I try to spend 10 or 20 minutes with every book that comes in to Biblioklept World Headquarters—assessing plot and prose, trying to get a sense of the potential audience for each volume, etc. Sometimes this task is difficult, and especially difficult when I find myself with too much to read, yet intrigued by the book at hand.
This is a lot of hemming and hawing leading up to: I very much enjoyed the first fifty or so pages of Esi Edugyan’s Half-Blood Blues. Here’s a plot description from the Man Booker Prize website:
‘Chip told us not to go out. Said, don’t you boys tempt the devil. But it been one brawl of a night, I tell you…’ The aftermath of the fall of Paris, 1940. Hieronymous Falk, a rising star on the cabaret scene, was arrested in a cafe and never heard from again. He was twenty years old. He was a German citizen. And he was black. Fifty years later, Sid, Hiero’s bandmate and the only witness that day, is going back to Berlin. Persuaded by his old friend Chip, Sid discovers there’s more to the journey than he thought when Chip shares a mysterious letter, bringing to the surface secrets buried since Hiero’s fate was settled. In Half Blood Blues, Esi Edugyan weaves the horror of betrayal, the burden of loyalty and the possibility that, if you don’t tell your story, someone else might tell it for you. And they just might tell it wrong…
Edugyan writes in an energetic colloquial syntax, one that matches–and embodies—the spirit of the jazz musicians at the forefront of her narrative. So far, great stuff.
Picador has picked up the book and given it a wider distribution in the US. Check it out.