Waiting for The Visitor

We’re pretty psyched about Jim O’Rourke‘s upcoming album, The Visitor, out on Drag City September 8th. O’Rourke hasn’t put out a “pop” record (as opposed to “experimental,” something of a false dichotomy really) since 2001’s Insignificance. Apparently, the new record is in the vein of one of our all-time favorite records, 1997’s Bad Timing. Supposedly the record will take the form of one long suite of music called “The Visitor,” and according to this interview from last year, “pretty much everyone is going to be disappointed.” He also says that the new record will be “pt. 4” after Bad Timing, Eureka, and Insignificance, so it’s hard to imagine being disappointed. Here’s the (we think) Nic Roeg connection (quick note: the three albums just cited are named after Nic Roeg films): in 1976’s The Man Who Fell to Earth, David Bowie plays a space alien stranded on Earth who records an album under the name The Visitor. Here’s the cover of The Visitor:

orourke-covermain

Here’s a Eureka-era audio interview with O’Rourke that you can download. He talks about his prolific powers, the influence of Godard and Roeg on his work, hierarchy and didacticism in music, the cheesy sax solo on “Eureka” (“Of course it’s stupid!”), and why listening to music is a process of education. Good stuff. Or, if you want music, not words, here’s the sorta kinda rarity, “Never Again,” from the Chicago 2018 comp. Also good stuff.

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