Patient with the French | From Natalia Ginzburg’s memoir Family Lexicon

In the autumn, I went with my mother to visit Mario, who was now living in a small town near Clermont-Ferrand. He was teaching in a boarding school. He had become great friends with the school’s headmaster and his wife. He said that they were extraordinary people, very sophisticated and honest, the kind of people you could only find in France. In his small room he had a coal stove. From his window you could see the countryside covered in snow. Mario wrote long letters to Chiaromonte and Cafi in Paris. He translated Herodotus and fiddled with the stove. Under his jacket, he wore a dark turtleneck sweater that the headmaster’s wife had made for him. To thank her, he’d given her a sewing basket. Everyone in the town knew him. He stopped and chatted with everyone and he was asked by all to come home with them and drink “le vin blanc.”

My mother said, “How French he’s become!”

In the evenings, he played cards with the headmaster and his wife. He listened to their conversations and discussed educational methods with them. They also spoke a long time about whether or not there had been enough onion in the soup served at dinner.

“How patient he’s become!” my mother said. “How patient he is with these people. With us he never had any patience. Whenever he was home, he thought we were all so boring. These people seem even more boring than we are!”

And she said, “He’s patient with them only because they’re French!”

From Natalia Ginzburg’s 1963 memoir Lessico famigliarein translation (under the title Family Lexicon) by Jenny McPhee.

 

All inextricably linked to those words and phrases | From Natalia Ginzburg’s Family Lexicon

 My parents had five children. We now live in different cities, some of us in foreign countries, and we don’t write to each other often. When we do meet up we can be indifferent or distracted. But for us it takes just one word. It takes one word, one sentence, one of the old ones from our childhood, heard and repeated countless times. All it takes is for one of us to say “We haven’t come to Bergamo on a military campaign,” or “Sulfuric acid stinks of fart,” and we immediately fall back into our old relationships, our childhood, our youth, all inextricably linked to those words and phrases. If my siblings and I were to find ourselves in a dark cave or among millions of people, just one of those phrases or words would immediately allow us to recognize each other. Those phrases are our Latin, the dictionary of our past, they’re like Egyptian or Assyro-Babylonian hieroglyphics, evidence of a vital core that has ceased to exist but that lives on in its texts, saved from the fury of the waters, the corrosion of time. Those phrases are the basis of our family unity and will persist as long as we are in the world, re-created and revived in disparate places on the earth whenever one of us says, “Most eminent Signor Lipmann,” and we immediately hear my father’s impatient voice ringing in our ears: “Enough of that story! I’ve heard it far too many times already!”

From Natalia Ginzburg’s 1963 memoir Lessico famigliarein translation (under the title Family Lexicon) by Jenny McPhee.

I love this book so far, and this passage may come as close as anything to an early thesis for what Ginzburg is doing. I suppose, too, I deeply identify with this idea, this notion of phrases, saying, quips, in jokes, etc., as the psychological basis of familial identification.