Posts tagged ‘Twitter’

March 20, 2012

Late to Love: Bret Easton Ellis

by akingatnight

In high school I bought American Psycho from Barnes & Noble and read it in a few weeks. I knew it was full of awful, horrible stuff that I would never be able to forget but I did it anyways. I was fascinated, revolted; I laughed out loud. I became that one guy that burst everyone’s bubble by telling them that the movie sucked or at least totally missed the point of the book (whatever point there might have been) and that it also left out every one of the funniest scenes, and, oh that the ending was total bullshit. People would ask me if I “liked” the book and I would evasively respond: “I don’t know if it’s a book one can actually like…” or “I don’t know if like is the right word…”—and just generally avoid making any kind of decision about the book, or its author, that prince of darkness Bret Easton Ellis.

But Bret Easton Ellis intrigued me. Later, when the film Rules of Attraction came out I saw it in the theater by myself and purchased the DVD. It was a much better film than AP, and that was satisfying to me in some way. I didn’t read the book, nor was I moved to seek out Less Than Zero, although at some point I found Glamorama at a used store and bought it for the heck of it, but I don’t think I ever even tried to read it. I was interested in BEE but only from afar. He had definitely scarred me with AP. It was a singular experience at the time and (to this day has maybe been matched only by Jerzy Kosinski with my combined readings of Steps and The Painted Bird). I wasn’t really looking to be haunted in that way any time soon.

I can still remember where I was when I heard about Lunar Park. I read about it at The New York Times, on the family computer at a friend’s parents’ house in Rutland Vermont. I saw that Ellis had a new book, skimmed the article, and saw mention of “meta” elements, the use of a character named “Bret Ellis” who was decidedly not intended to be the actual author of the book, but rather a sort of parallel dimension version of BEE who had settled down in the suburbs and had kids. This was all interesting to me and I made the mental note, “Read Lunar Park.” That was in August 2005.

Fast forward to May 2010. In the five years since Lunar Park came out everything about my life has changed. I am living in Los Angeles pursuing a career in screenwriting. I have been married for a year and I have an apartment and two cats. And it is in this apartment that I come across a VICE interview with the man himself, on the eve of the publication of his new novel Imperial Bedrooms. I find myself reading the interview and it dawns on me that I have never read or heard this man speak, I’ve barely seen photographs of him, and that basically everything I think I know about him has been pure conjecture derived from conversations over the years.

My idea of Bret Ellis as this detached, cynical, deviant creature is immediately thrown out the window by seeing pictures of him wearing a hooded sweatshirt and sitting at a desk. In some of the photos green palm trees can be seen behind him and it becomes clear very quickly in the interview that he now lives in Los Angeles as well. I end up reading the entire article and thinking that Ellis is just a guy like anyone else, not especially pretentious or malevolent, as he had been accused of being by people I had spoken with at times. And what’s more he made reference to “the Stephen King part” of Lunar Park.

My mind exploded.

What Stephen King part? I remembered and reinstated my mental note: “Read Lunar Park.”

And a few weeks later, as though on cue a beautiful hardback first edition copy of LP appeared at the used book stand at my neighborhood farmer’s market. I bought it on a Saturday morning and opened as I was cooking lunch, expecting to get a taste and maybe read a page or two while the food cooked. I ended up sitting on the couch for the entire day reading. That night I couldn’t wait for my wife to fall asleep so I could sit up late and maybe finish, and I started to do just that until I became so frightened by the story that I literally had to put it away until it was light outside. I had a little trouble sleeping that night but ultimately it was okay, and the next day I finished the book. Immediately I was on the phone telling friends to read it. I made several of my local friends borrow my copy and one-by-one everyone came back to me with the same positive report, and regardless of their previous experience or lack-there-of with Ellis’s writing, everyone who read it adored it.

