Question | From John A. Williams’ novel The Man Who Cried I Am

Nine million, n-­i-­n-­e million. Ah, the world got what it deserved. The lessons had been written on the board in big letters thousands of years ago and repeated several times every century since.

Question: How many men can I kill if I dig out the Suez Canal?

Question: How many men can I kill if I build myself a Great Pyramid?

Question: How many men, women and children can we kill if we retake the Holy Land from the heathens? (We’ll call it a Crusade.)

Question: How many men, women and children can we kill if we establish a slave trade between Africa and the New World?

Question: How many men can we kill to make the world safe for democracy?

Question: How many men can we kill to make the world safe for communism?

Answer: Hundreds, thousands, millions, billions.

And then, we’ll start all over again.

From John A. Williams’ 1967 novel The Man Who Cried I Am.

End of merry month of May blog

I have always loved the month of May. Spring semester is usually over and done by the last week of April and I seem to breathe a little easier. I love May Day and there’s always been a neat little run of interesting dates in the first week, including my wedding anniversary. (My silly ass has taken to including Thomas Pynchon’s birthday as the capstone to the first week of Merry May). I get that May the Fourth is stupid, but it seemed fun when my kids were little, and I get that Cinco de Mayo, even with its roots in the Chicano movement, is probably now just a marketing tool for amateurs to do it up, a la St. Paddy’s Day and NYE. But it’s fun to have a little treat. My best friend died on 5 May 2025 though and I was dreading the date, although the anxiety over it was worse than the actual day. But then I dreamed about him for a few weeks straight. The month seemed incredibly long but at least the terrible drought in Florida broke with heavy heavy rains.

The wife and I make a point to sneak in an anniversary trip in early May. We spent a few nights in the Wynwood neighborhood of Miami and saw Belle & Sebastian perform their 1996 album If You’re Feeling Sinister in full. I felt incredibly old but it was magical. I’ve never been a big fan of Miami, but we had some good meals and enjoyed talking to a few of the artists at the Bakehouse Art Complex. This is the closest I actually got to a bookstore in Miami. Bookleggers is not actually a bookstore, it’s a free library, and it wasn’t open, although there was a loaded library cart full of titles out for offer. I love the idea and if I lived down there I’d pop in to donate at least once a month.

But on to books!

I’ve wormed into William H. Gass’s massive novel The Tunnel again. This is like my fourth or fifth serious attempt. I love Gass’s essays and shorter fiction, but I find that I stall out. My tactic this time has been to read one section a day, or at least to try to. I’m somewhere around page 160 now, and I think I’ve finally gotten into the “story,” or whatever, but it’s all pretty damn windy, and Gass’s penchant for alliteration, which I enjoy in short doses, is, like, too much (there’s a moment where the narrator remarks his wife’s calling him out on all the alliteration; I didn’t dogear it though).

I’ve also stalled a bit on Guillermo Stitch’s The Coast of Everything; I was attempting the same approach as that I’ve taken to The Tunnel — a section a day — but I keep getting distracted by shorter morsels, like Gabriel García Márquez’s In Evil Hour and Chronicle of a Death Foretold (both in translation by Gregory Rabassa, of course). Chronicle was even better than I’d remembered; In Evil Hour was rough, mean, and short.

The pictured stack is not all May reading, although I did read and review Antoine Volodine’s novel The Monroe Girls (tr. Alyson Waters) in early May.  I read and reviewed Thomas Kendall’s How I Killed the Universal Man in April; I then read Joanna Russ’s And Chaos Died and meant to review it and kept moving it up the stack and then eventually lost track. On Bluesky, I tweeted that I was “baffled by the whole thing. Like if Kathy Acker wrote a sci-fi psionic satire. Very weird, I think I loved it, it might not be a ‘good’ novel.” That’s still basically my memory. I picked up a first edition Grove Press copy of WSB’s The Ticket That Exploded and I now have to reshelve all the Burroughs which means I have to reshelve a whole bookcase. So it can hang there for awhile.

