“The Mechanics of an Audience’s Arousal” — David Berman

“The Mechanics of an Audience’s Arousal”

by

David Berman


A young lady patiently waits to cross the street. She is a philosophy student, and while waiting for the traffic light she considers its evenly changing mind.

The light goes green and she steps off the curb. The driver whose mind is wandering does not see the light, strikes the girl, flipping her onto the roof of the car, he brakes and she rolls off onto the street.

She is cut, unconscious, and not breathing. A man in a brown sweater with a book under his arm kneels beside her and begins performing CPR.

He has never touched a woman this beautiful before. Her lips are full and soft. He sends his breath deep down inside of her. Everyone at the rescue scene becomes vaguely uncomfortable.


(via/more)

“Five Dream Units” — David Berman

Five Dream Units:

1. Knock the frog

2. Kick it out

3. Push it through

4. Cranial amphibian

5. Forget the happening

6. Your head/furnace


From “Riot in the Eye” by David Berman

Grasshopper revision | David Berman

If the fable of “The grasshopper and the ants” was amended so that the world ended before the turn of winter, then the grasshopper would have been wiser and the moral would have vindicated him. In a story, the location of the ending is very deliberate.

From David Berman’s December 1994 essay/poem/riff “Clip-On Tie,” which could be read as a Christmas story, if you like.

“Imagining Defeat” — David Berman

From Actual Air (Open City, 1999)

David Berman’s Nashville Mix

From The Minus Times #29, as republished in The Minus Times Collected. 

I made as much of the mix I could on Spotify. D.C.3’s second record The Good Hex isn’t on there but it is on YouTube. Here is David Berman’s “Nashville Mix” mixtape:

“The Surgeon General’s Report on Waiting” — David Berman

“The Surgeon General’s Report on Waiting”

by

David Berman


The situation in my country is this. Our poor love our rich, and our wives adore our wife-beaters.

It’s sad, yes, but let’s not talk about it. Even the subject of sadness will make us sad.

Here’s something else we do. In my country, when we’re waiting for someone who is very late, we stand at the meeting spot and smoke cigarette after cigarette. Then, when we die, we blame everybody who kept us waiting.


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“The Coahoma County Wind Cults” — David Berman

“The Coahoma County Wind Cults”

by

David Berman


My dream walked on four legs
toward the remote source
of a pale yellow letter

only to circle around the cabin
when it got there.

A black and white cave rainbow
arched between two old shoes.

Oxygen bounced off the face of a doll,
looking for the slow dazzling guts
of a life form.

There was a moment of sudden clarity
when the pages of burned in opera glasses,

like a herd crossing zip codes

or an exhausted idea pressing
at the limits of the marquee bulbs,

my dream pushes air.

“Cassette County” — David Berman

“Cassette County”

by

David Berman


This is meant to be in praise of the interval called hangover,
a sadness not co-terminous with hopelessness,
and the North American doubling cascade
that (keep going) “this diamond lake is a photo lab”
and if predicates really do propel the plot
then you might see Jerusalem in a soap bubble
or the appliance failures on Olive Street
across these great instances,
because “the complex Italians versus the basic Italians”
because what does a mirror look like (when it’s not working)
but birds singing a full tone higher in the sunshine.

I’m going to call them Honest Eyes until I know if they are,
in the interval called slam-clicker, Realm of Pacific,
because the second language wouldn’t let me learn it
because I have heard of you for a long time occasionally
because diet cards may be the recovery evergreen
and there is a new benzodiazepene called Distance,

anti-showmanship, anti-showmanship, anti-showmanship.

I suppose a broken window is not symbolic
unless symbolic means broken, which I think it sorta does,
and when the phone jangles
what’s more radical, the snow or the tires,
and what does the Bible say about metal fatigue
and why do mothers carry big scratched-up sunglasses
in their purses.

Hello to the era of going to the store to buy more ice
because we are running out.
Hello to feelings that arrive unintroduced.
Hello to the nonfunctional sprig of parsley
and the game of finding meaning in coincidence.

