“Phosphates,” a short story by Hob Broun

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“Phosphates”

by

Hob Broun


CONLAN BOUNCED IN THE Ford and his fresh cigarette rolled under the pedals. He tried to stamp out the coal and lurched. How could the road be so muddy and still bounce him? Conlan was no scientist, that he’d grant. Breath plumed out of his mouth, made a milky blue patch on the windshield. His tongue was dry. It wanted to taste raspberry.

“Mutual trust,” Mr. Tunbridge said every September. “That’s what makes the stars come out.”

And then he gave Conlan something in advance.

“MULLED cider, cocoa, herb teas,” the brother said in answer to the question of how he could keep his soda fountain open through the winter.

Conlan looked up and down the street, which had only two summers ago been paved. “Herb teas,” he repeated. “You’re dreaming.”

“People need a wholesome place to come,” the brother said. “After the sleigh ride, after the skaters’ party. And the community sing. That’s every week.”

“You’re a bloody public servant now?” Conlan spat with finesse. “You’ll put bloody marshmallows in the cocoa, and no extra charge.”

The brother was waiting for the Syracuse truck that brought him gassed water.

“And what would you have me do, then? Go out on the lake with you and fish through the ice?”

“Nah, you’d find a way to drown.”

Conlan felt his nose going red in the sun. The street was giving up vapors.

EVERYTHING was bare, except for the oaks, always the last to let go. The birches were right without leaves, their black limbs striping the white sky, their white paper bark mottled black. Conlan viewed uncreased gray water through them, the lake, Racquet Lake, which the Tunbridges could have named after themselves, but hadn’t, which they owned in some different way than their ore mountains and smelters and ships. More intimately, more seriously. Conlan went into the boathouse. He looked at the racked canoes, smelled varnish. His palms felt cold; his fingers tingled and twitched as if he had just held someone under, fatally.

FOR a living, the brother had cut wood and shot quail and hung windows and so on. People in the town liked his thrift. Then he wooed and won Miss Loretta Frame, who had served eight years as governess to the younger Tunbridge children, and they liked his sand. The brother had foresight, and was not ashamed. His fountain had a veined marble counter, checkered floor tiles, filigreed taps and faucets, an etched blue mirror, and in their season, fresh flowers at every table. Father Voss, the Lutheran, who liked a tulip sundae, said the brother’s place was so comfortable it made him think about retirement. The brother had to have new dentures, he smiled so much. Conlan wasn’t exactly jealous; but he was irritated. It was weak to take the money. He told Loretta the children wept whenever her name was mentioned.

THE Tunbridge family carried history the way soda carried the colors of syrup. They knew things by instinct.

Riker, the in-law whose cups of tea were always laced, lectured on eugenics at Cornell. While the rest of the family was under sail, racing one another from cove to cove, Riker stayed uncoaxable in shade, painting the wicker.

“I read in this morning’s paper,” he said, “of Mrs. Elise Winch of Oneida being bitten by an owl. She was only thirty-four.”

Inside the house, in the hexagonal library on the third floor, where planets were painted in color on the ceiling, the skull of Garrison Tunbridge, Sr., who found copper in Wyoming and guano in Peru, was displayed under glass.

“One must expand or go mad,” said Auntie Vera, who could dance in Italian.

Conlan imagined the nests of hair under her arms.

THUNDER rolled away across the northern scarp. Hat brims dripped and shingles glistened. Inside the rain-battered cups of columbine and tiger lily, bees died of exhaustion.

“Lemon phosphate.”

“Cherry phosphate.”

The twins exchanged looks in the blue mirror. Their faces were as identical as their coifs, bicycles, leg-of-mutton sleeves.

“With ice, please,” they said.

The temperature swing brought on by the storm made the brother ill. His skin was clammy and he trembled. With disagreeable vividness came recollection of the home left near forty years ago, tea and treacle by a peat fire.

“And extra straws.”

The matched white faces looming, dead white under freckles.

AS Conlan swept the porch, he heard stones click in the lapping water. The lake at its deepest was said to be twelve hundred feet. It was terribly cold there and all the fish were blind. The music room and parlor, as Conlan peered through the windows, seemed deep in that forbidding way. He shivered, imagining the piano keys’ slick cold like some ancient ice unpleasantly preserved. Red-brown geometries floated up. He turned away, mouth curling around the taste of foreign carpet.

LORETTA said, “This is the weekend I go to New York.”

The brother understood about interest on a loan.

“I’ll need new pajamas,” he said.

He took his wife to the station with an hour to spare. Alone on the platform, they watched and were watched by a murder of crows.

“Your brother,” Loretta began.

Desperately inspired, her husband emptied his pockets of change, fell on his knees to retrieve it, and she pointed out coins with the triangular toe of her boot.

“Phone me tonight,” he said.

She smiled from the compartment window, pretending not to hear, subtle as tailings.

“HELP yourself, Conlan,” said G.T., Jr.

The squash were enormous, the cucumbers ready to explode. Tunbridge, in pressed green overalls and striped engineer’s hat, enhanced a proprietary gleam. He was proud of the family fertilizer, a secret blend. Knowing the invitation as otherwise meant—he was free to take, but invisibly, please—Conlan still bit a tomato, inhaling seed clumps like frog eggs, only warm. Tunbridge caught the gesture, but maintained his gleam, sharpened it.

