A Short Riff on Those Horrid, Wonderful Vintage Contemporaries Paperbacks of the 1980s

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I’ve been a fan of Vintage Contemporaries for years. I’m pretty sure the first one I ever picked up was Raymond Carver’s Cathedral. I recall being vaguely dismayed about the cover and trying to find another used edition, but thrift won out. This was in the early or mid nineties, and book design was trending toward a more minimal, conceptual style.

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In contrast to a tasteful, minimalist cover, the Vintage Contemporaries edition of Cathedral is garishly literal. Ditto the cover for Denis Johnson’s Angels: sure, there’s a symbolic touch in those storm clouds, and a surreal tweak in the laser lights, but there’s something ghastly about the whole design.

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Even the cover for Jerzy Kosinski’s twisted horrorshow-in-vignettes Steps is remarkably literal—sure, the image seems surreal, but it’s straight out of Kosinski’s text. (It’s also one of my favorite covers in the line).

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Anyway, in the past few years I’ve kept an eye out for certain titles from the Vintage Contemporaries line, even if I already own the book in another edition—DeLillo, for instance, or Cormac McCarthy. I was thrilled to find this edition of Suttree earlier this year. (And I’d love to get another copy of Harold Brodkey’s First Love and Other Sorrows; I gave mine away to a friend).

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I’d been wanting to write about the Vintage Contemporaries series for a while now, and had even gone so far as to write to a few artists and designers I know to see if they could put me in touch with a source of info. A few weeks ago, Mahendra Singh was kind enough to point out a thorough, in-depth essay on Vintage Contemporaries over at Talking Covers. Plenty of history, photos, and even interviews. It’s the mother-lode, the post I wished I could’ve mustered. (And if I seem a bit jealous, I can console myself in the knowledge that they used my first pic of Suttree. So there’s that). I encourage you to check it out.

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