “suddenly”—a coup de theatre that is, to tell the truth, more annoying than anything else. We enact a little comedy of surprise.

“It’ s you!”

“Yes. ”

“What are you doing here?”

“Waiting. ”

But today no one appears, although I wait for half an hour. I have wasted my time. Except—

Faintly, through many layers of stone, I hear organ music. The music is attenuated but unmistakable. It is his great work Don Juan Triumphant. A communication of a kind.

I rejoice in his immense, buried talent.

(Read the rest here).

Barthelme and Chwast (Book Acquired, 7.15.2014)


Not Barthelme’s finest, but hey. An illustrated artifact, very much of its era.



“The Emerald” — Donald Barthelme

Hey buddy what’s your name?
My name is Tope. What’s your name?
My name is Sallywag. You after the emerald?
Yeah I’m after the emerald you after the emerald too?
I am. What are you going to do with it if you get it?
Cut it up into little emeralds. What are you going to do with it?
I was thinking of solid emerald armchairs. For the rich.
That’s an idea. What’s your name, you?
Wide Boy.
You after the emerald?
Sure as shootin’.
How you going to get in?
Blast. That’s going to make a lot of noise isn’t it?
You think it’s a bad idea?
Well…What’s your name, you there?
You after the emerald?
Right as rain. What’s more, I got a plan.
Can we see it?
No it’s my plan I can’t be showing it to every—
Okay okay. What’s that guy’s name behind you?
My name is Sometimes.
You here about the emerald, Sometimes?
I surely am.
Have you got an approach?
Tunneling. I’ve took some test borings. Looks like a stone cinch.
If this is the right place.
You think this may not be the right place?
The last three places haven’t been the right place.
You tryin’ to bring me down?
Why would I want to do that? What’s that guy’s name, the one with the shades?
My name is Brother. Who are all these people?
Businessmen. What do you think of the general situation, Brother?
I think it’s crowded. This is my pal, Wednesday.
What say, Wednesday. After the emerald, I presume?
Thought we’d have a go.
Two heads better than one, that the idea?
What are you going to do with the emerald, if you get it?
Facet. Facet and facet and facet.

Read the rest of Donald Barthelme’s short story “The Emerald.”


“Patricide: Patricide is a bad idea” (Donald Barthelme)

Patricide: Patricide is a bad idea, first because it is contrary to law and custom and second because it proves, beyond a doubt, that the father’s every fluted accusation against you was correct: you are a thoroughly bad individual, a patricide! — member of a class of persons universally ill-regarded. It is all right to feel this hot emotion, but not to act upon it. And it is not necessary. It is not necessary to slay your father, time will slay him, that is a virtual certainty. Your true task lies elsewhere. Your true task, as a son, is to reproduce every one of the enormities touched upon in this manual, but in attenuated form. You must become your father, but a paler, weaker version of him. The enormities go with the job, but close study will allow you to perform the job less well than it has previously been done, thus moving toward a golden age of decency, quiet, and calmed fevers. Your contribution will not be a small one, but “small” is one of the concepts that you should shoot for. If your father was a captain in Battery D, then content yourself with a corporalship in the same battery. Do not attend the annual reunions. Do not drink beer or sing songs at the reunions. Begin by whispering, in front of a mirror, for thirty minutes a day. Then tie your hands behind your back for thirty minutes a day, or get someone else to do this for you. Then, choose one of your most deeply held beliefs, such as the belief that your honors and awards have something to do with you, and abjure it. Friends will help you abjure it, and can be telephoned if you begin to backslide. You see the pattern, put it into practice. Fatherhood can be, if not conquered, at least “turned down” in this generation — by the combined efforts of all of us together.

From Donald Barthelme’s novel The Dead Father.