“We used to call them love apples,” he said. “A member of the nightshade family.”

OBSESSIVELY, the brother thought about sherbet. He stared out the bay window, past his backwards name in gold paint shaded with black. The street stayed empty, the main street without a policeman to patrol it. Azalea sherbet? Rosemary? Mushroom? French monks had recipes, and sultans did. Knowledge was money, history was money, and so on. The brother wiped the marble counter until he could see himself wiping. The veins in the marble, unlike the veins in the body, wer
e confused and led nowhere. Blue veins in orderly fashion shipped blood the color of sherbet, an essence. If fact was fact and the street was empty, why not a supernatural sherbet? One that removed the power of speech and made music.

IT felt safest to enter by the kitchen. The Ford refused to turn over in the falling chill, and now Conlan was inside the house, drawn to white surfaces—cupboards, stove, and sink—which made the most of last light. But he heard things like dance steps on the lake and voices from under the carpet. Conlan had always understood the way of being alone, and to lose that would leave him with nothing. When he stole something from the house last summer, it had been a little picture book that no one would miss; it had been a gesture for himself alone. Pictures had nothing behind them, were only themselves. We would miss you, Conlan. He began searching every drawer for candles.

Read Zora Neale Hurston’s short story “Monkey Junk”

Continue reading “Read Zora Neale Hurston’s short story “Monkey Junk””

“Strictly Business,” a short story by Chester Himes

“Strictly Business”

by

Chester Himes


What his real name was, no one knew or cared.

At various times, during his career of assaults, homicides, and murders, he had been booked under the names of Patterson, Hopkins, Smith, Reilly, Sanderson, and probably a dozen others.

People called him “Sure.”

He was twenty-five years old, five feet, eleven inches tall, weighed one-eighty-seven, had light straw-colored hair and wide, slightly hunched shoulders. His pale blue eyes were round and flat as poker chips, and his smooth, white face was wooden.

He wore loose fitting, double-breasted, drape model suits, and carried his gun in a shoulder sling.

His business was murder.

At that time he was working for Big Angelo Satulla, head of the numbers mob.

The way Big Angelo’s mob operated was strictly on the muscle. They took their cut in front—forty per cent gross, win, lose, or draw—and the colored fellows operated the business on what was left.

Most of the fellows in the mob were relatives of Big Angelo’s. There were about forty of them and they split a million or more a year.

Sure was there because Big Angelo didn’t trust any of his relatives around the corner. He was on a straight salary of two hundred and fifty dollars a week, and got a bonus of a grand for a job.

Business was good. He could remember when at eighteen he had worked for fifty bucks a throw, and if you got caught with the body you were just S.O.L.

He and Big Angelo were at the night drawing of the B&B house, a little before midnight, when the word came about Hot Papa Shapiro. Pipe Jimmy Sciria, the stooge Big Angelo had posted in the hotel as a bellhop to keep tabs on Hot Papa, called and said it looked as if Hot Papa was going to spill because a police escort had just pulled up to the hotel to take him down to the court house where the Grand Jury was holding night sessions during the DA’s racket-busting investigation.

Big Angelo had had the feeling all along that Hot Papa had rat in his blood, but now when he got the word that the spill was on the turn, he went green as summer salad. Continue reading ““Strictly Business,” a short story by Chester Himes”

“The Quarterback Speaks to His God,” a story by Herbert Wilner

 

“The Quarterback Speaks to His God”

by

Herbert Wilner


Bobby Kraft, the heroic old pro, lies in his bed in the grip of medicines relieving his ailing heart. Sometimes he tells his doctor your pills beat my ass, and the doctor says it’s still Kraft’s choice; medicine or open heart surgery. Kraft shuts up.

He wasn’t five years out of pro football, retired at thirty-six after fourteen years, when he got the rare viral blood infection. Whatever they were, the damn things ate through his heart like termites, leaving him with pericarditis, valve dysfunction, murmurs, arrhythmia, and finally, congestive failure. The physiology has been explained to him, but he prefers not to understand it. Fascinated in the past by his strained ligaments, sprained ankles, torn cartilage, tendinitis, he now feels betrayed by his heart’s disease.

“You want to hear it?” Dr. Felton once asked, offering the earpieces of the stethoscope.

Kraft recoiled.

“You don’t want to hear the sound of your own heart?”

Sitting on the examining table, Kraft was as tall as the short doctor, whose mustache hid a crooked mouth.

“Why should I?” Kraft said. “Would you smile in the mirror after your teeth got knocked out?”

This morning in bed, as with almost every third morning of the past two years, Kraft begins to endure the therapeutic power of his drugs. He takes diuretics: Edecrin, or Lasix, or Dyazide, or combinations. They make him piss and piss, relieving for a day or two the worst effects of the congesting fluids that swamp his lungs and gut. He’s been told the washout dumps potassium, an unfortunate consequence. The depletions cramp his muscles, give him headaches, sometimes trigger arrhythmias. They always drive him into depressions as deep as comas. He blames himself.

