“Slow Grounder”
by
Hob Broun
from
Cardinal Numbers
Up or down, in motion or asleep and half asleep, Speed has the same musical questions that slosh in his head. How could you play twelve years in the majors and end up like this? Did you go stupid on purpose? Where is the curly wife birdfeeding you popcorn tinged with lipstick? And the little girls begging to stand on your big feet to be danced in circles? The Barca-lounger? The riding mower? The tropical aquarium? Going, going, all long gone.
So now Speed has transistor radios in his place, on sills and ledges, hanging by wrist straps from bedpost and cabinet knob, on top of the fridge and the toilet tank. They have silver aerials that always point up. They have leather casings that snap over the top like overalls; or go naked in turquoise Jap plastic. Below, their countable speaker dots and on top a grid of numbers make super dominoes. Very advanced. Dominoes from Outer Space.
But even playing all together so Lurtsema downstairs spears his ceiling with a mop handle, they can’t drown out Speed’s musical questions. What happened to the four-bedroom house with skylight and sundeck? To the Chrysler New Yorker with gray velour upholstery Kimmie called mouseskin, chanting it at her sister and bouncing?
Back in Dakota, when he was still Russell and a boy, there’d been Gramp in his chair. Gramp clicking his plates on the stem of a cold pipe. Gramp in full expectation, bird gun across his knees, and sooner or later the door would suck open on a winter-crazed redskin come to take, and let him reach for one potato or lump of coal, Gramp would blast him back across the frozen porch.
You were supposed to be on guard, block the plate. But Speed had his chest protector on backwards, or something. Now he’s getting the razz. The hotfoot and the horselaugh. “This bum,” and he can see his picture coming down in delis and barbershops. Bumhood like something he could pass over wire so the guys duck out when he calls. “Going south for the tarpon, Speed. Keep in touch.” Even his roomie four years with the Sox saying, “I’m kind of extended now, Speed. Maybe you could put it in a letter,” then hanging up before he can get the address. And what had him extended was a thing called Bob’s Bag-O-Salad, three of them opened around Philadelphia there, the shaved lettuce and carrots, so on, in a special plastic bag you could eat out of, then throw away, and the dressing faucets, your choice of ten. People were flocking to the greens, trying to ward off cancer.
Back in Dakota one year when he was visiting for Christmas, the wind had come down off the Canadian plains to swirl snow and dirt into what they called a “snirt” storm. It clattered against the house. Mom said, “Hardly recognize you in those clothes.” Pop said, warily lifting his present, “Is it something to eat?” Pop had been three years at the Colorado School of Mines. As a cook. It was still snirting the next day and the day after that. “That dog can’t but hardly see,” Pop said. Perry Como sang about mistletoe and Mom sniffled. Speed went to the cellar. He put his hands in the bin of seed potatoes. Things can live in the dark, he thought, and didn’t feel any better.
Speed gets out his fourteen gum cards, still shiny. Twelve full seasons, plus the one in front when they sent him down to Asheville for seasoning, and the one in back when they said you’re not in our plans for this year. But we could let you be a batting coach in the Bean Dip League. He remembers the Fargo girl who sent pictures of herself on a horse, or in her band uniform. “Carry me up there and hit the big one.” And the one night he puts her in his pocket Fuentes throws a no-hitter. Sandi, with a heart over the i. He thinks about pictures as a residue of time. “Adams led the club last year in RBIs.”
Back in tenth grade in Dakota, geometry had calmed him down. Nothing he knew was so pure as those angles and arcs. Not even the hiss of a fastball inside the four points of a diamond. He made figures with compass and ruler and colored them in. Numbers might be a trick, but he could understand the laws of shape.
It’s almost dark outside, so Speed turns some radios on. The sound is tight, a pressure leak, but Speed hears his questions the same. And what they want is the clacking logic of one domino tipping the next one as it falls and the next and the next and the next. But all he can remember is what the things were, not why or where they went. From the couch to the John to the bed is the only geometry left. The lines don’t really meet, okay.
Noticing the buzzer, he can tell its been going some time behind his radios. Getting up, he feels light, light as paper, when the door sucks open on a man with silver eyes, skin with a rubbery shine, and where the ears ought to be, holes in a circle like the mouthpart of a telephone.
He says, “Bless my stars.”
Speed says come on in, but the shape of the doorframe seems to make him nervous. He tries to smile and it’s like something he had to learn in a hurry.
Nodding to the radios: “You’re a listener.”
Speed shrugs a little. Those eyes are really terrible.
“So you’re ready to go, then?”
Speed doesn’t say, “I don’t care if I never come back.” He sings it.
“Really very nice there.” The man gestures vaguely, impatiently. “All the lines meet. It’s very forgiving.”
Speed really wants him to come in now, but the man says he needs to run a couple or errands first.
“My vehicle’s parked on the roof. Wait here.”
Okay. In the kitchen Speed empties a can of Hormel chili into a pan. Hearing the traffic report is nice. He breaks two eggs into the pot, stirs. It doesn’t require a look to know there are bits of shell in there. But so why take them out?
Biblioklept 