My admiration extended past just the book or my experience reading it. It reconciled the past and my memories and suddenly I found myself saying “I like Bret Easton Ellis” or even going so far as to thinking of myself as a fan of his. I slowly started keeping up with his online presence, (going so far as even joining Twitter just to follow him) and I find the experience genuinely rewarding. Don’t get me wrong: he’s obviously a weird guy sometimes (anyone who could write the habitrail scene in AP would have to be I guess) and I don’t always agree with his randomly asserted opinions about books and movies (I disagree in particular with him about music: our tastes are just simply different). But overall, I think he has a valid and useful perspective on culture and entertainment. Perhaps some of the detractors still see him as the austere, decadent, nihilistic provocateur that I feared and resented in high school, but I have an impossible time jiving that notion with the man who tweeted recently that he had been talked into getting really stoned and going to see The Lorax.

And I guess this all ties in with his recent series of tweets that he is considering a pseudosequel to American Psycho. Suddenly, this proposition seemed so appealing. It’s been twelve years since I read AP, and in that time I don’t think I’ve ever opened it again, and now suddenly I find myself wanting more, hoping that Ellis decides to go through with it.

So yesterday in excited anticipation I went down to the farmer’s market and this time the used book guy had two beautiful paperback copies of Rules of Attraction and Less Than Zero. I bought them both. Even if Ellis does convince himself to write the Los Angeles Patrick Bateman story, it will be years before it will be published and in my hands, so I guess I need to relax and catch up on everything I missed out on so far.

March 10, 2012

Bret Easton Ellis’s Notes for an American Psycho Sequel (From Twitter, Of Course)

by Biblioklept

March 3, 2012

Teju Cole’s Seven-part Excursus: Aerial Bombing as the Presiding Metaphor of Our Time

by Biblioklept

February 12, 2012

What Would Patrick Bateman Do? — Bret Easton Ellis on the Death of Whitney Houston

by Biblioklept

January 20, 2012

Bret Easton Ellis on David Mitchell’s Novel Cloud Atlas

by Biblioklept

January 10, 2012

Margaret Atwood Talks About Twitter (Video)

by Biblioklept
January 4, 2012

Book Acquired 1.03.2012 — Tim Tebow Edition

by Biblioklept

My father doesn’t read a lot of books, or at least I don’t think he does, but I know he read Through My Eyes, the Tim Tebow memoir. I’m pretty sure he must have gotten a duplicate for Christmas, because he sent a copy my way yesterday.

If you don’t know who Tim Tebow is (that is, if you’re not a fan of U.S. football, or not from the States, or you just don’t care about sports, or Twitter, or whatever), he was one of the greatest college players of all time, leading the Florida Gators to two national championship titles and two SEC titles. He’s also a devout Christian, the son of missionaries. He currently is the starting quarterback for the Denver Broncos, a team he helped take (quite improbably) to the playoffs this year.

Also: a vocal contingent of people really enjoy hating on him.

Not me. Tebow is from my hometown. I went to the University of Florida. I’m a big Gator fan. And even though I’m not exactly simpatico with evangelical Christianity, Tebow has always struck me as a genuinely good, nice person.

Anyway, I have some interest in the book, although I’m sure it’s pretty standard ghostwritten sports celebrity memoir stuff.

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Here is what my dad also got for Christmas: a signed Tebow ball. (My name is also Ed, so one day maybe I will have this ball too):

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November 7, 2011

Bret Easton Ellis on David Fincher’s Film Zodiac

by Biblioklept

This weekend, Twitter followers of novelist Bret Easton Ellis were treated to BEE’s views on the films of director David Fincher, with particular consideration paid to Fincher’s overlooked (by audiences, at least) 2007 film Zodiac. I liked Ellis’s commentary, not just because I think he’s spot on here, but also because he points out why so many people might not have liked (or, dare I say “got”) Zodiac on first viewing: the movie was mismarketed. Here’s BEE—

In my original review of Zodiac, I pointed to my own early misunderstanding of what the film was—

When Zodiac came out last year, I prejudicially–and wrongly–assumed that the film, the tale of the infamous Zodiac killer who menaced California in the late sixties and early seventies, would be a moody character study, all ominous texture, smoggy chase scenes, and desperate anger à la Fincher’s 1995 thriller, Se7en (that movie where Gwyneth Paltrow’s head gets chopped off), or even worse, Fincher’s awful 1997 effort The Game. Most Hollywood suspense films–Fincher’s included–propel themselves on chase sequences, meaningless yelling, and overstated light and music queues that seem to scream “this is the part where you feel tense.” Zodiac, however, eschews all of these often vacuous tropes in favor of simply telling a story.

