This is April again. Roller skates rain slowly down the street
Your voice far away on the phone
Once I would have jumped like a clown through a hoop—
but
“Then the area of infection has increased? …oh …What can I expect after all—I’ve had worse shocks.
Anyhow, I know and that’s something.” (Like hell it is, but it’s what you say to an X-ray doctor.)
Then the past whispering faint now on another phone:
“Is there any change?”
“Little or no change”
“I see”
The roller skates rain down the streets,
The black cars shine between the leaves,
Your voice far away:
“I am going with my daughter to the country. My husband left today. . . No he knows nothing.”
“Good”.
I have asked a lot of my emotions—one hundred and twenty stories, The price was high, right up with Kipling, because there was one little drop of something not blood, not a tear, not my seed, but me more intimately than these, in every story, it was the extra I had. Now it has gone and I am just like you now.
Once the phial was full—here is the bottle it came in.
Hold on there’s a drop left there. . . No, it was just the way the light fell
But your voice on the telephone. If I hadn’t abused words so what you said might have meant something.
But one hundred and twenty stories
April evening spreads over everything, the purple blur left by a child who has used the whole paint-box.
“Our April Letter” is from F. Scott Fitzgerald’s Notebooks.
It’s funny isn’t it, the melancholy of April? As if we are mourning the year that died in winter and dread another bout of something. T.S. Eliot said April is the cruelest month, and Beavis and Butthead paraphrased, “April sucks.” So I always say that now. But no one understands.
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Reblogged this on Nicole Stella.
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Scott’s Spring. Here in Australia it is Autumn. That changes things, some.
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[…] story, poem, memoir, confessional, paean of faith, endurance and spiritual secularity, is called “Our April Letter,” which was tucked away deep in Fitzgerald’s notebooks, presumably written for […]
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