The Gates of Hell by Cornelis Saftleven (1607-1681)
From a hilarious profile on Odd Nerdrum, in which he discusses his 1997 work The Savior of Painting:
Almost life-size, it depicts the artist in a golden robe, armed with paintbrush and palette, against the soft Norwegian evening sky. On his palette is one single color: that of gold.
“This is kitsch in its purest form,” remarks the artist in front of the nearly finished work, gracefully saving us the embarrassment. “Mind you, there’s absolutely no irony here.”
The golden robe is for real. He had it made in New York a few years back, and it´s already a garment of international notoriety. His Self Portrait in Golden Robe, first exhibited in Stockholm last winter and now showing in a retrospective at the Astrup-Fearnley Museum in Oslo, shows him in this robe, which is lifted to reveal a markedly curved erection. Needless to say, the painting, done in the Rembrandt-like style that is both Odd Nerdrum’s life and his curse, caused a major debate in his home country. To Odd, that was business as usual.
Biblioklept 