The Dark Knight
We liked the first act of Nolan’s second Batman movie very much. In fact, nothing in the whole movie could top the robbery scene at the beginning. Yes, we loved Heath Ledger’s Joker. He wasn’t in it enough. But we were getting pretty bored by the end of the second act, and by the time it became clear that Two Face would be a villain in this Batman film and not the next sequel, well, we were downright exhausted. The clunky editing, clumsy fight scenes (you really couldn’t see anything in the film), and convoluted plot turns didn’t help a film where the hero endorses the Bush administration’s methods (torture; spying on its citizens). And don’t even get us started on Bale’s silly “Batman voice.” Worst of all was all the praise this film garnered, as if everyone had been primed to love it and had no other choice. The Dark Knight is a crushing fascist vision; that its true hero is the Joker will be lost on all.
An interesting premise and a funny opening scene quickly devolve into an incoherent mythology and a superhero story absent of any real villain. We usually like our films short, but Hancock felt thin at under 90 minutes. What was cut?
Speed Racer, a psychedelic cartoon blur of flat characters and unfun nonsense should be the nail in the Wachowski’s brother-sized coffin. We’re beginning to think that The Matrix was just a matter of the right William Gibson rip-off at the right time (right time here = right technology). Ugh.
Indiana Jones and the Kingdom of the Crystal Skull
You saw that South Park episode, “The China Probrem,” right? Where Spielberg and Lucas literally rape Indy? That’s about right…
Shyamalan owes us the ninety minutes he stole from us. We suggest he show up at Biblioklept World Headquarters (shamefaced, of course) prepared to work–there’s always some caulking and mowing and painting that needs doing. On second thought, we’re sure he’d figure out a way to fuck up even the simplest chore. Possibly the worst movie we’ve ever seen.
Where The Dark Knight plumbed the worst aspects of human nature, Iron Man gave us a hero with a truly redemptive arc, and did so in a way both moving and humorous. Iron Man also looked great, and featured the best origin story of any of the big superhero movies of the past decade. In fact, we’re calling it: Iron Man is the best superhero movie of the decade.
Be Kind Rewind
We laughed, we cried, we wrote a review.
Burn After Reading
Coming after No Country for Old Men, the Coen brothers’ shaggy dog comedy felt light and even superfluous at times. Still, elements of the story stuck with us long after the viewing, and, as usual, the Coen’s get great performances out of their cast.
We don’t want to give away too many details from In Bruges, but it’s worth pointing out that the trailers and ads totally missed–or misrepresented–the tone of the movie. In Bruges is funny, but it’s hardly a buddy film–at it’s core it’s a sad, even philosophical, reflection on loss and guilt. Great stuff.
Enough has been written at this point on Judd Apatow’s crew and the successes they’ve had in recent years that we don’t need to comment, except to point out that we loved Freaks and Geeks when it originally aired and it’s great to see what all these kids have done since then. Seth Rogen is hilarious, but James Franco steals the show here as a dope dealing loser who just needs a friend. Great action scenes too. Forgetting Sarah Marshall, also featuring Apatow cohorts, was pretty good too, of course.
Who knew a post-apocalyptic film criticizing consumerist culture and our ever-increasing loss of connection to both the natural world and our own bodies would be so good? We loved, loved, loved Wall-E. Best film of 2008.
Films we still haven’t seen but in which we have interest: Rachel Getting Married, Synecdoche, New York, Hamlet 2, Hellboy 2, The Wrestler, Quantum of Solace, Let the Right One In.
10 thoughts on “The Best and Worst Movies of 2008”
Is it just me or is Seth Rogan overrated? The first few times he presents his pothead slacker charactor in movies, its funny. But isn’t reasonable to see if this guy can do more than that?
it’s just you.
but no, seriously, i didn’t see zack and miri, but his character looks like the same character he usually plays. it would be nice to see him branch out.
“Who knew a post-apocalyptic film criticizing consumerist culture and our ever-increasing loss of connection to both the natural world an our own bodies would be so good?” and for kids!
I would hardly call Wall-E a kids movie.
I agree, Damon, that Wall-E is probably not for your standard kiddie audience, but Pixar films are marketed to children. I thought Ratatouille was easily one of the best films of last year, but the general take on animated film is that it is Not Serious, or, even worse, that it is a genre, as opposed to a medium. Both of these Pixar films should be in the Best Picture category, not just Best Animated Feature (or whatever it’s called). Not that I give a fuck about the Oscars, but it’s a silly prejudice (comic books continue to face a similar prejudice as well).
Not just for kids, but it is rated G – making it more open for kids than other things on the list. And certainly an interesting topic to be presented in a G rated, marketed for kids, movie.
(Unasked for) UPDATE:
We wrote: Films we still haven’t seen but in which we have interest: Rachel Getting Married, Synecdoche, New York, Hamlet 2, Hellboy 2, The Wrestler, Quantum of Solace, Let the Right One In.
RACHEL GETTING MARRIED: Best film of 2008 we didn’t see in 2008. Loved it, cringed, strange musical, warm, moving, great, great, great.
SYNECDOCHE, NY: A brutally flawed film, depressing, depressing, depressing; overly analytical and overlong. Any goodwill Kaufman builds in the first third is completely spent by the end. Still worth seeing though.
HAMLET 2: Why did I want to see this movie? It was funny, I guess.
HELLBOY 2: Visually unique, ultimately forgettable. See THE DEVIL’S BACKBONE instead.
LET THE RIGHT ONE: Great, creepy stuff. Loved it.
[…] Review of Books. In his intro (below), he points out why Christopher Nolan’s The Dark Knight (which we hated) is the signal film of 21st century politics and culture (thanks to A Piece of Monologue for the […]
Seriously? Batman a worse movie than Iron man based on the heros redemptive arc? That would be the “story” as it is put and simply put you seem to like Drunkards who waste their fortunes creating weapons of destruction come to a full hero story rather than the Dark brooding hero who has put his home city before himself so much so his own home is destroyed in the process. Oh yeah i forgot that kinda happened in Iron man as well, except batman wasnt drunk and wearing his suit causeing the damage to his home.
Lol at yr handle. Learn 2 read & write bro.