Posts tagged ‘Jean Giraud’

March 7, 2013

Venetian Carnival — Moebius

by Biblioklept

venetian moebius

February 11, 2013

Wolverine — Moebius

by Biblioklept

wolvie moe

January 10, 2013

Moebius’s Designs for the 1988 Film Willow

by Biblioklept

Because of the age I was when I saw it, the 1988 film Willow has an unduly large place in my heart. I even got to see some of the sets as a child on a skiing vacation to the Remarkables, a mountain range near Queenstown, NZ.

So I was psyched to come across these early designs for the film by the Jean Giraud, the artist also known as Moebius. Full gallery at Tell Forward; a few samples below:WillowMoebius7

December 7, 2012

Nemo — Moebius

by Biblioklept

Nemo

November 26, 2012

Moebius Star Wars Illustration

by Biblioklept

(Via).

November 25, 2012

Spider-Man — Moebius

by Biblioklept

November 19, 2012

Self Portrait — Moebius

by Biblioklept

November 12, 2012

Starwatcher III — Moebius

by Biblioklept

November 8, 2012

The Thing — Moebius

by Biblioklept

November 5, 2012

Iron Man — Moebius

by Biblioklept

November 4, 2012

Batman — Moebius

by Biblioklept

November 4, 2012

Superman — Moebius

by Biblioklept

March 10, 2012

Moebius Penciling and Inking Blueberry (Video)

by Biblioklept
March 10, 2012

RIP Jean Giraud aka Moebius

by Biblioklept

French comic book legend Jean Giraud, also known as Moebius, died today in Paris at 73.

selfportraitmoebius

Although Giraud’s work is more famous in Europe, and particularly France and Belgium, where comics tend to get more of the artistic esteem they deserve, his influence on contemporary American comics and sci-fi film design should not be underestimated.

starwatcheriii

His take on Wild West culture is exemplified in what is likely his largest body of work Blueberry, but folks new to Giraud might wish to start with The Airtight Garage (or just check out this cool gallery).

moebius star wars

Giraud/Moebius was never simply a genre artist; instead, his work taps into the mythological, exploring themes that seem at once both strangely familiar but also wildly divergent from our expectations. His imaginative disruptions made him a key partner for film directors like Alejandro Jodorowsky; he also worked on the art team behind Alien, among other films, like The Abyss, Willow, and Tron. Giraud was also close friends with Hayao Miyazaki.

Giraud leaves a rich, vibrant legacy. The imaginative spaces of his worlds will undoubtedly captivate generations to come.

 

January 26, 2011

Alejandro Jodorowsky on David Lynch’s Dune (and Other Matters)

by Biblioklept

The AV Club’s Noel Murray interviews Chilean director Alejandro Jodorowsky, he of Holy Mountain and apocalypse-Western El Topo fame. Jodorowsky famously almost adapted Frank Herbert’s Dune before David Lynch picked up that gauntlet. Here’s Jodorowsky on Lynch’s adaptation–

AVC: For a long time, you were involved with developing Dune into a feature film, before the project fell through. Did you ever see David Lynch’s Dune?

AJ: Yes, I’ve seen it. I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a moviemaker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It’s not a David Lynch picture. It’s the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.

Jodorowsky’s version of Dune had entered pre-production, including early art from Jean Giraud (French comics artist Moebius). You can see some of Giraud’s character designs and storyboards here.

Jodorowsky famously wanted Salvador Dali to play the Emperor and Mick Jagger to play Feyd Rautha (a role that went to Sting in Lynch’s version).

January 21, 2010

Moebius Gallery

by Biblioklept

Got an hour to kill? Lose yourself in the surreal world of French artist Moebius (Jean Giraud) at this cool little gallery. Moebius’s art taps into the mythological, exploring themes that seem at once both strangely familiar but also wildly divergent from our expectations. We love his pictures best when there are no cartoon speech bubbles imposing language on the scene; far better to engage him in his projects of imagination. Great stuff.

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