Antoine Volodine interviewed at the Evergreen Review

Antoine Volodine is interviewed by Andrew Wilson at The Evergreen Review. The interview focuses on Volodine’s 1990 novel Lisbon, Last Frontier. (Wilson’s translation of the first chapter of Lisbon, Last Frontier was recently published in The Evergreen Review). The interview touches on a number of subjects, including Volodine’s invented genre, post-exoticism. From the interview:

AW: Is post-exoticism simply anti-exoticism?

AV: Yes, what’s important in post-exoticism is that it does away with exoticism. You suggested anti-exoticism, and it could just as well have been anti-exoticism, in as much as what characterizes exoticism is the absolute distinction between the metropolis and the margin, between the center and the periphery. With exoticism, there is an interest in the margins–the writer lives on the margins–but it’s all for the sake of the center. In exoticism, one describes the margins with ideas that come from the center, whereas in our books, the characters—who are dying, or perhaps already dead, who are birds, or animals, or insane—have no center, or rather it is their margin that is the center—the center no longer exists. For us, mental derangement doesn’t refer to a discourse of normality outside of it. In the books, it is present, and it is the center, it is what’s creating the world. In Lisbon, Last Frontier, it’s Ingrid Vogel who creates the world. The reader might think she’s completely mad, schizophrenic, paranoid, but, in fact, the book never refers to an outside normality, from which one could judge Ingrid’s experience. Yes, the book enters her imaginary; yes, it creates imaginary spaces for her to inhabit, but it never refers to a normality outside of her. And it’s through this precise mechanism that the books are on the margins, in the dustbin (to borrow an expression from Lisbon, Last Frontier); it’s in this way that they are dustbin literature, a literature from elsewhere, and that’s what comes into being with post-exoticism. That’s what’s important I think: a literature that doesn’t refer to normality, that doesn’t refer to the center. In that sense it’s more anti-exoticism… but of course I’m not going to change it now. It’s too late; it’s post-exoticism until the end!

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