“It has nothing to do with will power,” Dr. Felton explained. “If you ran five miles in Death Valley in August, you’d get about the same results as you do from a very successful diuresis.”

To replenish some of his losses, Kraft stuffs himself with bananas, drinks orange juice by the pint, and takes two tablespoons a day of potassium chloride solution. To prevent and arrest the arrhythmia, he takes quinidine, eight pills a day, 200 mg per pill. To strengthen the enlarged and weakened muscle of his heart wall, he takes digoxin. Together they make him nauseous, gassy, and distressed. He takes anti-nausea pills and chews antacids as though they were Life Savers. Some nights he takes Valium to fall asleep. If one doesn’t work, he takes two.

“I can’t believe it’s me,” he protests to his wife, Elfi. “I never took pills, I wouldn’t even touch aspirins. There were guys on coke, amphetamines, Novocaine. I wouldn’t touch anything. Now look at me. I’m living in a drugstore.”

His blurred eyes sweep the squads of large and small dark labeled bottles massed on his chest of drawers. His wife offers little sympathy.

“Again and again the same thing with you,” she’ll answer in her German accent. “So go have the surgery already, you coward ox.”

Coward? Him? Bobby Kraft? Continue reading ““The Quarterback Speaks to His God,” a story by Herbert Wilner”

“Pat Hobby’s Christmas Wish,” a short story by F. Scott Fitzgerald

“Pat Hobby’s Christmas Wish”

by

F. Scott Fitzgerald


It was Christmas Eve in the studio. By eleven o’clock in the morning, Santa Claus had called on most of the huge population according to each one’s deserts.

Sumptuous gifts from producers to stars, and from agents to producers arrived at offices and studio bungalows; on every stage one heard of the roguish gifts of casts to directors or directors to casts; champagne had gone out from publicity office to the press. And tips of fifties, tens and fives from producers, directors and writers fell like manna upon the white collar class.

In this sort of transaction there were exceptions. Pat Hobby, for example, who knew the game from twenty years’ experience, had had the idea of getting rid of his secretary the day before. They were sending over a new one any minute—but she would scarcely expect a present the first day.

Waiting for her, he walked the corridor, glancing into open offices for signs of life. He stopped to chat with Joe Hopper from the scenario department.

“Not like the old days,” he mourned, “Then there was a bottle on every desk.”

“There’re a few around.”

“Not many.” Pat sighed, “And afterwards we’d run a picture—made up out of cutting-room scraps.”

“I’ve heard. All the suppressed stuff,” said Hopper.

Pat nodded, his eyes glistening.

“Oh, it was juicy. You darned near ripped your guts laughing—”

He broke off as the sight of a woman, pad in hand, entering his office down the hall recalled him to the sorry present.

“Gooddorf has me working over the holiday,” he complained bitterly.

“I wouldn’t do it.”

“I wouldn’t either except my four weeks are up next Friday, and if I bucked him he wouldn’t extend me.”

Pat’s new secretary was about thirty-six, handsome, faded, tired, efficient. She went to the typewriter, examined it, sat down and burst into sobs.

As he turned away Hopper knew that Pat was not being extended anyhow. He had been hired to script an old-fashioned horse-opera and the boys who were “writing behind him”—that is working over his stuff—said that all of it was old and some didn’t make sense.

“I’m Miss Kagle,” said Pat’s new secretary. She was about thirty-six, handsome, faded, tired, efficient. She went to the typewriter, examined it, sat down and burst into sobs.

Pat started. Self-control, from below anyhow, was the rule around here. Wasn’t it bad enough to be working on Christmas Eve? Well—less bad than not working at all. He walked over and shut the door—someone might suspect him of insulting the girl.

“Cheer up,” he advised her. “This is Christmas.” Continue reading ““Pat Hobby’s Christmas Wish,” a short story by F. Scott Fitzgerald”

Walton Ford’s illustration for Joy Williams’ story “The Last Generation”

Walton Ford’s illustration for Joy Williams’ story “The Last Generation.” The story appeared in the 1 April 1989 issue of Esquire.

Read “All Hallows,” a spooky short story by Walter de la Mare

“All Hallows”

by

Walter de la Mare


And because time in itselfe…can receive no alteration, the hallowing…must consist in the shape or countenance which we put upon the affaires that are incident in these days.

—Richard Hooker


It was about half-past three on an August afternoon when I found myself for the first time looking down upon All Hallows. And at glimpse of it, fatigue and vexation passed away. I stood ‘at gaze’, as the old phrase goes—like the two children of Israel sent in to spy out the Promised Land. How often the imagined transcends the real. Not so All Hallows. Having at last reached the end of my journey—flies, dust, heat, wind—having at last come limping out upon the green sea-bluff beneath which lay its walls—I confess the actuality excelled my feeble dreams of it.

What most astonished me, perhaps, was the sense not so much of its age, its austerity, or even its solitude, but its air of abandonment. It lay couched there as if in hiding in its narrow sea-bay. Not a sound was in the air; not a jackdaw clapped its wings among its turrets. No other roof, not even a chimney, was in sight; only the dark-blue arch of the sky; the narrow snowline of the ebbing tide; and that gaunt coast fading away into the haze of a west over which were already gathering the veils of sunset.

