William Gaddis, Joseph Heller, John Updike and other writers on book dedications

Bobbie Ann Mason: “Book dedications are…a private message in a public place… They’re like reading the personals.”

Joseph Heller: “I have not the slightest understanding of what they mean…none of my books except the first one have any.”

Richard Ford: “All of my books are dedicated to my wife.”

Ward Just: “My last seven books were all dedicated to my wife.”

Kaye Gibbons: “In the new printings of A Virtuous Woman, I’m deleting my ex-husband’s name and replacing it with my second and final husband’s Frank Ward.”

Christopher Buckley: “I was finishing The White House Mess just as I was about to be married. I asked Lucy to put a sheet of paper in the typewriter, and I said, ‘Now type, “For my wife, with love.”‘ And she cried. I dedicated my first book, Steaming to Bamboola, to John Lennon. It was about the merchant marine, and he was the son of a merchant seaman, and he died while I was writing it, and I was very sad, so I just dedicated it to him.”

Nicholson Baker: “I hope to dedicate several more books to my wife although not every one. You don’t want to be like Nabokov. Every book was to Vera, to Vera, to Vera.”

Susanna Moore: “My favorite dedication is by Gregor von Rezzori. In one of his books, he just says, For whom else but you!'”

William Gaddis: “You never dedicate a book to another writer. You’d worry that he wouldn’t like it.”

John Updike: “You worry with another writer, that he won’t like the book, that you’re like the cat who’s bringing a dead mouse to the back door.”

From “Dedicated Lines,” an article by Jamie Malanowski in the 25 Dec. 1995 issue of The New Yorker.

Walker Percy’s The Moviegoer (Book acquired, 18 Sept. 2020)

I ended up reading Walker Percy’s postmodern Gothic novel Lancelot earlier this month. I’m a big fan of Southern literature—Faulkner and O’Connor, Barry Hannah and Charles Portis, etc.—but Percy has been a blind spot up until now. I got copies of Lancelot and The Second Coming when my college’s library removed a ton of books last year. They’d been in my office for months, and when I went back at the beginning of the fall semester to grab some textbooks—I’m teaching online only now—I grabbed the Percys (Percies?). I picked up Lancelot and then never really put it down. Something about its comedic grotesquerie, its insane monologuing just…clicked for me right now.

I figured I should read Percy’s first and most famous novel The Moviegoer next, so I picked up a used copy last week. I was stoked to find a 1971 Noonday edition with a cover design by Milton Glaser. I read the first fifty pages this weekend, and have enjoyed it so far, but maybe Lancelot spoiled me a bit. Percy’s first novel seems far more restrained and measured—subtler, really, although Lancelot is, to be clear, out there. While Lancelot reminded me of Barry Hannah’s zany, mean-spirited stuff, so far The Moviegoer strikes me as soaked in existentialist ennui. The main character and narrator, Binx Bolling, echoes Camus’ hero of The Stranger, Mersault so far. I do enjoy Percy’s evocation of New Orleans in the late fifties very much, but I was hoping for a little more humor. Still, I’ll stick with it.