I gave up pretty quickly on Stanley Crawford’s Gascoyne — probably too quickly — but I wanted the weirder flavor of his slim 1972 novel Log of the S.S. The Mrs. Unguentine. I ended up reading Crawford’s 2005 novel Petroleum Man over two nights and loving every minute of the experience. I highly recommend the novel, as well as Dan Visel’s 2010 review of the novel at his blog With Hidden Noise. I also recommend the blog With Hidden Noise, which was somehow not on my radar fifteen or some such years ago, but which I have very much enjoyed browsing now, which is to say over the past few days. There’s a rich backlog there. I lament too often that There Aren’t Any Good Websites Anymore, but maybe I don’t look enough; maybe I’m guilty of spending too much of my internet time on social media sites. The first book I mentioned here was by William H. Gass; I’ll take my offramp from this cursed blog by suggesting you read a real blog post, this With Hidden Noise post on Gass’s On Being Blue, Maggie Nelson’s Bluets, and Thomas Browne.

Sunday Comix

From “Sexy Guns” by Helge Reumann. Published in Kramers Ergot #9, 2016, Fantagraphics Books.

Two by John Berger (Books acquired, mid-May 2026)

NYRB will publish reprints of two John Berger books on June 16th of this year (why does that date seem so familiar?), his experimental picaresque 1972 classic G., and 1984’s And Our Faces, My Heart, Brief as Photo. I’d never heard of the latter, which NYRB describes as maybe

the most original of John Berger’s books; certainly, it is among the most moving. A meditation on first and last things, it is divided into two parts, one reflecting on humanity’s relation to time, the other on our place in space.

Here is a paragraph from the middle of G.:

You had to find a third value, a third interest that your social ambition, which, unlike pure ambition, must always wear the dress of conformity, and the idealism of your penises could acknowledge as arbiter. And this third value was property. The third interest was an interest in owning. Not a remote merely financial interest, but a passionate one which stirs you physically, which becomes a sense as acute as the sense of touch. Indeed you have seen to it that your children are taught to touch nothing that is not theirs, not a flower nor an animal nor the hand of a stranger. To touch is to claim as property. To fuck is to possess. And you take possession either by paying rent or by buying outright.

Flower in a Stream — David Berman

Flower in a Stream, c. 1989 by David Cloud Berman (1967-2019). Originally published in Caliban #8, 1990.

Sunday Comix

“Box Head” by Jayr Pulga, published in RAW #5, 1983, Raw Books & Graphics.

Timoclea Kills the Captain of Alexander the Great — Elisabetta Sirani

Timoclea Kills the Captain of Alexander the Great, 1659 by Elisabetta Sirani (1638–1665)

Stephen Dixon’s Goodbye to Goodbye (Book acquired, 19 May 2026)

This October, McSweeney’s will publish an anthology of Stephen Dixon’s short stories. Titled Goodbye to Goodbye (after Dixon’s 1985 short story), this anthology inaugurates a forthcoming wave of Dixonia over the next three years, including editions of and End of I in paperback, a new edition of Frog next year and a reprint of Interstate the year after that, and, most exciting, a previously-unpublished novel called Half Stories, Full Novel, and Out of Time, a collection of previously-unpublished short stories.

The collection includes “Said,” one of Dixon’s more “experimental” pieces; you can read it here.

Jacket copy:

When Stephen Dixon passed away in 2019, American literature lost, in Jonathan Lethem’s words, “a great secret master.” In a career that spanned six decades, Dixon published over seven hundred short stories and had two novels shortlisted for the National Book Award. Arguably, his innovative work represents the earliest appearance of what we now call autofiction, and many of this generation’s writers count him among their greatest influences.

Goodbye to Goodbye is the first major collection of Dixon’s stories since 1994. The current anthology includes work that spans Dixon’s remarkable career, from his very first published story to previously unpublished works written at the end of his life. The stories have been chosen to reflect the development of Dixon’s ever-evolving style, from earlier, more traditional stories; to pioneering experiments with dialogue, point of view, and sentence structure; to what became his trademark: obsessively self-revising texts that reflect experience as if through a funhouse mirror, paradoxically both truly felt and narratively twisted. As J. Robert Lennon writes in his introduction, Dixon’s work “doesn’t efface its artificiality; it doesn’t want its reader, or its author, to disappear.”