We had met, then, at an appropriate hour and season. And yet—I wonder. For it was certainly not the ‘beauty’ of All Hallows, lulled as if into a dream in this serenity of air and heavens, which was to leave the sharpest impression upon me. And what kind of first showing would it have made, I speculated, if an autumnal gale had been shrilling and trumpeting across its narrow bay—clots of wind-borne spume floating among its dusky pinnacles—and the roar of the sea echoing against its walls! Imagine it frozen stark in winter, icy hoar-frost edging its every boss, moulding, finial, crocket, cusp!

Indeed, are there not works of man, legacies of a half-forgotten past, scattered across this human world of ours from China to Peru, which seem to daunt the imagination with their incomprehensibility? Incomprehensible, I mean, in the sense that the passion that inspired and conceived them is incomprehensible. Viewed in the light of the passing day, they might be the monuments of a race of demi-gods. And yet, if we could but free ourselves from our timidities, and follies, we might realize that even we ourselves have an obligation to leave behind us similar memorials—testaments to the creative and faithful genius not so much of the individual as of Humanity itself.

However that may be, it was my own personal fortune to see All Hallows for the first time in the heat of the Dog Days, after a journey which could hardly be justified except by its end. At this moment of the afternoon the great church almost cheated one into the belief that it was possessed of a life of its own. It lay, as I say, couched in its natural hollow, basking under the dark dome of the heavens like some half-fossilized monster that might at any moment stir and awaken out of the swoon to which the wand of the enchanter had committed it. And with every inch of the sun’s descending journey it changed its appearance.

That is the charm of such things. Man himself, says the philosopher, is the sport of change. His life and the life around him are but the flotsam of a perpetual flux. Yet, haunted by ideals, egged on by impossibilities, he builds his vision of the changeless; and time diversifies it with its colours and its ‘effects’ at leisure. It was drawing near to harvest now; the summer was nearly over; the corn would soon be in stook; the season of silence had come, not even the robins had yet begun to practice their autumnal lament. I should have come earlier. Continue reading “Read “All Hallows,” a spooky short story by Walter de la Mare”

Read “The Horla,” a psychological horror story by Guy de Maupassant

Illustration of Maupassant’s short story, “The Horla.” Wood engraving by Georges Lemoine after a drawing by William Julian-Damazy (1865-1910).

“The Horla”

by

Guy de Maupassant

Published in English in A Selection from the Writings of Guy de Maupassant

The volume includes a critical preface by Paul Bourge and an introduction by Robert Arnot, but fails to credit a translator.


May 8. What a lovely day! I have spent all the morning lying on the grass in front of my house, under the enormous plantain tree which covers and shades and shelters the whole of it. I like this part of the country; I am fond of living here because I am attached to it by deep roots, the profound and delicate roots which attach a man to the soil on which his ancestors were born and died, to their traditions, their usages, their food, the local expressions, the peculiar language of the peasants, the smell of the soil, the hamlets, and to the atmosphere itself.

I love the house in which I grew up. From my windows I can see the Seine, which flows by the side of my garden, on the other side of the road, almost through my grounds, the great and wide Seine, which goes to Rouen and Havre, and which is covered with boats passing to and fro.

On the left, down yonder, lies Rouen, populous Rouen with its blue roofs massing under pointed, Gothic towers. Innumerable are they, delicate or broad, dominated by the spire of the cathedral, full of bells which sound through the blue air on fine mornings, sending their sweet and distant iron clang to me, their metallic sounds, now stronger and now weaker, according as the wind is strong or light.

What a delicious morning it was! About eleven o’clock, a long line of boats drawn by a steam-tug, as big a fly, and which scarcely puffed while emitting its thick smoke, passed my gate.

After two English schooners, whose red flags fluttered toward the sky, there came a magnificent Brazilian three-master; it was perfectly white and wonderfully clean and shining. I saluted it, I hardly know why, except that the sight of the vessel gave me great pleasure.

May 12. I have had a slight feverish attack for the last few days, and I feel ill, or rather I feel low-spirited.

Whence come those mysterious influences which change our happiness into discouragement, and our self-confidence into diffidence? One might almost say that the air, the invisible air, is full of unknowable Forces, whose mysterious presence we have to endure. I wake up in the best of spirits, with an inclination to sing in my heart. Why? I go down by the side of the water, and suddenly, after walking a short distance, I return home wretched, as if some misfortune were awaiting me there. Why? Is it a cold shiver which, passing over my skin, has upset my nerves and given me a fit of low spirits? Is it the form of the clouds, or the tints of the sky, or the colors of the surrounding objects which are so change-able, which have troubled my thoughts as they passed before my eyes? Who can tell? Everything that surrounds us, everything that we see without looking at it, everything that we touch without knowing it, everything that we handle without feeling it, everything that we meet without clearly distinguishing it, has a rapid, surprising, and inexplicable effect upon us and upon our organs, and through them on our ideas and on our being itself.

