Posts tagged ‘F. Scott Fitzgerald’

August 3, 2011

“Two Dreams” — F. Scott Fitzgerald

by Biblioklept

“Two Dreams,” a fragment from F. Scott Fitzgerald’s Notebooks

(1) A trip to Florida with Howard Garrish and many bathing beauties. Asleep standing on the prow the beach and girls dancing. The one one skates like skiis. Like Switzerland, far castles and palaces. The horseman in the sea, the motor truck on sand, the horsemen coming ashore, the Bishop rears, falls, the horse saves him. My room, suits and ties, the view, the soldiers drilling under arcs in khaki, the wonderful water man is now Tom Taylor, I buy and ties wake in strange room. Blunder into Mother who nags me. My mean remarks.
(2) The colored burglar. Found clothes in hotel—underwear, suit; I discover pocket book, Echenard, my accusation.

July 5, 2011

“This Schedule In Effect July 5th, 1922″ — The Great Gatsby’s House Guests

by Biblioklept

In Chapter 4 of F. Scott Fitzgerald’s The Great Gatsby, narrator Nick Carraway recounts the names of the rich, shallow, parasitic guests who attended Gatsby’s parties. Nick tells us the list comes from “an old time-table” of names he originally recorded in July 5th—significantly, the day after Independence Day: the day after the hopes and dreams of a new country. From the chapter—-

Once I wrote down on the empty spaces of a time-table the names of those who came to Gatsby’s house that summer. It is an old time-table now, disintegrating at its folds, and headed “This schedule in effect July 5th, 1922.” But I can still read the gray names, and they will give you a better impression than my generalities of those who accepted Gatsby’s hospitality and paid him the subtle tribute of knowing nothing whatever about him.

From East Egg, then, came the Chester Beckers and the Leeches, and a man named Bunsen, whom I knew at Yale, and Doctor Webster Civet, who was drowned last summer up in Maine. And the Hornbeams and the Willie Voltaires, and a whole clan named Blackbuck, who always gathered in a corner and flipped up their noses like goats at whosoever came near. And the Ismays and the Chrysties (or rather Hubert Auerbach and Mr. Chrystie’s wife), and Edgar Beaver, whose hair, they say, turned cotton-white one winter afternoon for no good reason at all.

Clarence Endive was from East Egg, as I remember. He came only once, in white knickerbockers, and had a fight with a bum named Etty in the garden. From farther out on the Island came the Cheadles and the O. R. P. Schraeders, and the Stonewall Jackson Abrams of Georgia, and the Fishguards and the Ripley Snells. Snell was there three days before he went to the penitentiary, so drunk out on the gravel drive that Mrs. Ulysses Swett’s automobile ran over his right hand. The Dancies came, too, and S. B. Whitebait, who was well over sixty, and Maurice A. Flink, and the Hammerheads, and Beluga the tobacco importer, and Beluga’s girls.

From West Egg came the Poles and the Mulreadys and Cecil Roebuck and Cecil Schoen and Gulick the state senator and Newton Orchid, who controlled Films Par Excellence, and Eckhaust and Clyde Cohen and Don S. Schwartze (the son) and Arthur McCarty, all connected with the movies in one way or another. And the Catlips and the Bembergs and G. Earl Muldoon, brother to that Muldoon who afterward strangled his wife. Da Fontano the promoter came there, and Ed Legros and James B. (“Rot-Gut.”) Ferret and the De Jongs and Ernest Lilly — they came to gamble, and when Ferret wandered into the garden it meant he was cleaned out and Associated Traction would have to fluctuate profitably next day.

A man named Klipspringer was there so often and so long that he became known as “the boarder.”— I doubt if he had any other home. Of theatrical people there were Gus Waize and Horace O’donavan and Lester Meyer and George Duckweed and Francis Bull. Also from New York were the Chromes and the Backhyssons and the Dennickers and Russel Betty and the Corrigans and the Kellehers and the Dewars and the Scullys and S. W. Belcher and the Smirkes and the young Quinns, divorced now, and Henry L. Palmetto, who killed himself by jumping in front of a subway train in Times Square.

Benny McClenahan arrived always with four girls. They were never quite the same ones in physical person, but they were so identical one with another that it inevitably seemed they had been there before. I have forgotten their names — Jaqueline, I think, or else Consuela, or Gloria or Judy or June, and their last names were either the melodious names of flowers and months or the sterner ones of the great American capitalists whose cousins, if pressed, they would confess themselves to be.

