Allegory of Air (Detail) — Jan van Kessel the Elder

Allegory of Air (detail), 1661 by Jan van Kessel the Elder (1626-1679)

Chaos XLIX — Michael Palmer

Chaos XLIX by Michael Palmer (b. 1942)

Wait — Bridget Tichenor

Wait, 1961 by Bridget Tichenor (1917-1990)

Allegory of Air (Detail) — Jan van Kessel the Elder

Allegory of Air (detail), 1661 by Jan van Kessel the Elder (1626-1679)

Angela Carter’s Fireworks (Book acquired, 2 April 2021)

I came across this 1976 first edition paperback of Angela Carter’s collection Fireworks two weeks ago and couldn’t pass it up, even though all of Fireworks is collected in Burning Your Boats, which I already own. I love the hornyassed cover by Bob Foulke. I cannot find anything else by Foulke on the internet.

Here is the opening of “The Executioner’s Beautiful Daughter”:

Here, we are high in the uplands.

A baleful almost-music, that of the tuneless cadences of an untutored orchestra repercussing in an ecstatic agony of echoes against the sounding boards of the mountains, lured us into the village square where we discover them twanging, plucking and abusing with horsehair bows a wide variety of crude stringed instruments. Our feet crunch upon dryly whispering shifting sawdust freshly scattered over impacted surfaces of years of sawdust clotted, here and there, with blood shed so long ago it has, with age, acquired the colour and texture of rust . . . sad, ominous stains, a threat, a menace, memorials of pain.

There is no brightness in the air. Today the sun will not irradiate the heroes of the dark spectacle to which accident and disharmony combined to invite us. Here, where the air is choked all day with diffuse moisture tremulously, endlessly the point of becoming rain, light falls as if filtered through muslin so at all hours a crepuscular gloaming prevails; the sky looks as though it is about to weep and so, gloomily illuminated through unshed tears, the tableau vivant before us is suffused with the sepia tints of an old photograph and nothing within it moves. The intent immobility of the spectators, wholly absorbed as they are in the performance of their hieratic ritual, is scarcely that of living things and this tableau vivant might be better termed a nature morte for the mirthless carnival is a celebration of a death. Their eyes, the whites of which are yellowish, are all fixed, as if attached by taut, invisible strings upon a wooden block lacquered black with the spilt dews of a millennia of victims.

And now the rustic bandsmen suspend their unmclodious music. This death must be concluded in the most dramatic silence. The wild mountain-dwellers are gathered together to watch a public execution; that is the only entertainment the country offers.

Time, suspended like the rain, begins again in silence, slowly.

News or Something — Pablo Martinez

News or Something, 2017 by Pablo Martinez

After Breakfast — Elin Danielson-Gambogi

After Breakfast, 1890 by Elin Danielson-Gambogi (1861-1919)

Posted in Art

A page from Moebius’ The Gardens of Aedena

A page from The Gardens of Aedena by Moebius.

Still life with Wajang — Salomon Garf

Still Life with Wajang by Salomon Garf (1873-1943)

Herbario — Norah Borges

Herbario, 1928 by Norah Borges (1901–1998)

Theory of Relativity — Eduardo Paolozzi

Theory of Relativity, 1967 by Eduardo Paolozzi (1924–2005)

A panel from Hayao Miyazaki’s Air Meal, a 1994 comic about the first in-flight meal

The Kitchen Garden on the Eyot — Leonora Carrington

The Kitchen Garden on the Eyot, 1946 by Leonora Carrington (1917–2011)

Sisyphus — Odd Nerdrum

Sisyphus by Odd Nerdrum (b. 1944)

Bird in Hand — Ellen Gallagher

Bird in Hand, 2006 by Ellen Gallagher (b. 1965)

Perkus Tooth — Tom Sanford

Perkus Tooth, 2011 by by Tom Sanford (b. 1975)

“Tell it to the forest fire, tell it to the moon” (Dream Song 44) | John Berryman