Five Rules of Wisdom (From Flann O’Brien’s The Third Policeman)

‘Tell me this much,’ I ventured. ‘What sort of readings were those in the policeman’s black book?’

The Sergeant gave me a keen look which felt almost hot from being on the fire previously.

‘The first beginnings of wisdom,’ he said, ‘is to ask questions but never to answer any. You get wisdom from asking and I from not answering. Would you believe that there is a great increase in crime in this locality? Last year we had sixty-nine cases of no lights and four stolen. This year we have eighty-two cases of no lights, thirteen cases of riding on the footpath and four stolen. There was one case of wanton damage to a three-speed gear, there is sure to be a claim at the next Court and the area of charge will be the parish. Before the year is out there is certain to be a pump stolen, a very depraved and despicable manifestation of criminality and a blot on the county.’

‘Indeed,’ I said.

‘Five years ago we had a case of loose handlebars. Now there is a rarity for you. It took the three of us a week to frame the charge.’

‘Loose handlebars,’ I muttered. I could not clearly see the reason for such talk about bicycles.

‘And then there is the question of bad brakes. The country is honeycombed with bad brakes, half of the accidents are due to it, runs in families.’

I thought it would be better to try to change the conversation from bicycles.

‘You told me what the first rule of wisdom is,’ I said. ‘What is the second rule?’

‘That can be answered,’ he said.

‘There are five in all. Always ask any questions that are to be asked and never answer any. Turn everything you hear to your own advantage. Always carry a repair outfit. Take left turns as much as possible. Never apply your front brake first.’

‘These are interesting rules,’ I said dryly.

‘If you follow them,’ said the Sergeant, ‘you will save your soul and you will never get a fall on a slippy road.’

‘I would be obliged to you,’ I said, ‘if you would explain to me which of these rules covers the difficulty I have come here today to put before you.’

‘This is not today, this is yesterday,’ he said, ‘but which of the difficulties is it? What is the crux rei?’

‘Yesterday? I decided without any hesitation that it was a waste of time trying to understand the half of what he said. I persevered with my inquiry.

‘I came here to inform you officially about the theft of my American gold watch.’

He looked at me through an atmosphere of great surprise and incredulity and raised his eyebrows almost to his hair.

‘That is an astonishing statement,’ he said at last.

‘Why?’

‘Why should anybody steal a watch when they can steal a bicycle?’

From Flann O’Brien’s surreal comic masterpiece, The Third Policeman.

The World Without You (Book Acquired, 4.19.2012)

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The World Without You is forthcoming this summer from Joshua Henkin (Pantheon). Write up from Publisher’s Weekly:

Like a more bittersweet version of Jonathan Tropper’s This Is Where I Leave You or a less chilly variation on Jonathan Franzen’s The Corrections, Henkin (Matrimony) tenderly explores family dynamics in this novel about the ties that bind, and even lacerate. One year after the death of their kidnapped journalist son, Leo, in Iraq, David and Marilyn Frankel, non-practicing Jews, call their entire mishpocha to their summer home in the Berkshires to attend his memorial service: Clarissa and her husband, Nathaniel, who, after years of putting off parenthood, are having a difficult time getting pregnant; Lily, a D.C. lawyer who shows up without Malcolm, her restaurateur boyfriend of 10 years; Noelle, an Orthodox Jew who arrives from Jerusalem with her husband, Amram, and their four children; and Thisbe, Leo’s widow, a grad student who flies in from Berkeley with their three-year-old son, Calder. Over the course of the Fourth of July holiday, David and Marilyn will make a stunning announcement; Thisbe will reveal a secret; a game of Celebrity will cause Amram to drive off into the night; Leo will be remembered; and someone will pee on the carpet. The author has created an empathetic cast of characters that the reader will love spending time with, even as they behave like fools and hurt one another. An intelligently written novel that works as a summer read and for any other time of the year.

The Canterbury Tales — Pier Paolo Pasolini (Entire Film with Subtitles)