“A Man Who Writes” — Russell Edson

“A Man Who Writes”

by

Russell Edson


A man had written head on his forehead, and hand on each hand, and foot on each foot.

His father said, stop stop stop, because the redundancy is like having two sons, which is two sons too many, as in the first instance which is one son too many.

The man said, may I write father on father?

Yes, said father, because one father is tired of bearing it all alone.

Mother said, I’m leaving if all these people come to dinner.

But the man wrote dinner all over the dinner.

When dinner was over father said to his son, will you write belch on my belch?

The man said, I will write God bless everyone on God.

“The Fall” — Russell Edson

“The Fall”

by

Russell Edson


There was a man who found two leaves and came indoors holding them out saying to his parents that he was a tree.

To which they said then go into the yard and do not grow in the living-room as your roots may ruin the carpet.

He said I was fooling I am not a tree and he dropped his leaves.

But his parents said look it is fall.

“Ape” — Russell Edson

“Ape”

by

Russell Edson


You haven’t finished your ape, said mother to father, who had monkey hair and blood on his whiskers.

I’ve had enough monkey, cried father.

You didn’t eat the hands, and I went to all the trouble to make onion rings for its fingers, said mother.

I’ll just nibble on its forehead, and then I’ve had enough, said father.

I stuffed its nose with garlic, just like you like it, said mother.

Why don’t you have the butcher cut these apes up? You lay the whole thing on the table every night; the same fractured skull, the same singed fur; like someone who died horribly. These aren’t dinners, these are postmortem dissections.

Try a piece of its gum, I’ve stuffed its mouth with bread, said mother.

Ugh, it looks like a mouth full of vomit. How can I bite into its cheek with bread spilling out of its mouth? cried father.

Break one of the ears off, they’re so crispy, said mother.

I wish to hell you’d put underpants on these apes; even a jockstrap, screamed father.

Father, how dare you insinuate that I see the ape as anything more than simple meat, screamed mother.

Well, what’s with this ribbon tied in a bow on its privates? screamed father.

Are you saying that I am in love with this vicious creature? That I would submit my female opening to this brute? That after we had love on the kitchen floor I would put him in the oven, after breaking his head with a frying pan; and then serve him to my husband, that my husband might eat the evidence of my infidelity … ?

I’m just saying that I’m damn sick of ape every night, cried father.

“The Definition” — Russell Edson

“The Definition”

by

Russell Edson


He that puts suicide into his left ear pretends it is wax. His mother says, but it’s a bullet which you have shot yourself with.

Is that how I died? he said.

That’s when the funeral began, it was like a flower festival; your father asked me to marry him, and with much declining as to appear of greater value I agreed. Of the two of us, your father and I, so overlapping we blurred into three. I said, how is this? Your father said, this is this. And this was you. But for a time we could not tell who any of us were. Your father said, who am I? And I said, am I you? And he said, if you are me then I am the small one there and the small one is you. And after much declining I agreed to be anyone; I said, someone is passing the house, shall I be someone passing the house? … and so forth. Until we discovered that we had shadows; so that in the morning we would assemble and let the sun stencil us on the wall: The largest of the three we allowed would be the father, the next largest, the mother, and the smallest, the third one, which you were called as we did not know who you were …

And that you might be a wood god or the spirit of the house … So that we allowed
you to define yourself.

But of my suicide? …

But you see that is another definition of the first turning which was turned when I wasn’t looking …

And of my death? …

As a festival of flowers … declining as to appear of greater value …

“The Father Who Bowed” — Russell Edson

“The Father Who Bowed”

by

Russell Edson


A father presented himself. He said, ladies and gentlemen, your father …

His family applauded.

He bowed …

Ladies and gentlemen, he began, it has come to my attention over the last few decades that we are run up against a biological barrier …

His family began to applaud …

No, he began again, do not say that age is beauty, that the white-haired old woman trying to see the sock she darns through cataracts is worth the droppings of a rat.

No, I should say more service to the healthy microbe in the rat’s droppings than the poor darning that comes of arthritic hands and eyes in cataract …

No, indeed, more to be said for lesser forms than men astride their graves!

… We weary the promise unfulfilled, the downward repetition that ends in utter, utter death …

His family applauded …

Ladies and gentlemen, he began again, let us end this terrible business: stuffing brother George into the toilet like a turd; Mother into the garden like a potato; sister Ann up under the roof like an old cobweb; for me, the garbage can …

His family began to cheer; they were on their feet crying, bravo bravo, encore encore.

You do me too much honor, he sighed as he bowed; the curtain slowly coming down …

“Metals Metals” — Russell Edson

“Metals Metals”

by

Russell Edson


Out of the golden West, out of the leaden East, into the iron South, and to the silver North … Oh metals metals everywhere, forks and knives, belt buckles and hooks … When you are beaten you sing. You do not give anyone a chance …

You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.

Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?

Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?

And men love you. Perhaps it is because you soften so often.

You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.

Oh metals metals, why are you always filling my house?

You are like family, you do not care for anyone.

“Mr. Brain” — Russell Edson

“Mr. Brain,” something by Russell Edson

 Mr Brain was a hermit dwarf who liked to eat shellfish off the moon. He liked to go into a tree then because there is a little height to see a little further, which may reveal now the stone, a pebble–it is a twig, it is nothing under the moon that you can make sure of.

So Mr Brain opened his mouth to let a moonbeam into his head.

Why to be alone, and you invite the stars to tea. A cup of tea drinks a luminous guest.

In the winter could you sit quietly by the window, in the evening when you could have vinegar and pretend it to be wine, because you would do well to eat doughnuts and pretend you drink wine as you sit quietly by the window. You may kick your leg back and forth. You may have a tendency to not want to look there too long and turn to find darkness in the room because it had become nighttime.

Why to be alone. You are pretty are you not/you are as pretty as you are not, or does that make sense.

You are not pretty, that is how you can be alone. And then you are pretty like fungus and alga, you are no one without some one, in theory alone.

Be good enough to go to bed so you can not think too much longer.