Friday, October 6th.–Yesterday afternoon I took a solitary walk to Walden Pond. It was a cool, windy day, with heavy clouds rolling and tumbling about the sky, but still a prevalence of genial autumn sunshine. The fields are still green, and the great masses of the woods have not yet assumed their many-colored garments; but here and there are solitary oaks of deep, substantial red, or maples of a more brilliant hue, or chestnuts either yellow or of a tenderer green than in summer. Some trees seem to return to their hue of May or early June before they put on the brighter autumnal tints. In some places, along the borders of low and moist land, a whole range of trees were clothed in the perfect gorgeousness of autumn, of all shades of brilliant color, looking like the palette on which Nature was arranging the tints wherewith to paint a picture. These hues appeared to be thrown together without design; and yet there was perfect harmony among them, and a softness and a delicacy made up of a thousand different brightnesses. There is not, I think, so much contrast among these colors as might at first appear. The more you consider them, the more they seem to have one element among them all, which is the reason that the most brilliant display of them soothes the observer, instead of exciting him. And I know not whether it be more a moral effect or a physical one, operating merely on the eye; but it is a pensive gayety, which causes a sigh often, and never a smile. We never fancy, for instance, that these gayly clad trees might be changed into young damsels in holiday attire, and betake themselves to dancing on the plain. If they were to undergo such a transformation, they would surely arrange themselves in funeral procession, and go sadly along, with their purple and scarlet and golden garments trailing over the withering grass. When the sunshine falls upon them, they seem to smile; but it is as if they were heartbroken. But it is in vain for me to attempt to describe these autumnal brilliancies, or to convey the impression which they make on me. I have tried a thousand times, and always without the slightest self-satisfaction. Fortunately there is no need of such a record, for Nature renews the picture year after year; and even when we shall have passed away from the world, we can spiritually create these scenes, so that we may dispense with all efforts to put them into words.
Walden Pond was clear and beautiful as usual. It tempted me to bathe; and, though the water was thrillingly cold, it was like the thrill of a happy death. Never was there such transparent water as this. I threw sticks into it, and saw them float suspended on an almost invisible medium. It seemed as if the pure air were beneath them, as well as above. It is fit for baptisms; but one would not wish it to be polluted by having sins washed into it. None but angels should bathe in it; but blessed babies might be dipped into its bosom.
In a small and secluded dell that opens upon the most beautiful cove of the whole lake, there is a little hamlet of huts or shanties inhabited by the Irish people who are at work upon the railroad. There are three or four of these habitations, the very rudest, I should imagine, that civilized men ever made for themselves,–constructed of rough boards, with the protruding ends. Against some of them the earth is heaped up to the roof, or nearly so; and when the grass has had time to sprout upon them, they will look like small natural hillocks, or a species of ant-hills,–something in which Nature has a larger share than man. These huts are placed beneath the trees, oaks, walnuts, and white-pines, wherever the trunks give them space to stand; and by thus adapting themselves to natural interstices, instead of making new ones, they do not break or disturb the solitude and seclusion of the place. Voices are heard, and the shouts and laughter of children, who play about like the sunbeams that come down through the branches. Women are washing in open spaces, and long lines of whitened clothes are extended from tree to tree, fluttering and gambolling in the breeze. A pig, in a sty even more extemporary than the shanties, is grunting and poking his snout through the clefts of his habitation. The household pots and kettles are seen at the doors; and a glance within shows the rough benches that serve for chairs, and the bed upon the floor. The visitor’s nose takes note of the fragrance of a pipe. And yet, with all these homely items, the repose and sanctity of the old wood do not seem to be destroyed or profaned. It overshadows these poor people, and assimilates them somehow or other to the character of its natural inhabitants. Their presence did not shock me any more than if I had merely discovered a squirrel’s nest in a tree. To be sure, it is a torment to see the great, high, ugly embankment of the railroad, which is here thrusting itself into the lake, or along its margin, in close vicinity to this picturesque little hamlet. I have seldom seen anything more beautiful than the cove on the border of which the huts are situated; and the more I looked, the lovelier it grew. The trees overshadowed it deeply; but on one side there was some brilliant shrubbery which seemed to light up the whole picture with the effect of a sweet and melancholy smile. I felt as if spirits were there,–or as if these shrubs had a spiritual life. In short, the impression was indefinable; and, after gazing and musing a good while, I retraced my steps through the Irish hamlet, and plodded on along a wood-path.
According to my invariable custom, I mistook my way, and, emerging upon the road, I turned my back instead of my face towards Concord, and walked on very diligently till a guide-board informed me of my mistake. I then turned about, and was shortly overtaken by an old yeoman in a chaise, who kindly offered me a drive, and soon set me down in the village.
Nathaniel Hawthorne’s journal entry for Friday, October 6th, 1843. Collected in Passages from the American Note-Books.