When a review copy of Rachel Cusk’s memoir Aftermath: On Marriage and Separation (new in trade paperback from Picador) showed up the other day, a dim bulb went off—where did I know Cusk’s name? I’m not generally a fan of the memoir, so I doubt I’d read it. And then! Aha! Yes—it was a review of Cusk’s memoir that won Camilla Long this year’s “Hatchet Job of the Year” award.
From Long’s review (originally published in The Sunday Times):
The book is crammed with mad, flowery metaphors and hifalutin creative-writing experiments. There are hectic passages on Greek tragedy and the Christian concept of family, as well as fragments of ghost stories, references to the Anglo-Saxon heptarchy, and heavy Freudian symbolism, including a long description of the removal of a molar, “a large tooth,” she writes portentously, “of great…personal significance”. The final chapter is an out-of-body experience — her situation seen through the eyes of her pill-popping Eastern European au pair. Oddly, I read the whole thing in a Bulgarian accent.
I don’t know, that sounds pretty weird. Kinda intrigues me.