I. Look. Moby-Dick is a long book. Not all of these riffs are gonna sing.
II. (I might have had a glass or two of red.)
III. Chapters 20, 21, and 22 see The Pequod supplied, boarded, and piloted away from Nantucket out into the wide watery world. They are not especially memorable chapters.
IV. (There are a few choice lines in this ultrahomophallic novel: In “Going Aboard” (Ch. 21), Queequeg helps himself to a seat on a sleeping sailor’s seat: “He put his hand upon the sleeper’s rear, as though feeling if it was soft enough, and then, without more ado, sat quietly down there.” He promises not to hurt the sleepers face.
The rearing rerears in Ch. 22, “Merry Christmas,” when Ishmael declares: “I felt a sudden sharp poke in my rear.” It’s Captain Peleg kicking his ass. “That was my first kick,” Ishmael attests, a line that recalls his conversation with Peter Coffin of the Spouter Inn, who kicked his son out of the marriage bed. Paternal Peleg’s infanticidal foot foreshadows a shadowy future.)
V. (I’ll also point out that The Pequod departs on Christmas, linking it to Christ’s birth, linking the novel back to the resurrection theme I’ve been pointing out in these riffs—but yeah, that’s pretty obvious. I didn’t find much to ironize or problematize or whateverize the symbolism on this reread.)
VI. (And still in the parentheses, where I’ll keep most of this riff. We meet, sorta, but not really, Starbuck and Stubbs (but not Flask) in these chapters.)
VII. (Swearing in “Christmas” includes “sons of bachelors” and “Blood and thunder!”)
VIII. Look. Moby-Dick is a long book. Like I said, not all of these riffs are gonna sing.
But! The edition I’m reading this time has some wonderful illustrations by Barry Moser, and there were several for these (workmanlike, occasionally melancholy, not particular profound) chapters. They are dispersed in this brief riff.
IX. I look forward to getting out into the watery world…and the arrival of Ahab!