(Some) books acquired, April 2024

April is always a weird month for me, the last few weeks of the spring semester when I try to corral my students (and myself) toward our Grand Project of Just Damn Finishing (while also Learning and Growing as Humans), when the magic of spring break has burned off to memories, scents, traces, when the Florida weather is glorious and perfect, but for only just long enough to get out in the garden before Summer Hell commences.

It’s been a lot of cleaning and clearing out and reorganizing for me, along with meetings with students—and not as much reading as I’d like. I devoured Percival Everett’s novel James early in the month, reading it in just a few days and loved it, but failed to write The Thing I Wanted to Write about it—about Twain’s Huckleberry Finn, about lighting out for the Territory, about Leslie Fiedler, about Robert Coover’s Huck Out West. I did manage to shoehorn bits of it into meetings with an American lit class I particularly liked this semester (we’d read Huckleberry Finn back in January). I also read/am reading Max Lawton’s novel-in-progress, The Abode, and reread Max’s translation of Vladimir Sorokin’s novel Blue Lard. I’ve actually done a lot of re-rereading of Blue Lard, as my project of posting about it seems to get delayed by, like, time constraints and/or exhaustion–

–is this the part where I also rant about my eyes going to seed, my eyes of forty-five years, stalwart fellows for most of those years, but now fading? eyes now needing nose-bridge-irritating lenses to be able to read finer print at first and now not-so-fine print? eyes that will need a new set of so-called readers with a higher rate of magnification simply to comprehend the little marks on the huge copy of RSS’s A Bended Circuity I obtained way back in November of last year? my eyes that are also having a hard time with Dalkey’s reissue of Marguerite Young’s Miss Macintosh, My Darling, not included in this riff and pic of books acquired in April because it is new, a new printing? I guess that was the eye rant, so—

Oh and so anyway to the used books I picked up this month, mostly over a series of Friday-afternoon-special-treat browsings, their purchase entirely subsidized by trade credit from so, so many books I read my children when they were little and cute, books that they no longer wish to place on their shelves (ever the sentimentalist, I found space in my tiny Florida attic for a box or two for the future—and made an agreement with my son to shelve the Maurice Sendak titles in his room for at least the next few years). Those books–

A collection of Virgilio Piñera short stories translated by Mark Schaffer. I admit I was unaware of the Cuban author’s existence until I came across this edition of Cold Tales (once property of the University of Washington Libraries). The spine attracted me, the cover, bearing a reproduction of Goya’s Saturn Snacking enticed me, and I opened, reading a few of the very short stories within, knowing it’d leave with me.

I picked up John Speicher’s 1971 novel Didman because Thomas Pynchon blurbed it; haven’t opened it since.

I picked up first-edition hardbacks of books I already own and have read, books by Stanley Elkin and Jerzy Kosinski—books I already own, in a few cases, in beautiful trade paperback editions (a Vintage Contemporaries edition of Steps; Elkin novels with covers by my favorite, Janet Halverson)—do I need them? Of course not. But I have so few hobbies, reader; my herbs are in good order; my guitars hold their tunings—and I have more regrets about the first editions I let go by years ago.

Perhaps the oddest one stacked here is a first edition of Dag Hammarskjöld’s posthumous 1963 Markings (translated by Leif Sjöberg and W. H. Auden), which collects the Swedish diplomat’s diary entries from 1925 up through his death in 1961. I found it very much at random (in the literary criticism section, where I don’t think it belongs), picked it up, and kept reading. A brief excerpt:

To be “sociable” —to talk merely because convention forbids silence, to rub against one another in order to create the illusion of intimacy and contact: what an example of la condition humaine. Exhausting, naturally, like any improper use of our spiritual resources. In miniature, one of the many ways in which mankind successfully acts as its own scourge-in the hell of spiritual death.

The examination | From Percival Everett’s I Am Not Sidney Poitier

At the next class meeting, Everett informed us that we would be taking an essay examination that day.

“You said ‘no tests,’ ” one of the women said.

“This is an examination,” Everett said.

“That doesn’t make sense,” she said.

“Well, be that as it may.” He passed around the exam. “There are three questions, and I urge you to divide your time unevenly on them, as they are of equal value. Since one hundred is not divisible by three, there is no way for you to achieve a perfect score. Unless of course we decide that ninety-nine is a perfect score, and I wouldn’t mind that at all.”

The examination:

1) Imagine a radical and formidable contextualism that derives from a hypostatization of language and that it anticipates a liquefied language, a language that exists only in its mode of streaming. How is a speaker to avoid the pull into the whirl of this nonoriented stream of language?

2) Is the I one’s body? Is fantasy the specular image? And what does this have to do with the Borromean knot? In other words, why is there no symptom too big for its britches?

3) How might it feel to burn with missionary zeal? Don’t be shy in your answer.

We students looked at each other with varying degrees of confusion, panic, and anger. And like idiots, we set to work. At least they did. I read the questions over and over and after the numbers 1 and 2 on my paper I wrote, I don’t know. After the number 3 I wrote, Awful, then added, damn it.

From Percival Everett’s novel I Am Not Sidney Poitier.

Blog about some recent books acquired, other stuff

I read Will Oldham’s book On Bonnie ‘Prince’ Billy almost a decade and it therefore doesn’t belong in a stack of recent acquisitions, but it’s there—I pulled it off the shelf last week and thumbed through it in anticipation of seeing Oldham play this past Thursday. I even brought the book to the venue, thinking maybe I’d ask him to sign it. But I left it in the car and simply enjoyed Oldham and his pal run through a set of covers and originals. His voice is more resonant, richer, bolder than the last time I saw him live, and even if I didn’t know half of the songs, I enjoyed the gentle chill music on a cold Florida Thursday night. (I suspect Oldham’s short “tour” of Florida is an excuse to get out of the midwestern cold—although he complained it was “fuckin’ cold” here.)

Other books in the stack above are a composite of three or maybe four book store visits. The most memorable visit was to Aeon Bookstore in the Lower East Side of NYC.

Aeon is a small, cozy shop, well-curated with art, philosophy, anthropology, and literature books, as well as an excellent selection of jazz records. The clerk let me handle some first editions of Williams Burroughs and Gaddis, as well as Ishmael Reed and others.

I resisted The Recognitions and The Hearing Trumpet and picked up first editions of Donald Barthelme’s City Life and Don DeLillo’s Ratner’s Star.

Over two or possibly three visits to my local bookshop over the last month, I picked up copies of Stanley Elkin’s A Bad Man, Denis Johnson’s Resuscitation of a Hanged Man, and Carole Maso’s Ava. I also picked up Anthony Kerrigan’s translation of Miguel de Unamuno stories, Abel Sanchez and Other Stories.

I also snagged an advance copy of Percival Everett’s James. Blurb:

When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.

While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.