Posts tagged ‘Maurice Sendak’

September 18, 2013

Mischief of One Kind — Maurice Sendak

by Biblioklept

sendak

About these ads
August 31, 2013

Alligators All Around — Maurice Sendak

by Biblioklept

July 26, 2013

Books Acquired, 7.26.2013

by Biblioklept

20130726-150353.jpg

20130726-150358.jpg

20130726-150402.jpg

20130726-150415.jpg

20130726-150421.jpg

July 21, 2013

“Cock a Doodle Doo!” — Maurice Sendak

by Biblioklept

in_the_night_kitchen031

June 19, 2013

RIP James Gandolfini

by Biblioklept

ducks

RIP James Gandolfini, 1961-2013

RIP to James Gandolfini, who brought sensitivity and depth to the roles he played. I don’t think The Sopranos could have existed without him. He made me laugh and cry so often in that role, never more than at the end of The Sopranos, where I experienced what I could only describe as catharsis.

December 23, 2012

An Animated Christmas Card from Maurice Sendak

by Biblioklept

Maurice Sendak’s animated intro for the 1977 film Simple Gifts was based on an earlier design for a Christmas card  by the artist:

(Image and info via the very cool Michael Sporn Animation blog, with a hat tip to Jescie for sending me the link).

December 7, 2012

Win a Copy of Maurice Sendak’s Nutcracker

by Biblioklept

20121118-123043.jpg

The good people at Random House are giving away a copy of ETA Hoffman’s Nutcracker illustrated by Maurice Sendak to one lucky Biblioklept reader. The book is beautiful, so you’ll have to work for it. The first person to answer all of the following questions correctly will be sent a copy of the book (sorry, US addresses only). Email answers and your mailing address to biblioklept.ed[at]gmail[dot]com.

Okay, folks, we got a winner. Congrats to Mihaela Geaman who was the first to send in a set of correct answers. Answers below:

1. Which Sendak book most often appears on the ALA’s 100 Most Frequently Challenged Books list?

2. Which two American Renaissance era writers did Sendak frequently cite as favorites?

3. What English artist did Sendak “borrow” images from for his collaboration with Robert Graves?

4. What fictional character did Sendak consider his “twin”?

5. What tragic news story inspired elements of Sendak’s book Outside Over There?

ANSWERS

1. In the Night Kitchen

2. Emily Dickinson & Herman Melville

3. Beatrix Potter

4. Mickey Mouse

5. The Lindbergh baby kidnapping

December 6, 2012

Three Beautiful Books For Children (and Adults)

by Edwin Turner

As the season for giving arrives, Biblioklept reviews three beautiful books that children and adults alike will enjoy.

20121118-123043.jpg

First up is E.T.A. Hoffman’s 1816 Christmas classic Nutcracker in translation by Ralph Manheim and beautifully illustrated by the late Maurice Sendak. In 1983, Sendak designed sets and costumes for the Pacific Northwest Ballet’s adaptation of Nutcracker and in 1984 he translated some of those designs into a book edition.

20121118-123123.jpg

According to a 2001 profile with NPR, Sendak was initially unsure about working on what he considered “the most bland and banal of ballets.” However, upon reading Hoffman’s original text, Sendak discovered a work full of “weird, dark qualities that make it something of a masterpiece,” an observation he notes in his introduction to Nutcracker.

The NPR profile notes that Sendak intended to bring “Hoffmann’s original story back to audiences, especially by having the main character, a girl named Clara, brought back into the story.” Sendak believed

The whole ballet is about her and for the most part you get her in act one, and then she discreetly disappears for the rest of the work. My feeling is this has to be disturbing to children. . . . [She goes] where the wild things are . . . She is overwhelmed with growing up and has no knowledge of what this means. I think the ballet is all about a strong emotional sense of something happening to her, which is bewildering.

20121118-123102.jpg

These “strange, weird” qualities—the same tones that made Sendak’s Where the Wild Things Are a classic of children’s literature—are on display in Nutcracker. Hoffman’s text in Manheim’s translation has a wonderfully episodic, even picaresque quality that restores a sense of adventure—and even peril—to the smooth play we might be familiar with sitting through each December.

Nutcracker’s reading level, length, and tone make it likely appropriate for children over eight or nine, but younger children will enjoy reading the story through Sendak’s marvelous and strange illustrations.

Nutcracker is available in a new hardback edition from Random House.