Zodiac is a methodical, investigative procedural about truth, a film that looks at what happens when we try to put order to disorder, when we try to give narrative to life’s loose ends—when we try to understand radically stochastic violence. In retrospect, it seems to me that Fincher’s work here is akin to Roberto Bolaño in some ways, and I think that if people went into it understanding that it was going to be a meditation on truth, and not, say, a cops and robbers thriller, they might appreciate it more (for what it’s worth, several people wrote in on my review to tell me how wrong I was about what I liked about the film. I think, like Ellis, they should give it another shot).

September 7, 2010

The AV Club Interviews William Gibson

by Biblioklept

The AV Club interviews cyberpunk pioneer William Gibson about his new novel, Zero History. From the interview–

AVC: You’ve talked elsewhere about the modern dilemma of separating the real from the virtual. How does something like Twitter confuse the issue?

WG: More and more, I think the thing our descendants will find most quaint and old-fashioned about us is the trouble we still take to make that distinction, between the virtual and the “real.” I think that will seem sort of Victorian to them, because I think we’re already losing the need to make the distinction, and I don’t see that as necessarily a bad thing. That doesn’t fill me with the panic it fills some people with. The back-and-forth [of Twitter] is the same back-and-forth we’re having right now in a telephone conversation, and it’s very much like the back-and-forth that Victorian English people had with their three mail deliveries a day. Except that with a medium like Twitter, it’s simultaneously public, in large part. It becomes a communal activity. I don’t see it as a new activity, inherently. I think it’s something we’ve had equivalents of for forever, but the completely post-geographical way in which we’re able to do it is new. And it must be changing it somehow. I actually don’t think we can know what emergent technologies are doing to us while they’re doing it to us. In fact, I don’t think we know yet what broadcast television did to us, although it obviously did lots. I don’t think we’re far enough away from it yet to really get a handle on it. We get these things, I think they start changing us right away, we don’t notice we’re changing. Our perception of the whole thing shifts, and then we’re in the new way of doing things, and we take it for granted.

August 14, 2010

Roger Ebert’s Lovely, Sarcastic Tweets about E-books

by Biblioklept

Great series of tweets today from Roger Ebert about e-books. Here’s what he’s done so far–

Here’s my old e-book “10,000 Jokes, Toasts and Stories,” and written inside “To my boy Roger from Daddy.”

Look at this theater ticket stub I found! I used it in an old e-book, from Stratford-upon-Avon.

Needed: New Yorker cover showing Dr. Johnson in his library, a cup of tea at hand, with shelves and piles of his e-books.

I found this e-book on a top shelf of a used e-book store. Its cover somehow reached out to me.

I love to relax in my library and let my eyes stray over my e-books, each one triggering its own response.

We only met in the first place because she spotted the cover of the e-book I was reading across the aisle on the train.

Great stuff!

September 30, 2009

Proust 101

by Biblioklept

For the next week, October 1st-7th 2009, the folks who brought you Patrick Alexander’s guide to Marcel Proust, Marcel Proust’s Search for Lost Time will host a series of 140-character “lectures” about Proust’s oeuvre on Twitter. The course will repeat on the week of the 8th. The press release includes the following grading component:

Picture 1We’re pretty sure the grading plan is fairly tongue in cheek, but the lectures might be fun, and perhaps might contain something a bit more substantial than the average, uh, tweet (ugh). More at Proust Guide. There’s also a chance to win free Proust stuff for those who participate in the Proust Questionnaire on Facebook, so check that out too. In the meantime, we got a kick out of this “Shocking Things You Didn’t Know about Marcel Proust” flier that came with the press release:

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