“Why I Write” — Barry Hannah

I always experience a mild depression whenever I type up what I have written. This act seems redundant. The work has already been done. I adore the praise of the public, no mistake. But the primary motive must be unpublic. Much more, I’d guess, the inner journey of the imagination itself. There is the ecstasy. The rest is simply good. Some money, a little fame. Not to be rolled over by time like a crab in the surf. Etcetera.

I write out of a greed for lives and language. A need to listen to the orchestra of living. It is often said that a writer is more alive than his peers. But I believe he might also be a sort of narcoleptic who requires constant waking up by his own imaginative work. He is closer to sleep and dream, and his memory is more haunted, thus more precise.

Read the rest of Barry Hannah’s essay “Why I Write” at The Oxford American.

5 thoughts on ““Why I Write” — Barry Hannah”

  1. I often feel the same way. I switch between handwritten and typed versions of my stories and, oftentimes, I’ll reluctantly force myself to type over the handwritten ones simply because I don’t feel like living that life over again and again. It’s like “Groundhog Day”.

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