20121118-123054.jpg

Next up is Annelore Parot’s Kokeshi Kimonos from Chronicle Books.

20121205-150255.jpg

Koskeshi Kimonos is a fun and stylish book that uses kokeshi dolls to showcase facets of Japanese culture including attire and family life. The book features folding flaps, pull out sections, and other interactive features that will appeal to younger children. It’s the sort of aesthetically charming book that adults can enjoy as well.

20121205-150303.jpg

Kokeshi Kimonos will likely appeal to younger readers—five to nine—and seems particularly suited to girls (although this doesn’t mean boys wouldn’t enjoy it, of course). The cute kokeshis are a wonderful alternative to the sterile, plastic world of Barbie and other facile dolls.

20121205-150310.jpg

Finally, Ernest Raboff’s Albrecht Dürer, part of his Art for Children series. The book is out of print but not impossible to find.

20121205-150318.jpg

Raboff presents Dürer’s life simply and in clear context, using about a dozen beautiful  prints from the German master, as well as many of his etchings. Raboff also hand letters the book, and provides his own sketches and illustrations occasionally to clarify and explain Dürer’s work.

20121205-150327.jpg

What I love most about Raboff’s book though is the way he integrates elements of art appreciation into his book in subtle, simple ways. Lovely:

20121205-150335.jpg

20121205-150343.jpg

 

December 5, 2012

Maurice Sendak’s In the Night Kitchen, Read by James Gandolfini

by Biblioklept
November 21, 2012

Nutcracker, Illustrated by Maurice Sendak (Book Acquired Some Time in October, 2012)

by Biblioklept

20121118-123043.jpg

20121118-123054.jpg

20121118-123102.jpg

20121118-123123.jpg

We’ll be running a giveaway contest for one of these beautiful editions of Hoffman’s Nutcracker, featuring illustrations by Maurice Sendak sometime next week.

October 13, 2012

In the Night Kitchen (Animated Short) — Maurice Sendak

by Biblioklept
June 9, 2012

Maurice Sendak: “Herman Melville is a god”

by Biblioklept

Herman Melville is a god. … I cherish what he did. He was a genius. Wrote Moby-Dick. Wrote Pierre. Wrote The Confidence-Man, wrote Billy Budd. … Oh, yes — look at him. … Scares the bejesus out of people and makes them hate him. Because he’s so good. Claggart has him killed in that book. Claggart has his eye on that boy. He will not tolerate such goodness, such blondeness, such blue eye. Goodness is scary. It’s like you want to knock it. You want to hit it.

Maurice Sendak from his 2004 interview with Bill Moyers.

Sendak also references Melville’s idea that artists must “take a dive” into the deep in this beautiful short film:

May 10, 2012

Art Spiegelman Visits Maurice Sendak

by Biblioklept

“In the Dumps,” originally published in The New Yorker, is collected in Spiegelman’s latest MetaMaus.

January 27, 2012

Maurice Sendak on The Colbert Report (In Case You Missed It)

by Biblioklept
December 23, 2011

An Animated Christmas Card from Maurice Sendak

by Biblioklept

Maurice Sendak’s animated intro for the 1977 film Simple Gifts was based on an earlier design for a Christmas card  by the artist:

(Image and info via the very cool Michael Sporn Animation blog, with a hat tip to Jescie for sending me the link).

June 26, 2008

Brundibar — Maurice Sendak

by Edwin Turner

Adapted by playwright/screenwriter Tony Kushner and illustrated by Maurice Sendak, Brundibar retells Hans Krása’s children’s opera about a brother and sister who go on an adventure to get their ailing mother some fresh milk. The penniless pair decides to sing in order to earn milk money, but the cruel organ grinder Brundibar chases them away. However, they triumph with the help of a sparrow, a cat, a dog, and a cadre of helpful children.

The original opera was first performed by the children-inmates of a Nazi concentration camp in occupied Czechoslovakia. The symbolic overtones of the story are pretty straightforward, and Sendak emphasizes the point, marking his Brundibar with a Hitlerish mustache and a ridiculous Napoleon Bonaparte hat. Political symbolism aside, Brundibar is simply a great book, full of little songs, beautiful art, and a unique narrative style in which individual characters get their own speech bubbles and even street signs tell a story. This isn’t my one-year old daughter’s favorite book–yet–but it’s certainly one of my top picks from her little library. Good stuff.

Follow

Get every new post delivered to your Inbox.

Join 18,464 other followers

%d bloggers like this: