Excelsior — Pavel Tchelitchew

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Excelsior, 1934 by Pavel Tchelitchew (1898-1957)

Hell — The Limbourg Brothers

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Folio 108 depicting Hell from Très Riches Heures du duc de Berry, c. 1416 by the Limbourg Brothers (fl. 1385 – 1416)

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Liar — Melissa Miller

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Liar, 1990 by Melissa Miller (b. 1951)

Planes by Colors (Great Nude) — Frantisek Kupka

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Planes by Colors (Great Nude), 1909 by Frantisek Kupka (1871-1957)

Painful Memory — Giuseppe Pellizza da Volpedo

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Ricordo di un dolore (Ritratto di Santina Negri), 1889 by Giuseppe Pellizza da Volpedo (1868–1907)

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Cornelia and Cornelius — Leonora Carrington

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Cornelia and Cornelius, 1974 by Leonora Carrington (1917–2011)

Tuesday — Leonora Carrington

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Tuesday, 1946 by Leonora Carrington (1917–2011)

The Magazine Antiques — David Brega

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The Magazine Antiques, 1986 by David Brega (b. 1948)

Composition with Still Life — Edwin Dickinson

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Composition with Still Life, 1937 by Edwin Dickinson (1891-1978)

Sunburnt — Julio Larraz

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Sunburnt, 2013 by Julio Larraz (b. 1944)

Untitled (Ark) — Hans-Georg Rauch

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From HG Rauch’s En Masse (Collier, 1975).

The Concert — Pavel Tchelitchew

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The Concert, 1933 by Pavel Tchelitchew (1898-1957)

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The Lake — Frances Hodgkins

The Lake c.1930-5 by Frances Hodgkins 1869-1947

The Lake, c. 1935 by Frances Hodgkins (1869–1947)

The Sleeping Princess — Viktor Vasnetsov

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The Sleeping Princess by Viktor Vasnetsov (1848-1926)

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There Were No Flowers Tonight — Ivan Albright

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There Were No Flowers Tonight, 1929 by Ivan Albright (1897-1983)

“The Adventure of a Reader,” a story by Italo Calvino

“The Adventure of a Reader”

by

Italo Calvino

translated by  William Weaver


 

The coast road ran high above the cape; the sea was below, a sheer drop, and on all sides, as far as the hazy mountainous horizon. The sun was on all sides, too, as if the sky and the sea were two glasses magnifying it. Down below, against the jagged, irregular rocks of the cape, the calm water slapped without making foam. Amedeo Oliva climbed down a steep flight of steps, shouldering his bicycle, which he then left in a shady place, after closing the padlock. He continued down the steps amid spills of dry yellow earth and
agaves jutting into the void, and he was already looking around for the most comfortable stretch of rock to lie down. Under his arm he had a rolled-up towel and, inside the towel, his bathing trunks and a book.

The cape was a solitary place : only a few groups of bathers dived into the water or took the sun, hidden from one another by the irregular conformation of the place. Between two boulders that shielded him from view, Amedeo undressed, put on his trunks, and began jumping from the top of one rock to the next. Leaping in this way on his skinny legs, he crossed half the rocky shore, sometimes almost grazing the faces
of half-hidden pairs of bathers stretched out on beach towels. Having gone past an outcrop of sandy rock, its surface porous and irregular, he came upon smooth stones, with rounded corners; Amedeo took off his sandals, held them in his hand, and continued running barefoot, with the confidence of someone who can judge distances between rocks and whose soles nothing can hurt. He reached a spot directly above the sea; there was a kind of shelf running around the cliff at the halfway point. There Amedeo stopped. On a flat ledge he arranged his clothes, carefully folded, and set the sandals on them, soles up, so no gust of wind would carry everything off (in reality, only the faintest breath of air was stirring, from the sea; but this precaution was obviously a habit with him). A little bag he was carrying turned into a rubber cushion; he blew into it until it had filled out, then set it down; and below it, at a point slightly sloping from that rocky ledge, he spread out his towel. He flung himself on it supine, and already his hands were opening his book at the marked page. So he lay stretched out on the ledge, in that sun glaring on all sides, his skin dry (his tan was opaque, irregular, as of one who takes the sun without any method but doesn’t burn); on the rubber cushion he set his head sheathed in a white canvas cap, moistened (yes, he had also climbed down to a low rock, to dip his cap in the water), immobile except for his eyes (invisible behind his dark glasses), which followed along the black and white lines the horse of Fabrizio del Dongo. Below him opened a little cove of greenish-blue water, transparent almost to the bottom. The rocks, according to their exposure, were bleached white or covered with algae. A little pebble beach was at their foot. Every now and then Amedeo raised his eyes to that broad view, lingered on a glinting of the surface, on the oblique dash of a crab; then he went back, gripped, to the page where Raskolnikov counted the steps that separated him from the old woman’s door, or where Lucien de Rubempre, before sticking his head into the noose, gazed at the towers and roofs of the Conciergerie. Continue reading ““The Adventure of a Reader,” a story by Italo Calvino”

Posted in Art

Joseph’s Coat with Snake, Lizard, and Butterflies — Otto Marseus van Schrieck

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Joseph’s Coat with Snake, Lizard, and Butterflies by Otto Marseus van Schrieck (1613-1678)