How profound that mystery of the Invisible is! We cannot fathom it with our miserable senses: our eyes are unable to perceive what is either too small or too great, too near to or too far from us; we can see neither the inhabitants of a star nor of a drop of water; our ears deceive us, for they transmit to us the vibrations of the air in sonorous notes. Our senses are fairies who work the miracle of changing that movement into noise, and by that metamorphosis give birth to music, which makes the mute agitation of nature a harmony. So with our sense of smell, which is weaker than that of a dog, and so with our sense of taste, which can scarcely distinguish the age of a wine!

Oh! If we only had other organs which could work other miracles in our favor, what a number of fresh things we might discover around us!

May 16. I am ill, decidedly! I was so well last month! I am feverish, horribly feverish, or rather I am in a state of feverish enervation, which makes my mind suffer as much as my body. I have without ceasing the horrible sensation of some danger threatening me, the apprehension of some coming misfortune or of approaching death, a presentiment which is no doubt, an attack of some illness still unnamed, which germinates in the flesh and in the blood.

May 18. I have just come from consulting my medical man, for I can no longer get any sleep. He found that my pulse was high, my eyes dilated, my nerves highly strung, but no alarming symptoms. I must have a course of shower baths and of bromide of potassium.

May 25. No change! My state is really very peculiar. As the evening comes on, an incomprehensible feeling of disquietude seizes me, just as if night concealed some terrible menace toward me. I dine quickly, and then try to read, but I do not understand the words, and can scarcely distinguish the letters. Then I walk up and down my drawing-room, oppressed by a feeling of confused and irresistible fear, a fear of sleep and a fear of my bed. Continue reading “Read “The Horla,” a psychological horror story by Guy de Maupassant”

“Faith of Our Fathers” — Philip K. Dick

“Faith of Our Fathers”

by

Philip K. Dick


On the streets of Hanoi he found himself facing a legless peddler who rode a little wooden cart and called shrilly to every passer-by. Chien slowed, listened, but did not stop; business at the Ministry of Cultural Artifacts cropped into his mind and deflected his attention: it was as if he were alone, and none of those on bicyles and scooters and jet-powered motorcycles remained. And likewise it was as if the legless peddler did not exist.

“Comrade,” the peddler called however, and pursued him on his cart; a helium battery operated the drive and sent the cart scuttling expertly after Chien. “I possess a wide spectrum of time-tested herbal remedies complete with testimonials from thousands of loyal users; advise me of your malady and I can assist.”

Chien, pausing, said, “Yes, but I have no malady.” Except, he thought, for the chronic one of those employed by the Central Committee, that of career opportunism testing constantly the gates of each official position. Including mine.

“I can cure for example radiation sickness,” the peddler chanted, still pursuing him. “Or expand, if necessary, the element of sexual prowess. I can reverse carcinomatous progressions, even the dreaded melanomae, what you would call black cancers.” Lifting a tray of bottles, small aluminum cans and assorted powders in plastic jars, the peddler sang, “If a rival persists in trying to usurp your gainful bureaucratic position, I can purvey an ointment which, appearing as a dermal balm, is in actuality a desperately effective toxin. And my prices, comrade, are low. And as a special favor to one so distinguished in bearing as yourself I will accept the postwar inflationary paper dollars reputedly of international exchange but in reality damn near no better than bathroom tissue.” Continue reading ““Faith of Our Fathers” — Philip K. Dick”

“The Wayfarer” — Robert Coover

“The Wayfarer”

by

Robert Coover


I came upon him on the road. I pulled over, stepped out, walked directly over to him where he sat. On an old milestone. His long tangled beard was a yellowish gray, his eyes dull with the dust of the road. His clothes were all of a color and smelled of mildew. He was not a sympathetic figure, but what could I do?

I stood for a while in front of him, hands on hips, but he paid me no heed. I thought: at least he will stand. He did not. I scuffed up a little dust between us with the toe of my boot. The dust settled or disappeared into his collection of it. But still, he stared obliviously. Vacantly. Perhaps (I thought): mindlessly. Yet I could be sure he was alive, for he sighed deeply from time to time, He is afraid to acknowledge me, I reasoned. It may or may not have been the case, but it served, for the time being, as a useful premise. The sun was hot, the air dry. It was silent, except for the traffic.

I cleared my throat, shifted my feet, made a large business of extracting my memo-book from my breast pocket, tapped my pencil on it loudly. I was determined to perform my function in the matter, without regard to how disagreeable it might prove to be. Others passed on the road. They proffered smiles of commiseration, which I returned with a pleasant nod. The wayfarer wore a floppy black hat. Tufts of yellow-gray hair poked out of the holes in it like dead wheat. No doubt, it swarmed. Still, he would not look at me.