In addition to all these I can remember that Faustina O’brien came there at least once and the Baedeker girls and young Brewer, who had his nose shot off in the war, and Mr. Albrucksburger and Miss Haag, his fiancee, and Ardita Fitz-Peters and Mr. P. Jewett, once head of the American Legion, and Miss Claudia Hip, with a man reputed to be her chauffeur, and a prince of something, whom we called Duke, and whose name, if I ever knew it, I have forgotten.

All these people came to Gatsby’s house in the summer.

February 27, 2011

“Crazy Sunday” — F. Scott Fitzgerald

by Biblioklept

“Crazy Sunday” by F. Scott Fitzgerald-

It was Sunday–not a day, but rather a gap between two other days. Behind, for all of them, lay sets and sequences, the long waits under the crane that swung the microphone, the hundred miles a day by automobiles to and fro across a county, the struggles of rival ingenuities in the conference rooms, the ceaseless compromise, the clash and strain of many personalities fighting for their lives. And now Sunday, with individual life starting up again, with a glow kindling in eyes that had been glazed with monotony the afternoon before. Slowly as the hours waned they came awake like “Puppenfeen” in a toy shop: an intense colloquy in a corner, lovers disappearing to neck in a hall. And the feeling of “Hurry, it’s not too late, but for God’s sake hurry before the blessed forty hours of leisure are over.”

Joel Coles was writing continuity. He was twenty-eight and not yet broken by Hollywood. He had had what were considered nice assignments since his arrival six months before and he submitted his scenes and sequences with enthusiasm. He referred to himself modestly as a hack but really did not think of it that way. His mother had been a successful actress; Joel had spent his childhood between London and New York trying to separate the real from the unreal, or at least to keep one guess ahead. He was a handsome man with the pleasant cow-brown eyes that in 1913 had gazed out at Broadway audiences from his mother’s face.

When the invitation came it made him sure that he was getting somewhere. Ordinarily he did not go out on Sundays but stayed sober and took work home with him. Recently they had given him a Eugene O’Neill play destined for a very important lady indeed. Everything he had done so far had pleased Miles Calman, and Miles Calman was the only director on the lot who did not work under a supervisor and was responsible to the money men alone. Everything was clicking into place in Joel’s career. (“This is Mr. Calman’s secretary. Will you come to tea from four to six Sunday–he lives in Beverly Hills, number–.”)

February 16, 2011

The Great Gatsby for NES

by Biblioklept

Brilliant game sure to waste too much of your time — The Great Gatsby for NES.

January 22, 2011

F. Scott Fitzgerald Falls off the Wagon

by Biblioklept

Just finished reading this great 1982 Paris Review interview with famed poet, journalist, and tastemaker Malcolm Cowley; he talks Faulkner, Hemingway, Stein, drinking, sanity, poetry, publishing and more. Here, he shares an anecdote about F. Scott Fitzgerald

INTERVIEWERS

Do you see a relationship between unhappiness and poetic creativity?

COWLEY

To the extent that poems may be born from a straining of one’s senses and imagination to a degree to which they couldn’t be strained in ordinary life. I was reading F. Scott Fitzgerald’s correspondence the other day. Scott and Zelda’s difficulties were ones that I never had to face; I never had to drive myself to drink in order to get my imagination working. Actually, I found my imagination worked best on fatigue. That’s another form of intoxication . . . to set yourself writing, and keep on writing until after two or three hours the subconscious takes over. It’s certainly safer than alcohol. The trouble with alcohol is that you can’t keep it up.

I went to visit the Fitzgeralds when they were living outside of Baltimore—a place called “La Paix.” Scott said to me, “I’m on the wagon, but I got you a pint of whiskey from my bootlegger; I’m on water.” So we talked, or mostly he talked, and every once in a while he’d go out to the kitchen to get another glass of water. His talk became more belligerent, sometimes incoherent, until finally he said, “You know, that water I’ve been drinking all evening—it’s half grain alcohol.” I said to myself, “Oh . . . surprise!”

 

 

April 29, 2010

Beaton Does Gatsby

by Biblioklept

Cartoonist Kate Beaton lampoons F. Scott Fitzgerald’s The Great Gatsby at her site Hark, A Vagrant. Wonderful send-up of what has to be one of America’s most overrated novels.

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