From The Paris Review’s vaults, “The Joycelin Shrager Story” by Tom Disch–
When people asked what he did, Donald Long’s standard riposte was, “I’m a mechanic of the dream.” Meaning, he was a projectionist. Actually few people had to ask, since Donald had been around since the first black-and-white flickerings of the Movement early in the fifties. With the money he earned at the Europa he produced Footage, first as a quarterly and then bi-monthly. For years it was their only magazine, but gradually as success changed the Movement into the Underground, Footage was supplemented and then supplanted by newer, more commercially oriented magazines. Donald Long’s reputation as the Rhadamanthys of the underground film was undiminished, and possibly enhanced, by reason of this failure, but there was one consequence to be regretted—he had to continue full-time at the Europa, from one in the afternoon till the early evening, six days a week.
Biblioklept 