Finally, I squatted and interposed my face in the path of his stare. Slowly—painfully, it would seem—his eyes focused on mine. They seemed to brighten momentarily, but I am not sure why. It could have been joy as easily as rage, or it could have been fear. Only that: his eyes brightened; his face remained slack and inexpressive. And it was not a glow, nothing that could be graphed, it was just a briefest spark, a glimmer. Then dull again. Filmy as though with a kind of mucus smeared over. And he lost the focus. I don’t know whether or not in that instant of perception he noticed my badge. I wished at the time that he would, then there could be no further ambiguities. But I frankly doubted that he did. He has traveled far, I thought. Continue reading ““The Wayfarer” — Robert Coover”

“Sex and/or Mr. Morrison” — Carol Emshwiller

Sex and/or Mr. Morrison

by

Carol Emshwiller


I can set my clock by Mr. Morrison’s step upon the stairs, not that he is that accurate, but accurate enough for me. 8:30 thereabouts. (My clock runs fast anyway.) Each day he comes clumping down and I set it back ten minutes, or eight minutes or seven. I suppose I could just as well do it without him but it seems a shame to waste all that heavy treading and those puffs and sighs of expending energy on only getting downstairs, so I have timed my life to this morning beat. Funereal tempo, one might well call it, but it is funereal only because Mr. Morrison is fat and therefore slow. Actually he’s a very nice man as men go. He always smiles.

I wait downstairs sometimes looking up and sometimes holding my alarm clock. I smile a smile I hope is not as wistful as his. Mr. Morrison’s moonface has something of the Mona Lisa to it. Certainly he must have secrets.

“I’m setting my clock by you, Mr. M.”

“Heh, heh . . . my, my,” grunt, breath. “Well,” heave the stomach to the right, “I hope . . .”

“Oh, you’re on time enough for me.”

“Heh, heh. Oh. Oh yes.” The weight of the world is certainly upon him or perhaps he’s crushed and flattened by a hundred miles of air. How many pounds per square inch weighing him down? He hasn’t the inner energy to push back. All his muscles spread like jelly under his skin.

“No time to talk,” he says. (He never has time.) Off he goes. I like him and his clipped little Boston accent, but I know he’s too proud ever to be friendly. Proud is the wrong word, so is shy. Well, I’ll leave it at that.
Continue reading ““Sex and/or Mr. Morrison” — Carol Emshwiller”

“Happiness” — Sylvia Townsend Warner

“Happiness”

by

Sylvia Townsend Warner


‘The bathroom’s the awkwardest feature,’ said Mr. Naylor, of Elwes & Sons, house agents, ‘being situated on the ground floor. People don’t like ground-floor bathrooms. You might say, they just won’t hear of them.’

‘No, I suppose not. Yet …’ Lavinia Benton broke off.

‘I know what you were going to say, Mrs. Benton. You were going to say, Why not convert the dressing room upstairs, leaving the bathroom for what one might call a playroom, or a children’s lounge, or a study, if there happened to be no family. Once we’d got the bath out, it could be called ideal for that, being so inordinately large for a bathroom. But then the pipes would have to be carried upstairs. Think of the plumbing, Mrs. Benton! Prohibitive! No buyer would contemplate it, not for this class of residence—it isn’t as if this were one of those old oak jobs. And I understand you don’t want to let the estate in for any extra expense. So there we are, I’m afraid. Back where we started from!’

Mr. Naylor had, in fact, scotched a snake that wasn’t there. Lavinia’s ‘Yet’ had been provoked by the reflection that an increasingly large acreage of southern England was occupied between 7.30 and 8.30 a.m. by people resignedly bathing on ground level. Not so resignedly, either, since there are always buyers for bungalows. Both Mr. Petherick, of Petherick, Petherick & Sampson, and Mr. Cox, of Ransom & Titters, had already explained that Aller Lodge, the late Miss Esther Jeudwine’s brick-built, two-storey residence in sound repair, would have been easy enough to sell if only it had been a bungalow. All a matter of social psychology, thought Lavinia who, as a columnist on superior Women’s Pages, was accustomed to making something out of not much; a mass apprehension of being surprised with no clothes on, which if not primitive, since primitive man had other and more pressing things to be surprised by, must certainly go a long way back, being later reinforced by class distinction—the wealthy are draped, the poor go bare—and Christianity’s insistence on modesty; for though a fakir can be venerable in a light handful of marigolds, an archdeacon can scarcely leave off his gaiters. In short, the discomposure of being surprised with no clothes on is, like the pleasurability of possessing a virgin, one of the things long taken for granted—and really even more of an idée reçue‚ being subscribed to by both sexes alike. Yet here was this mass apprehension, fortified by tradition, smoothed by acceptance, part of the British way of life, suddenly ceasing to function when brought into bungalows, where the hazards that might justify it—housebreakers, mad dogs, cars out of control, voyeurs, private detectives, almost anything, in fact, except the atom bomb—would be much more on the cards. But one must remember that bathrooms being so recent an introduction, public opinion could not have made up its mind about them yet, and was bound to be rather hypothetical.

