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Reblogged this on Yorick Magazine.
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Amazing
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Giorgio de Chirico viewed from the inside.
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I’m a great admirer of Hopper, but here the sunlight projected onto the floor
is not consistent with the blinds on the right. The blind second from the end
on the right comes down further than the others, yet the projected shape
is lined up exactly with the other projected shapes down the middle
of the carriage.
SeanQ
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