Every year, within a week or two of Mother’s Day, our family likes to get a place in a proximal walkable beach town. Some place not too far a drive from our simple ranch home near the mighty northward-flowing St. Johns River, some place not too touristy, some place with nachos and beer and etc. St. Augustine Beach is a favorite and frequent spot, but this year we opted for St. Simons Island, a sea island off the Georgia coastline. We did not do a trip in 2020, for obvious reasons, but the wife and I have been fully vaccinated for weeks now, and we knew we’d be more or less outside for the entire weekend, so the fam drove an hour north. It was the first time we’d been out like this since March of 2020, when we stayed on a houseboat on Jekyll Island (the sea island immediately north of St. Simons). It was a nice, chill weekend—fried fish, golf carts, minigolf, the beach (with thousands of dead jellyfish to amuse the kids).
The Literary Guild of St. Simons was also having their annual spring sale–basically a Friends of the Library sale, if you know what that is. If you don’t: outdoors, lots of flat boxes of books, books, books. I ended up picking up more than I should have—I haven’t even done any of these stupid “books acquired” posts for the last three books that came in (including the lovely book I was reading this weekend, Rachel Eisendrath’s Gallery of Clouds)–but I have it on no small authority that these semi-annual Guild sales help fund most of the SSI library’s budget. (Also, as is often the case with these things, it was cheaper to add a book or two than not to.)
So: Top of stack to bottom:
The Finishing School, Muriel Spark. This is, I believe, the last novel Spark wrote. It came out in 2004; I read a bunch of her earlier stuff last year (and her early novel The Bachelors this March), but it was the mid-period novel Loitering with Intent that I thought the best. I’m not sure if this last novel has the best reputation, but Kakutani hated it, so maybe I’ll dig it. (Oh, and this edition is an ARC!)
Perfume: The Story of a Murderer, Patrick Suskind (trans. by John E. Woods). I loved the 2006 film adaptation. No idea if the book is any good, but the story is all kindsa fucked up.
This Is Not a Novel, David Markson. Look, I already own a copy. But I have a friend who doesn’t (I think).
Outline, Rachel Cusk. I think this is the first of these, right? Admittedly I avoided Cusk’s trilogy, which seemed overhyped (like Knausgaard, maybe?), but for a dollar I’ll give it a shot.
The Middle Ground, Margaret Drabble. A pristine first edition of a mid-period Drabble novel which is perhaps a take on Mrs. Dalloway. Drabble was nowhere on my radar until a few weeks ago when I read that the experimental British novelist B.S. Johnson included her on a list of (then) contemporary British writers he esteemed as writing “as though it mattered.”
Private Lives in the Imperial City, John Leonard. I mostly knew Leonard’s work as a reviewer for Harper’s—his column “New Books” was a go-to for me for a decade, and I wouldn’t presume to say I learned anything from him about writing book reviews (he would be horrified if he cared enough to be horrified), but I thought him an exemplary critic. But mostly fun to read. I didn’t even know about his New York Times column, “Private Lives,” which he wrote between 1977 and 1980. I had no idea what Private Lives was about—I just loved the spine (and then the great cover, featuring a Frank Stella painting)—but most of all I knew I wanted a book by John Leonard. I ended up spending a nice chunk of Saturday reading through the columns, which read like witty, snarky, intimate blog posts—stories about friends, relatives, exploits in New York and abroad. Leonard hates parties; Leonard hated Blow-Up; Leonard finds compassion for a loudmouth on a coast-to-coast flight. This might be the gem in the batch.
The Crossing, Cormac McCarthy. Hey. Look. I own it. But I don’t own it in first edition hardback, right? I recall it as my favorite of the so-called “Border Trilogy.”
Picked Up Pieces, John Updike. I’ve never been a big fan of Updike’s fiction, but I’ve always found something to admire in his criticism and nonfiction. He’s holding a turtle on the cover of this edition. The final section is called something like “One Big Interview,” and the last question asks him which animal he most admires, and he answers that it is the turtle.
I’m pretty sure that the Leonard and Updike (and probably the Drabble) all came from the same collection—there was basically a near-complete set of pristine first-editions of Updikes and John Cheevers, as well as a heavy dose of Philip Roths—all in impeccable condition, tidy jackets, no foxing, clearly read, but unmarked.
Travels in Hyperreality, Umberto Eco. There was also a first-edition of Foucault’s Pendulum in hardback, which I should’ve picked up instead.