Lavinia became aware that Mr. Naylor was observing her with sympathy, but at the same time giving little coughs. Of course. The poor man wanted to go.
Continue reading ““Happiness” — Sylvia Townsend Warner”

“A Continuity of Parks” — Julio Cortázar

“A Continuity of Parks”

by

Julio Cortázar

translated by Paul Blackburn


He had begun to read the novel a few days before. He had put it down because of some urgent business conferences, opened it again on his way back to the estate by train; he permitted himself a slowly growing interest in the plot, in the characterizations. That afternoon, after writing a letter giving his power of attorney and discussing a matter of joint ownership with the manager of his estate, he returned to the book in the tranquility of his study which looked out upon the park with its oaks. Sprawled in his favorite armchair, its back toward the door—even the possibility of an intrusion would have irritated him, had he thought of it—he let his left hand caress repeatedly the green velvet upholstery and set to reading the final chapters. He remembered effortlessly the names and his mental image of the characters; the novel spread its glamour over him almost at once. He tasted the almost perverse pleasure of disengaging himself line by line from the things around him, and at the same time feeling his head rest comfortably on the green velvet of the chair with its high back, sensing that the cigarettes rested within reach of his hand, that beyond the great windows the air of afternoon danced under the oak trees in the park. Word by word, caught up in the sordid dilemma of the hero and heroine, letting himself be absorbed to the point where the images settled down and took on color and movement, he was witness to the final encounter in the mountain cabin. The woman arrived first, apprehensive; now the lover came in, his face cut by the backlash of a branch. Admirably, she stanched the blood with her kisses, but he rebuffed her caresses, he had not come to perform again the ceremonies of a secret passion, protected by a world of dry leaves and furtive paths through the forest. The dagger warmed itself against his chest, and underneath liberty pounded, hidden close. A lustful, panting dialogue raced down the pages like a rivulet of snakes, and one felt it had all been decided from eternity. Even to those caresses which writhed about the lovers body, as though wishing to keep him there, to disuade him from it; they sketched abominably the frame of that other body it was necessary to destroy. Nothing had been forgotten: alibis, unforeseen hazards, possible mistakes. From this hour on, each instant had its use minutely assigned. The cold-blooded, twice-gone-over reexamination of the details was barely broken off so that a hand could caress a cheek. It was beginning to get dark.

Not looking at one another now, rigidly fixed upon the task which awaited them, they separated at the cabin door. She was to follow the trail that led north. On the path leading in the opposite direction, he turned for a moment to watch her running, her hair loosened and flying. He ran in turn, crouching among the trees and hedges until, in the yellowish fog of dusk, he could distinguish the avenue of trees which led up to the house. The dogs were not supposed to bark, they did not bark. The estate manager would not be there at this hour, and he was not there. He went up the three porch steps and entered. The woman’s words reached him over the thudding of blood in his ears, first a blue chamber, then a hall, then a carpeted stairway. At the top, two doors. No one in the first room, no one in the second. The door of the salon, and then, the knife in hand, the light from the great windows, the high back of an armchair covered in green velvet, the head of the man in the chair reading a novel.

“A Way You’ll Never Be” — Ernest Hemingway

“A Way You’ll Never Be”

by

Ernest Hemingway


The attack had gone across the field, been held up by machine-gun fire from the sunken road and from the group of farm houses, encountered no resistance in the town, and reached the bank of the river. Coming along the road on a bicycle, getting off to push the machine when the surface of the road became too broken, Nicholas Adams saw what had happened by the position of the dead.

They lay alone or in clumps in the high grass of the field and along the road, their pockets out, and over them were flies and around each body or group of bodies were the scattered papers. Continue reading ““A Way You’ll Never Be” — Ernest Hemingway”

Read “Old Mr. Marblehall,” a short story by Eudora Welty

“Old Mr. Marblehall”

by

Eudora Welty


Old Mr. Marblehall never did anything, never got married until he was sixty. You can see him out taking a walk. Watch and you’ll see how preciously old people come to think they are made—the way they walk, like conspirators, bent over a little, filled with protection. The
y stand long on the corners but more impatiently than anyone, as if they expect traffic to take notice of them, rear up the horses and throw on the brakes, so they can go where they want to go. That’s Mr. Marblehall. He has short white bangs, and a bit of snapdragon in his lapel. He walks with a big polished stick, a present. That’s what people think of him. Everybody says to his face, “So well preserved!” Behind his back they say cheerfully, “One foot in the grave.” He has on his thick, beautiful, glowing coat—tweed, but he looks as gratified as an animal in its own tingling fur. You see, even in summer he wears it, because he is cold all the time. He looks quaintly secretive and prepared for anything, out walking very luxuriously on Catherine Street.

His wife, back at home in the parlor standing up to think, is a large, elongated old woman with electric-looking hair and curly lips. She has spent her life trying to escape from the parlor-like jaws of self-consciousness. Her late marriage has set in upon her nerves like a retriever nosing and puffing through old dead leaves out in the woods. When she walks around the room she looks remote and nebulous, out on the fringe of habitation, and rather as if she must have been cruelly trained—otherwise she couldn’t do actual, immediate things, like answering the telephone or putting on a hat. But she has gone further than you’d think: into club work. Surrounded by other more suitably exclaiming women, she belongs to the Daughters of the American Revolution and the United Daughters of the Confederacy, attending teas. Her long, disquieted figure towering in the candlelight of other women’s houses looks like something accidental. Any occasion, and she dresses her hair like a unicorn horn. She even sings, and is requested to sing. She even writes some of the songs she sings (“O Trees in the Evening”). She has a voice that dizzies other ladies like an organ note, and amuses men like a halloo down the well. It’s full of a hollow wind and echo, winding out through the wavery hope of her mouth. Do people know of her perpetual amazement? Back in safety she wonders, her untidy head trembles in the domestic dark. She remembers how everyone in Natchez will suddenly grow quiet around her. Old Mrs. Marblehall, Mr. Marblehall’s wife: she even goes out in the rain, which Southern women despise above everything, in big neat biscuit-colored galoshes, for which she “ordered off.” She is only looking around—servile, undelighted, sleepy, expensive, tortured Mrs. Marblehall, pinning her mind with a pin to her husband’s diet. She wants to tempt him, she tells him. What would he like best, that he can have?