Because there is a second mind in the margins of the used book
because Judas Priest (source: Firestone Library)
sang a song called Stained Class,
because this world is 66% Then and 33% Now,

and if you wake up thinking “feeling is a skill now”
or “even this glass of water seems complicated now”
and a phrase from a men’s magazine (like single-district cognac)
rings and rings in your neck,
then let the consequent misunderstandings
(let the changer love the changed)
wobble on heartbreakingly nu legs
into this street-legal nonfiction,
into this good world,
this warm place
that I love with all my heart,

anti-showmanship, anti-showmanship, anti-showmanship.

David Berman’s Nashville Mix

From The Minus Times #29, as republished in The Minus Times Collected. 

I made as much of the mix I could—D.C.3’s second record The Good Hex isn’t streaming or even on YouTube. Here is David Berman’s “Nashville Mix” mixtape:

A dream you can’t shake: See above | David Berman

From The Minus Times #29, as republished in The Minus Times Collected. 

Someone who up and left me low

“Classic Water” — David Berman

“Classic Water”

by

David Berman


I remember Kitty saying we shared a deep longing for
the consolation prize, laughing as we rinsed the stagecoach.

I remember the night we camped out
           and I heard her whisper
“think of me as a place” from her sleeping bag
           with the centaur print.

I remember being in her father’s basement workshop
when we picked up an unknown man sobbing
over the shortwave radio

and the night we got so high we convinced ourselves
that the road was a hologram projected by the headlight beams.

I remember how she would always get everyone to vote
on what we should do next and the time she said
“all water is classic water” and shyly turned her face away.

At volleyball games her parents sat in the bleachers
like ambassadors from Indiana in all their midwestern schmaltz.

She was destroyed when they were busted for operating
a private judicial system within U.S. borders.

 

Sometimes I’m awakened in the middle of the night
by the clatter of a room service cart and I think back on Kitty.

Those summer evenings by the government lake,
talking about the paradox of multiple Santas
or how it felt to have your heart broken.

I still get a hollow feeling on Labor Day when the summer ends

and I remember how I would always refer to her boyfriends
as what’s-his-face, which was wrong of me and I’d like
to apologize to those guys right now, wherever they are:

No one deserves to be called what’s-his-face.

Instead of time there will be lateness and let forever be delayed

RIP DCB.

Thanks to this whole sick crew for the sing along.

This one tore me up.

Robert Stone’s Dog Soldiers (Book acquired, 17 Nov. 2020)

I’ve been looking for a copy of Robert Stone’s 1974 novel Dog Soldiers for a little over a year now. By looking I mean scanning over the Robert Stone section (dude has his own little placard) of my beloved used bookshop, seeing literally dozens of copies for pretty much every Stone book except Dog Soldiers.

My interest in the novel I owe to the late great freight date David Berman, who reportedly repeatedly said it was his favorite novel. The guitarist William Tyler–whom I did not get to see play with Steven Gunn earlier this year, way back in March, way back in early COVID days—attests that Berman “told me his favorite novel was Dog Soldiers by Robert Stone.” I think I also heard that Dog Soldiers was Berman’s fave from the writer John Lingan, probably on twitter, although the detail is not included in his fantastic 2019 profile of Berman. And Berman mentioned the book in his Reddit AMA as part of his answer to book recommendations for someone starting college:

Poetics of Space by Gaston Bachelard

Dog Soldiers by Robert Stone

Anatomy of Melancholy by Robert Burton

Complete Emily Dickinson

Anyway…I found Dog Soldiers, finally, today. I stopped in quickly to pick up two novels for my son, whose reading virility is through the roof now—dude reads like 600 pages a week—and I had a few minutes before I needed to attend my carpool duties and, finally, today, I read Dog Soldiers. I think I’ll read it next, and maybe write something about it here—something not about Berman, but who knows.

Flann O’Brien & Anne Carson (Violating building codes leads to a web of obssession) | David Berman

 

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From The Minus Times #29, as republished in The Minus Times Collected. 

Missed opportunity | David Berman

2020-08-15_151419_1

From The Minus Times #29, as republished in The Minus Times Collected. 

David Berman’s review of Pavement’s “Demolition Plot J-7”

Screenshot 2020-08-08 at 9.43.09 PM

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