We know you’re not supposed to judge a book by its cover and blah blah blah, but really, c’mon, aesthetic sensibilities go a long way. Here are a some of our favorite covers for books published in 2010.
Has Melville House made a book that’s not really really good looking? This NY indie not only put out some of our favorite reading of 2010, they also put out some of the best designed books of the year. Books like Jean-Christophe Valtat’s Aurorarama and Mahendra Singh and Lewis Carroll’s The Hunting Carroll evince a diverse aesthetic range unified by simple and attractive designs. We absolutely love the cover for Tao Lin’s Richard Yates; the visual non sequitur dovetails nicely with the book’s arbitrary name.
In fact, it’s a trio of forthcoming books from Melville House that prompted this post. In January, they’ll release the first in a series of books by Nobel winning German author Heinrich Böll. The first three books, which arrived at Biblioklept World Headquarters yesterday, are beautiful, simple, and elegant.
We’ve started The Clown; a review of the book’s guts forthcoming. Another book with a cool cover that we haven’t read yet is Adam Ross’s Mr. Peanut. We know someone on Twitter pointed out that skulls are the smiley faces of this decade but we can’t remember who gets credit, so let’s just pretend you heard that witticism here first.
We haven’t read Adam Levin’s mammoth début The Instructions yet, but a copy arrived today, and man is it beautiful. McSweeney’s knows how to do a hardback right–why encumber a book with a dusty dust jacket that’s going to get in the reader’s way when some gold embossing will do much nicer? Our copy is white but we couldn’t find an image of a white one on the internet, so here’s a blue one because Jesus Christ we’re not about to start photographing books now, are we?
We like both covers for Tom McCarthy’s C, but maybe we’re biased here because we loved the book so much.
We also love the cover of Charles Burns’s X’ed Out.
Picador’s British edition of Roberto Bolaño’s Nazi Literature in the Americas is somehow playful and deadly serious at the same time (just like the book).
Another one on the posthumous tip: We’re not big into tattoos but we can’t help digging this cover for David Foster Wallace’s The Broom of the System.