“They Came Together” — Gertrude Stein

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“When I Was a Boy” — Roberto Bolaño

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Blog about John Berryman’s Dream Song 265 (“I don’t know one damned butterfly from another”)

Hey.

Hey look. Look, hey.

This is a bait and switch. The bait was a promise in the title of the post for a Blog about John Berryman’s Dream Song 265, “I don’t know one damned butterfly from another.” Hey, I’m sorry, but the switch is that I have nothing to add here—I mean what could I add here?—-like what hey I want to say, is, just read Berryman’s poem—-

I don’t know one damned butterfly from another
my ignorance of the stars is formidable,
also of dogs & ferns
except that around my house one destroys the other
When I reckon up my real ignorance, pal,
I mumble “many returns”—

next time it will be nature & Thoreau
this time is Baudelaire if one had the skill
and even those problems O
At the mysterious urging of the body or Poe
reeled I with chance, insubordinate & a killer
O formal & elaborate I choose you

but I love too the spare, the hit-or-miss,
the mad, I sometimes can’t    always tell them apart
As we fall apart, will you let me hear?
That would be good, that would be halfway to bliss
You said will you answer back? I cross my heart
& hope to die but not this year.

Hey, okay. I encourage you to quit now, or better yet, reread our boy Berryman. But I’ll add a little, even though I said I wouldn’t.

I don’t know one damned butterfly from another

—but I think you know about beautiful fragile transmuting things

my ignorance of the stars is formidable,

—same

also of dogs & ferns

–I know a bit about dogs; less about ferns

except that around my house one destroys the other

–I hope it’s the dogs destroying the ferns if I have to pick a side, although I’m not unsympathetic to ferns.

When I reckon up my real ignorance, pal,
I mumble “many returns”—

–This is a great rhyme. I feel like I’m the speaker’s pal here too—maybe it’s all the wine I’ve put down my fat throat, but I feel like I get what he’s doing here. I have some fat real ignorance my ownself.

next time it will be nature & Thoreau

–Oh give us a Transcendentalist vamp Johnny! (Or is it Henry?)

this time is Baudelaire if one had the skill

–Oh if one had the skill oh (I think you have the skill Johnny Henry)

and even those problems O

–Oh Oh O Ho oH O hO

At the mysterious urging of the body or Poe

–I’m reminded here of Dream Song 384 where Henry digs up his dead suicide father’s corpse from the grave: “I’d like to scrabble till I got right down / away down under the grass / and ax the casket open ha to see / just how he’s taking it, which he sought so hard / we’ll tear apart the mouldering grave clothes ha.” The manic ha is more indebted to Poe though than any grave openings or casket axings.

reeled I with chance, insubordinate & a killer
O formal & elaborate I choose you

–Hey but this is about Berryman’s art, his poetry, always his fucking poetry. Formal and elaborate? Out here choosing?

but I love too the spare, the hit-or-miss,

–Oh hey me too. I mean that’s my jam too Henry John.

the mad, I sometimes can’t always tell them apart

–I can’t either.

As we fall apart, will you let me hear?
That would be good, that would be halfway to bliss

–I think we’d all like to be let to hear.

You said will you answer back? I cross my heart
& hope to die but not this year.

-Not this year

 

“In a poem made by Cummings, long since, his” — John Berryman

Capture

“Keep your eyes open when you kiss: do: when” — John Berryman

Capture

“Christmas Eve” — Anne Sexton

“Christmas Eve” by Anne Sexton

Oh sharp diamond, my mother!
I could not count the cost
of all your faces, your moods-
that present that I lost.
Sweet girl, my deathbed,
my jewel-fingered lady,
your portrait flickered all night
by the bulbs of the tree.

Your face as calm as the moon
over a mannered sea,
presided at the family reunion,
the twelve grandchildren
you used to wear on your wrist,
a three-months-old baby,
a fat check you never wrote,
the red-haired toddler who danced the twist,
your aging daughters, each one a wife,
each one talking to the family cook,
each one avoiding your portrait,
each one aping your life.

Later, after the party,
after the house went to bed,
I sat up drinking the Christmas brandy,
watching your picture,
letting the tree move in and out of focus.
The bulbs vibrated.
They were a halo over your forehead.
Then they were a beehive,
blue, yellow, green, red;
each with its own juice, each hot and alive
stinging your face. But you did not move.
I continued to watch, forcing myself,
waiting, inexhaustible, thirty-five.

I wanted your eyes, like the shadows
of two small birds, to change.
But they did not age.
The smile that gathered me in, all wit,
all charm, was invincible.
Hour after hour I looked at your face
but I could not pull the roots out of it.
Then I watched how the sun hit your red sweater, your withered neck,
your badly painted flesh-pink skin.
You who led me by the nose, I saw you as you were.
Then I thought of your body
as one thinks of murder-

Then I said Mary-
Mary, Mary, forgive me
and then I touched a present for the child,
the last I bred before your death;
and then I touched my breast
and then I touched the floor
and then my breast again as if,
somehow, it were one of yours

“Drink” — William Carlos Williams

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She sighed for so much melody (Wallace Stevens)

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From “Peter Quince at the Clavier” by Wallace Stevens

“Tree Talk” — Tom Clark

tree talk

“O Florida, Venereal Soil” — Wallace Stevens

“O Florida, Venereal Soil”

by

Wallace Stevens


 

A few things for themselves,
Convolvulus and coral,
Buzzards and live-moss,
Tiestas from the keys,
A few things for themselves,
Florida, venereal soil,
Disclose to the lover.

The dreadful sundry of this world,
The Cuban, Polodowsky,
The Mexican women,
The negro undertaker
Killing the time between corpses
Fishing for crayfish…
Virgin of boorish births,

Swiftly in the nights,
In the porches of Key West,
Behind the bougainvilleas,
After the guitar is asleep,
Lasciviously as the wind,
You come tormenting,
Insatiable,

When you might sit,
A scholar of darkness,
Sequestered over the sea,
Wearing a clear tiara
Of red and blue and red,
Sparkling, solitary, still,
In the high sea-shadow.

Donna, donna, dark,
Stooping in indigo gown
And cloudy constellations,
Conceal yourself or disclose
Fewest things to the lover —
A hand that bears a thick-leaved fruit,
A pungent bloom against your shade.

Or shroud of gnome / Himself, himself inform (Emily Dickinson)

eds

Daniel Borzutzky poems (Books acquired, 9 March 2017)

Big thanks to BLCKDGRD for sending me two books of poetry by Daniel Borzutzky. I’d never read Borzutzky before, but I dig it so far. These poems are abject—stuff about what it means to have a body, to have some horror at having a body, etc.

A bit from “The Blazing Cities of Your Rotten Carcass Mouth,” collected in The Performance of Becoming Human:

The older we get the more we write elegies | RIP Derek Walcott

RIP Derek Walcott, 1930-2017

Hear him read his poem “For Oliver Jackman” around the 6:00 mark.

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A fine, pedantic sunshine (Emily Dickinson)

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“Exits” — Langston Hughes

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“Suicide’s Note” — Langston Hughes

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“Today” — Frank O’Hara

today