A passage from Harold Bloom’s “A Manifesto for Antithetical Criticism,” a chapter in his seminal study The Anxiety of Influence—
Every poem is a misinterpretation of a parent poem. A poem is not an overcoming of anxiety, but is that anxiety. Poets’ misinterpretations of poems are more drastic than critics’ misinterpretations or criticism, but this is only a difference in degree and not at all in kind. There are no interpretations but only misinterpretations, and so all criticism is prose poetry.
Critics are more or less valuable than other critics only (precisely) as poets are more or less valuable than other poets. For just as a poet must be found by the opening in a precursor poet, so must the critic. The difference is that a critic has more parents. His precursors are poets and critics. But – in truth – so are a poet’s precursors, often and more often as history lengthens.
Poetry is the anxiety of influence, is misprision, is a disciplined perverseness. Poetry is misunderstanding, misinterpretation, misalliance.
Poetry (Romance) is Family Romance. Poetry is the enchantment of incest, disciplined by resistance to that enchantment.
Influence is Influenza—an astral disease.
If influence were health, who could write a poem? Health is stasis.
Schizophrenia is bad poetry, for the schizophrenic has lost the strength of perverse, willful, misprision.