David Simon, the writer and creator behind The Wire, Treme, and Generation Kill, tries to tackle the tragic Newtown slayings in a post at his blog. There’s a lot of anger in the piece—rightfully so—but I find Simon’s most convincing paragraph to be the following passage, where he breaks down the fear fantasy that drives the ideology behind The Walking Dead:
On television the other evening, I caught a glimpse of a drama in which some future America was overrun by zombies, a thrilling narrative in which survivors could only rely on force of arms to keep the unthinking, unfeeling hordes at bay. And I realized: This isn’t mere entertainment, it’s national consensus. More than that, it’s a well-executed and starkly visual rendering of the collective fear that governs us. We know that they’re out there: The less human. The poor. The godless. The frightening other. And they want what we have, they are going to take what we have, and they understand nothing save for a well-placed bullet. It’s my understanding that the show I encountered is quite popular; in this America, it may even be called populist in its argument — a morality tale that speaks to why we must arm ourselves, and carry those guns with us, and stand our fucking ground; it declares that we can’t rely on collective, utilitarian will to achieve a safe and viable society, that government by the people and for the people is, at this point, an empty catchphrase for fools and weaklings. No, our future is every man for himself, and a gun in every outstretched hand, and if a classroom of six and seven year olds is the requisite cost every now and then, so be it.