At once deeply personal and comically exuberant, Goodbye to Goodbye showcases both Dixon’s unique perspective on life and his innovative approach to writing.

Untitled (Christian’s Birthday) — Gerald Lovell

Untitled (Christian’s Birthday), 2023 by Gerald Lovell (b. 1992)

Heaven & Hellhound (Book acquired, 14 May 2026)

The pic above doesn’t really show how massive Heaven & Hellhound is. This 800 pager is by the pseudonymous B. Authentick, and purports to be a “tale of metaphysical realism.” You can learn more about the book (and download it for free) at its website. Blurb:

Heaven & Hellhound is a work of dark literary fiction that weaves together the occult, esoteric philosophy and the eternal struggle between light and shadow. Volume One – The Page of Wands – breaches the eternal threshold where ancient mysteries collide with modern consciousness. Drawn from that liminal space, what divides the sacred from the profane dissolves into something unspeakably horrifying. But for the lantern’s light, the dark night of the soul enshrouds.

Written by B. Authentick, inspired by the engravings of Gustave Doré and the ferocious vision of Vincent van Gogh, this tome is more than a book – it is a talisman, a portal and a companion for those who dare to peer through the veil.
A Trans-Atlantic tale set in 1964 in England and California, the tale channels the esoteric traditions of the Western mystery schools through the lens of Metaphysical Realism, a novel literary mode. It affords a means to storytelling in which the occult is not decoration but physics, the muse is not metaphor but visitor, and the body’s toll is commensurate to the malediction which afflicts its soul. Heaven & Hellhound is a work of literary innovation, published as the foundational text of Metaphysical Realism.

100 Novels

2666, Bolaño

Adventures of Huckleberry Finn, Twain

Adventures & Misadventures of Maqroll, Mutis

Against the Day, Pynchon

The Age of Sinatra, Ohle

Angels, Johnson

Ape & Essence, Huxley

Augustus, Williams

Autobiography of an Ex-Colored Man, Johnson

The Autumn of the Patriarch, García Márquez

The Baron in the Trees, Calvino

Berg, Quin

Billy Budd, Melville

Blood & Guts in High School, Acker

Blue Lard, Sorokin

Brave New World, Huxley

Breaking & Entering, Williams

By Night in Chile, Bolaño

A Canticle for Leibowitz, Miller Jr.

