Antonio Di Benedetto wrote with constant poetic innovation. His genre-defying stories, often dark and unexpectedly moving, explore the space between imagination and reality, tragedy and melodrama, civilization and barbarism. Nest in the Bones attests to Di Benedetto’s mastery of the short form as well as his impressive range across genres and styles. Di Benedetto was a writer’s writer, admired by Julio Cortázar, Roberto Bolaño, and Ricardo Piglia, who counted Di Benedetto, next to Borges, as one of the two great models of Latin American literature.
From “The Guide Dog of Hermosilla” (read the full story at Harper’s):
On my regular route, from the office to my room, from my room to the office, I go through the pedestrian tunnel that opens up at Goya, sneaks under Calle Doctor Esquerdo, and emerges in front of the honey shop. Around the corner, on the street lined with what once were gaslights, is where I live.
Where the tunnel flattens under the avenue and the buses, where the sound goes dead, was the dog. In winter I would see him wrapped in a blanket.
His owner most often lay dozing on the ground. He didn’t parade the dog; nor did he play the violin or accordion, as so many do; nor did he display a sign asking for public charity: “I am unemployed, my wife is dead, I have six children, my shack burned down.” His hat, upside down on the ground, did all the work.
I found his understated style interesting, and I admired the patience of the dog, who was probably fed only occasionally with food bought from the daily gathering of pesetas.
But I didn’t care enough to give them anything.