A moth goes into a podiatrist’s office | Norm Macdonald

A moth joke from Norm Macdonald’s memoir Based on a True Story


A moth goes into a podiatrist’s office. The podiatrist says, “What’s the problem?”

The moth says, “Where do I begin with my problems? Every day I go to work for Gregory Vassilievich, and all day long I toil. But what is my work? I am a bureaucrat, and so every day I joylessly move papers from one place to another and then back again. I no longer know what it is that I actually do, and I don’t even know if Gregory Vassilievich knows. He only knows that he has power over me, and this seems to bring him much happiness. And where is my happiness? It is when I awake in the morning and I do not know who I am. In that single moment I am happy. In that single moment, before the memory of who I am strikes me like a cane. And I take to the streets and walk, in a malaise, here and then there and then here again. And then it is time for work. Others stopped asking me what I do for a living long ago, for they know I will have no answer and will fix my empty eyes upon them, and they fear my melancholia might prove so deep as to be contagious. Sometimes, Doc, in the deepest dark of night, I awake in my bed and I turn to my right, and with horror I see some old lady lying on my arm. An old lady that I once loved, Doc, in whose flesh I once found splendor and now see only decay, an old lady who insults me by her very existence.

“Once, Doc, when I was young, I flew into a spiderweb and was trapped. In my panic, I smashed my wings till the dust flew from them, but it did not free me and only alerted the spider. The spider moved toward me and I became still, and the spider stopped. I had heard many stories from my elders about spiders, about how they would sink their fangs into your cephalothorax and you would be paralyzed but aware as the spider slowly devoured you. So I remained as still as possible, but when the spider again began moving toward me, I smashed my wing again into my cage of silk, and this time it worked. I cut into the web and freed myself and flew skyward. I was free and filled with joy, but this joy soon turned to horror: I looked down and saw that in my escape I had taken with me a single strand of silk, and at the end of the strand was the spider, who was scrambling upward toward me. Was I to die high in the sky, where no spider should be? I flew this way, then that, and finally I freed myself from the strand and watched as it floated earthward with the spider. But days later a strange feeling descended upon my soul, Doc. I began to feel that my life was that single strand of silk, with a deadly spider racing up it and toward me. And I felt that I had already been bitten by his venomous fangs and that I was living in a state of paralysis, as life devoured me whole.

“My daughter, Alexandria, fell to the cold of last winter. The cold took her, as it did many of us. And so my family mourned. And I placed on my countenance the look of grief, Doc, but it was a masquerade. I felt no grief for my dead daughter but only envy. And so I have one child now, a boy, whose name is Stephan Mikhailovitch Smokovnikov, and I tell you now, Doc, with great and deep shame, the terrible truth. I no longer love him. When I look into his eyes, all I see is the same cowardice that I see when I catch a glimpse of my own eyes in a mirror. It is this cowardice that keeps me living, Doc, that keeps me moving from place to place, saying hello and goodbye, eating though hunger has long left me, walking without destination, and, at night, lying beside the strange old lady in this burlesque of a life I endure. If only the cowardice would abate for the time needed to reach over and pick up the cocked and loaded pistol that lies on my bedside table, then I might finally end this façade once and for all. But, alas, the cowardice takes no breaks; it is what defines me, it is what frames my life, it is what I am. And yet I cannot resign myself to my own life. Instead, despair is my constant companion as I walk here and then there, without dreams, without hope, and without love.”

“Moth,” says the podiatrist, “your tale has moved me and it is clear you need help, but it is help I cannot provide. You must see a psychiatrist and tell him of your troubles. Why on earth did you come to my office?”

The moth says, “Because the light was on.”

RIP Norm Macdonald

RIP Norm Macdonald, 1959-2021

The Canadian humorist Norm Macdonald died today from cancer.

Macdonald’s dry, loose, deadpan style of humor was not for everyone, but I loved it. He was a cast member on Saturday Night Live when I was in high school, serving as the Weekend Update anchor and doing impressions on the show until 1998, when he was fired.

I got to see him live that year, at the University of North Florida’s homecoming thing. He was an ill-cast headliner, and the show seemed to simultaneously tank and soar as droves walked out to his postmodern/postdroll riffs on dropping acid and pigfucking. (He managed to offend the university president to the point where the dude up and left within about 10 minutes of the set.) Watching Norm Macdonald live was like an unedited extension of watching him on TV—this was a guy leading you out into some weird weeds, dropping non sequitur breadcrumbs as you went. The frustration for much of Macdonald’s audience, was, Hell, hey, where are we going?–what is this all adding up to, where’s the punchline, what’s the point? The point is the wandering of course, a sentiment that Macdonald would roast I think.

Years ago, at one of those stupid Comedy Central roasts—maybe it was Bob Saget or William Shatner?—the comedian Jim Norton described Macdonald’s loose, shuffling set as “like watching Henry Fonda pick blueberries.” Macdonald’s response is perfect:

The looseness never added up to anything like stardom (when I saw Macdonald live, still bitter from his firing at NBC, he complained that “they fucking hate me there”), but he did star in the 1998 Bob Saget-directed comedy Dirty Work (great silly stuff)as well as 2000’s Screwed (which isn’t that great). He also starred in an ABC sitcom called Norm opposite Laurie Metcalf. (I watched it sometimes over antenna TV my last years of college; at its best it was a send up of TV tropes and audience expectations, but it was hardly ever at its best.)

Norm Macdonald did plenty of voice over stuff and small role appearances, but his best stuff was his stand-up comedy and his late night appearances. He was a staple on both Letterman and Conan O’Brien, a postmodern Charles Grodin, making me sneeze beer through my nose way too late at night in the late nineties and beyond.

https://www.youtube.com/watch?v=PTLYNsLBdjI

In the last decade of his too-short life—

—and here I just have to say, I always thought of the guy as old, old, impossibly, cantankerously old, and I now see he died way too young at 61, that he’s only two decades older than me, but I guess that’s how life works, old is just some goal posts we push away—-

In the last decade of his too-short life, Norm Macdonald continued to do his thing—stand-up and voice gigs and standby late night spots. Like every other motherfucker in the past two decades, he had a podcast, Norm Macdonald Live. This “The Aristocrats!” style bit on the serial murderer Albert Fish is one of my favorites from that era:

It wasn’t until last year, during Early Lockdown Times, that I watched his 2018 “interview” show Norm Macdonald Has a Show on Netflix. The series surpasses cringe comedy or anti-comedy or whatever you want to call it. It reads like someone who genuinely doesn’t care if the project gets renewed (which it didn’t). The best episodes are the first, with David Spade, and the fourth, with David Letterman. Spade is not bright enough to figure out that the show is a goof on showbiz, a big fuckyou to the idea of careerism in comedy; Letterman figures it out immediately and plays along, to a point. Calling what he did “anti-comedy” misses the point. He and his sidekick Adam Eget were laughing plenty.

https://www.youtube.com/watch?v=bL_U00ILdvs&ab_channel=I%27mnotNorm

Macdonald’s legacy might be complicated. His jokes were often very, very dark, and in the past few years, out of step with the zeitgeist. But I always found something simultaneously and impossibly oblique and sharp in what Norm Macdonald did. He wasn’t for everyone, but he spoke to me, and I’ll miss him.