There is Mr. Marblehall’s ancestral home. It’s not so wonderfully large—it has only four columns—but you always look toward it, the way you always glance into tunnels and see nothing. The river is after it now, and the little back garden has assuredly crumbled away, but the box maze is there on the edge like a trap, to confound the Mississippi River. Deep in the red wall waits the front door—it weighs such a lot, it is perfectly solid, all one piece, black mahogany…. And you see—one of them is always going in it. There is a knocker shaped like a gasping fish on the door. You have every reason in the world to imagine the inside is dark, with old things about. There’s many a big, deathly-looking tapestry, wrinkling and thin, many a sofa shaped like an S. Brocades as tall as the wicked queens in Italian tales stand gathered before the windows. Everything is draped and hooded and shaded, of course, unaffectionate but close. Such rosy lamps! The only sound would be a breath against the prisms, a stirring of the chandelier. It’s like old eye-lids, the house with one of its shutters, in careful working order, slowly opening outward. Then the little son softly comes and stares out like a kitten, with button nose and pointed ears and little fuzz of silky hair running along the top of his head. Continue reading “Read “Old Mr. Marblehall,” a short story by Eudora Welty”

Some people found the balloon “interesting” | Donald Barthelme

There were reactions. Some people found the balloon “interesting.” As a response this seemed inadequate to the immensity of the balloon, the suddenness of its appearance over the city, on the other hand, in the absence of hysteria or other societally induced anxiety, it must be judged a calm, “mature” one. There was a certain amount of initial argumentation about the “meaning” of the balloon, this subsided, because we have learned not to insist on meanings, and they are rarely even looked for now, except in cases involving the simplest, safest phenomena. It was agreed that since the meaning of the balloon could never be known absolutely, extended discussion was pointless, or at least less purposeful than the activities of those who, for example, hung green and blue paper lanterns from the warm gray underside, in certain streets, or seized the occasion to write messages on the surface, announcing their availability for the performance of unnatural acts, or the availability of acquaintances.

Daring children jumped, especially at those points where the balloon hovered close to a building, so that the gap between balloon and building was a matter of a few inches, or points where the balloon actually made contact, exerting an ever-so-slight pressure against the side of a building, so that balloon and building seemed a unity. The upper surface was so structured that a “landscape” was presented, small valleys as well as slight knolls, or mounds, once atop the balloon, a stroll was possible, or even a trip, from one place to another. There was pleasure in being able to run down an incline, then up the opposing slope, both gently graded, or in making a leap from one side to the other. Bouncing was possible, because of the pneumaticity of the surface, and even falling, if that was your wish. That all these varied motions, as well as others, were within one’s possibilities, in experiencing the “up” side of the balloon, was extremely exciting for children, accustomed to the city’s flat, hard skin. But the purpose of the balloon was not to amuse children.

Read “The Balloon” by Donald Barthelme.

“The Duel That Was Not Fought” — Stephen Crane

“The Duel That Was Not Fought”

by

Stephen Crane


Patsy Tulligan was not as wise as seven owls, but his courage could throw a shadow as long as the steeple of a cathedral. There were men on Cherry Street who had whipped him five times, but they all knew that Patsy would be as ready for the sixth time as if nothing had happened.

Once he and two friends had been away up on Eighth Avenue, far out of their country, and upon their return journey that evening they stopped frequently in saloons until they were as independent of their surroundings as eagles, and cared much less about thirty days on Blackwell’s.

On Lower Sixth Avenue they paused in a saloon where there was a good deal of lamp-glare and polished wood to be seen from the outside, and within, the mellow light shone on much furbished brass and more polished wood. It was a better saloon than they were in the habit of seeing, but they did not mind it. They sat down at one of the little tables that were in a row parallel to the bar and ordered beer. They blinked stolidly at the decorations, the bar-tender, and the other customers. When anything transpired they discussed it with dazzling frankness, and what they said of it was as free as air to the other people in the place.

At midnight there were few people in the saloon. Patsy and his friends still sat drinking. Two well-dressed men were at another table, smoking cigars slowly and swinging back in their chairs. They occupied themselves with themselves in the usual manner, never betraying by a wink of an eyelid that they knew that other folk existed. At another table directly behind Patsy and his companions was a slim little Cuban, with miraculously small feet and hands, and with a youthful touch of down upon his lip. As he lifted his cigarette from time to time his little finger was bended in dainty fashion, and there was a green flash when a huge emerald ring caught the light. The bar-tender came often with his little brass tray. Occasionally Patsy and his two friends quarrelled. Continue reading ““The Duel That Was Not Fought” — Stephen Crane”