Cat’s Cradle, Vonnegut

The Charterhouse of Parma, Stendhal

Christie Malry’s Own Double Entry, Johnson

The Confidence-Man, Melville

Correction, Bernhard

Crash, Ballard

Days Between Stations, Erickson

The Dead Father, Barthelme

Dog Soldiers, Stone

The Dog of the South, Portis

Fat City, Gardner

The Female Man, Russ

The Franchiser, Elkin

Garbage, Dixon

Gargoyles, Bernhard

Go Down, Moses, Faulkner

Gormenghast, Peake

Gringos, Portis

Gravity’s Rainbow, Pynchon

The Girls of Slender Means, Spark

High Rise, Ballard

The Hearing Trumpet, Carrington

Hurricane Season, Melchor

I Am Not Sidney Poitier, Everett

Ice, Kavan

Infinite Jest, Wallace

The Infernal Desire Machines of Dr. Hoffman, Carter

Interstate, Dixon

J R, Gaddis

Junky, Burroughs

Lanark, Gray

Lancelot, Percy

The Lathe of Heaven, Le Guin

Light in August, Faulkner

Loitering with Intent, Spark

Lord Jim at Home, Brooke

The Lord of the Rings, Tolkien

The Lost Scrapbook, Dara

The Man in the High Castle, Dick

Mason & Dixon, Pynchon

Masters of Atlantis, Portis

Motorman, Ohle

Mumbo Jumbo, Reed

Naked Lunch, Burroughs

Negrophobia, James

Neuromancer, Gibson

Norwood, Portis

The Obscene Bird of Night, Donoso

O Pioneers!, Cather

Oreo, Ross

The Place of Dead Roads, Burroughs

The Plains, Murnane

The Postman Always Rings Twice, Cain

The Public Burning, Coover

Pudd’nhead Wilson, Twain

Queer, Burroughs

Radiant Terminus, Volodine

The Real Cool Killers, Himes

The Recognitions, Gaddis

Silas Marner, Eliot

The Savage Detectives, Bolaño

The Shadow of the Torturer, Wolfe

Smiley’s People, Le Carré

Snow White, Barthelme

The Sot-Weed Factor, Barth

Speedboat, Adler

The Stranger, Camus

Sula, Morrison

Suttree, McCarthy

There Is a Tree More Ancient Than Eden, Forrest

Three Trapped Tigers, Cabrera Infante

True Grit, Portis

Two Serious Ladies, Bowles

UBIK, Dick

Under the Volcano, Lowry

Underworld, DeLillo

Wittgenstein’s Mistress, Markson

Yellow Back Radio Broke Down, Reed

Zama, di Benedetto

Sunday Comix

A page from Inner City Romance #3 by Guy Colwell, Last Gasp, 1977. Reprinted by Fantagraphics, 2015.

A Passion Like No Other — Lynette Yiadom-Boakye

A Passion Like No Other, 2012 by Lynette Yiadom-Boakye (b. 1977)

Circle Study #10 — Benny Andrews

Circle Study #10, 1972 by Benny Andrews (1930-2006)

“Queen Elizabeth’s Rhinoplasty,” a surgical microfiction by J. G. Ballard

“Queen Elizabeth’s Rhinoplasty”

by

J. G. Ballard


Many views were expressed as to what would be the ideal shape of the Queen’s nose, and how it could best be obtained. Some of her surgeons favored the profilometer (Straith, 1938), by which Her Majesty’s nose would emerge after operation with a standard height, tip angle, and bridge line. Other surgeons modeled the patient, trying out various patterns of the future nose in the attempt to obtain Her Majesty’s approval for a particular one.

The principle here was rather like that of trying out a new hat.

Unfortunately, human tissues are prone to thicken and behave in a way that is unpredictable. It was felt unwise, therefore, to lay too much emphasis with Her Majesty on exact details. Generalities were discussed, such as whether a straight or a hollowed-out bridge line was to be aimed at, whether her nose was to be retrousse or not, and whether the tip was to be narrowed or left alone.

Preoperative preparation. The Queen’s nostril vibrissae were cut short and her nose packed with cocaine and adrenalin as for a submucous resection of the septum. General anesthesia was preferred, the Queen’s trachea being intubated and the pharynx carefully packed off around the tube.

The incisions. Bilateral vestibular incisions were made through

the lining of the lateral wall, placed between the alar cartilage and the lateral cartilage. These incisions were carried forward over the apex of each of Her Majesty’s nostrils and met centrally at another incision made by transfixing the septum just below the lower border of its cartilage.

The skin covering of the Queen’s nose was freed on a deep subcutaneous plane right up to the glabella and well around to the sides. This was done with a pair of small curved scissors with blunt points. Where the saw cuts were to be made along the posterior margins of the Queen’s nose, an elevator was introduced via the small lateral incisions. A pair of straight scissors carried up on either side of the cartilaginous septum now left this structure standing free and allowed the lateral cartilages to fall away on the sidewall of the nose, being carried in a mucosal flap. The septum was then trimmed along its anterior aspect to complete the reduction of the bridge line.

There were two schools of thought regarding the instrument to be used for the bone section. One favored the use of the osteome; the other preferred the saw. Much was made of the dangers of bone dust, and its part in producing thickening after operation. Joseph’s nasal saws angled differently for left and right sides were good saws for the purpose. In the revision of the nose tip after previous unsatisfactory surgical intervention, asymmetrical alar cartilages presented special problems difficult of solution by the usual intranasal techniques. The so-called “Aying-boat approach was employed, as described by Rethi (quoted May 1951).

The radical operation on the Queen’s nose carried with it a tendency to bleed. Hematoma formation would lead to excessive thickening, and possibly even to infection. Iced compresses during the first forty-eight hours diminished the edema that occurred in the Queen’s eyelids and cheeks. Packs were removed after twenty-four hours. Her Majesty’s nose was interfered with as little as possible during the next few days, the air way being cleaned with a pledget of cotton wool. The splint was removed after seven days and the Queen instructed in the digital pressure required to maintain the position of the nasal bones. A brisk reactionary hemorrhage was controlled by packing.

Her Majesty was warned that some bruising (black eyes) was likely up to three weeks after the operation, and that her social activities would have to be curtailed. The Queen was also informed that she should not attempt to blow her nose until the intranasal incisions were soundly healed (two weeks).

During after-care, Her Majesty found it difficult to understand that her nose was swollen, and that such edema would settle down slowly and irregularly. Her Majesty was warned that her nose should not be operated upon for a further time within six months of the previous operation.

Sunday Comix

A page from Laid Waste by Julia Gfrörer, Fantagraphics Books, 2016.

(Not really a blog about) Pynchon in Public Day, 2026

Unless my math or some established facts are incorrect, Thomas Pynchon turned 89 today.

As far as I can tell, the first time I posted something Pynchon-related on Pynchon’s birthday (May 8, obv), was a portrait by James Jean, back in 2013. The next year I directly recognized the date of his birth in a round-up post, and the year after that I recognized what has been semi-formalized into “Pynchon in Public Day.” And then pretty much every year since then I’ve done something or other. In 2018, I had the gall to rank Pynchon’s novels, even though I hadn’t managed to finish Bleeding Edge at that point. I made a correction in August last year, ranking all the novels to date, and then felt the need to correct a list published at The Guardian later that month.

In Sept. 2025 Paul Thomas Anderson’s film One Battle After Another hit theaters. Based loosely (but tightly enough that anyone who read the novel would recognize it in the film) on Pynchon’s 1990 novel VinelandOne Battle After Another was a hit — at least critically and culturally (it recouped its expenses and earned more than any other PTA film, but still wasn’t a mega-hit I guess — but it did much better than PTA’s adaptation of Inherent Vice, which I also loved, which had a very limited cultural impact). One Battle After Another won a bunch of meaningless awards. I loved it!

A few weeks later, Pynchon’s novel Shadow Ticket, a late career treat, hit shelves. I loved it too! In the meantime, I noticed that my favorite local bookstore (at both of its locations) was stocked with new Pynchon volumes which seemed to sell extraordinarily well. The Pynchon Reddit, once a somewhat quiet space to share analyses and tidbits, expanded like an unbelted belly filled with belches. It now suffers from fan art and dudes who feel the need to cast film versions of the Pynchon books they’ve read so far, and endless “What should I read next?” posts.

This is all pretty fucking great! I like that Pynchon’s audience has expanded, that his books are selling, and that people are reading them. And so well yeah — do we still need a Pynchon in Public Day?

Sure, why the hell not. It was always about fun, I think.

I didn’t do any kind of Pynchon post on 8 May 2025. My best friend of the past three decades died unexpectedly in his sleep on 5 May 2025 and I was a wreck. At what I suppose was his wake (a slow, rolling, evolving open house thing where old friends stayed at our house and drank and laughed and cried), I gave one of my dearest friends a copy of Gravity’s Rainbow because he said he wanted to read it. (I suggested V. to start but he wanted the big boy.) Another friend pointed out that there were like fifteen copies of Moby-Dick in the house and generously unencumbered me of a surplus Norton Critical Edition. (Mike, Dave, I know you don’t read this blog anymore, but have you cracked into those giants?)

I think if I had written something for Pynchon in Public Day last year, it would have been about the anticipation for Shadow Ticket and One Battle After Another. But I ended up writing about those things anyway, and so did a lot of other people.

If I was going to write a blog for Pynchon in Public Day, which I am not doing now, I might try to situate Shadow Ticket into his oeuvre (easy; it fits chronologically between Against the Day and Gravity’s Rainbow; it is also B-tier Pynchon. If I had to rank it I’d put it above Vineland and Inherent Vice, at least today. Ask me tomorrow, who knows).

But this isn’t a blog about Pynchon in Public Day.