“Variations on a Theme by William Carlos Williams” — Kenneth Koch

“Variations on a Theme by William Carlos Williams”

by

Kenneth Koch


1

I chopped down the house that you had been saving to live in next
summer.
I am sorry, but it was morning, and I had nothing to do
and its wooden beams were so inviting.

2

We laughed at the hollyhocks together
and then I sprayed them with lye.
Forgive me. I simply do not know what I am doing.

3

I gave away the money that you had been saving to live on for the next ten
years.
The man who asked for it was shabby
and the firm March wind on the porch was so juicy and cold.

4

Last evening we went dancing and I broke your leg.
Forgive me. I was clumsy, and
I wanted you here in the wards, where I am the doctor!

“The Ball Poem” — John Berryman

“The Ball Poem”

by

John Berryman


What is the boy now, who has lost his ball.
What, what is he to do? I saw it go
Merrily bouncing, down the street, and then
Merrily over—there it is in the water!
No use to say ‘O there are other balls’:
An ultimate shaking grief fixes the boy
As he stands rigid, trembling, staring down
All his young days into the harbour where
His ball went. I would not intrude on him,
A dime, another ball, is worthless. Now
He senses first responsibility
In a world of possessions. People will take balls,
Balls will be lost always, little boy,
And no one buys a ball back. Money is external.
He is learning, well behind his desperate eyes,
The epistemology of loss, how to stand up
Knowing what every man must one day know
And most know many days, how to stand up
And gradually light returns to the street,
A whistle blows, the ball is out of sight.
Soon part of me will explore the deep and dark
Floor of the harbour . . I am everywhere,
I suffer and move, my mind and my heart move
With all that move me, under the water
Or whistling, I am not a little boy.

“The Great Birds” — Kenneth Patchen

“hist whist” — e.e. cummings

“hist whist”

by

e.e. cummings


hist      whist
little ghostthings
tip-toe
twinkle-toe
little twitchy
witches and tingling
goblins
hob-a-nob     hob-a-nob
little hoppy happy
toad in tweeds
tweeds
little itchy mousies
with scuttling
eyes    rustle and run     and
hidehidehide
whisk
whisk     look out for the old woman
with the wart on her nose
what she’ll do to yer
nobody knows
for she knows the devil     ooch
the devil     ouch
the devil
ach     the great
green
dancing
devil
devil
devil
devil
        wheeEEE

“A Sort of Song” — William Carlos Williams

“Glass of Water Encounter” — Terese Svoboda

“Glass of Water Encounter”

by

Terese Svoboda


She dances only in her necklace,
scotch-lit surely. He touches his glasses.

Nightie-less, dugs whipping, hair sprung,
some music inside, out, wet tongue

tip at her lip, no mere palsied shuffle,
both bony feet lifted, elbows awful.

Shakespeare’s banshee of wailing parts,
a woman with hair, a woman with warts.

He’s fixed to the floor. Dear Heloise:
do other presumed-sane mothers do this—

wait in the dark after the ball
to strip for their sons at the end of the hall?

A dream, insists his sister
but his first wife knows better.

All the wolves in the wolf factory paused at noon, for a moment of silence | “Laughing Gravy,” John Ashbery

“Some Bright Paintings” — Gilbert Sorrentino

“Trust” — Susan Kinsolving

“Ovid on Climate Change” — Eliza Griswold

“Ovid on Climate Change”

by

Eliza Griswold


Bastard, the other boys teased him,
till Phaethon unleashed the steeds
of Armageddon. He couldn’t hold
their reins. Driving the sun too close
to earth, the boy withered rivers,
torched Eucalyptus groves, until the hills
burst into flame, and the people’s blood
boiled through the skin. Ethiopia,
land of   burnt faces. In a boy’s rage
for a name, the myth of race begins.

“Sumptuous Destitution” — Anne Carson

“Sumptuous Destitution”

by

Anne Carson


“Sumptuous destitution”

Your opinion gives me a serious feeling. I would like to be what you deem me.

(Emily Dickinson letter 319 to Thomas Higginson)

is a phrase

You see my position is benighted.

(Emily Dickinson letter 268 to Thomas Higginson)

scholars use

She was too enigmatical a being for me to solve in an hours interview.

(Thomas Higginson letter 342a to Emily Dickinson)

of female

God made me [Sir] Master—I didn’t be—myself.

(Emily Dickinson letter 233 to Thomas Higginson)

silence.

Rushing among my small heart—and pushing aside the blood—

(Emily Dickinson letter 248 to Thomas Higginson)

Save what you can, Emily.

And when I try to organize—my little Force explodes—and leaves me bare and charred.

(Emily Dickinson letter 271 to Thomas Higginson)

Save every bit of thread.

Have you a little chest to put the Alive in?

(Emily Dickinson letter 233 to Thomas Higginson)

One of them may be

By Cock, said Ophelia.

(Emily Dickinson letter 268 to Thomas Higginson)

the way out of here

“Poet’s work” — Lorine Niedecker

“Tavern” — Edna St. Vincent Millay

“Tavern”

by

Edna St. Vincent Millay


I’ll keep a little tavern
Below the high hill’s crest,
Wherein all grey-eyed people
May set them down and rest.

There shall be plates a-plenty,
And mugs to melt the chill
Of all the grey-eyed people
Who happen up the hill.

There sound will sleep the traveller,
And dream his journey’s end,
But I will rouse at midnight
The falling fire to tend.

Aye, ’tis a curious fancy—
But all the good I know
Was taught me out of two grey eyes
A long time ago.

“Classic Scene” — William Carlos Williams

“Classic Scene”

by

William Carlos Williams


A power-house
in the shape of
a red brick chair
90 feet high

on the seat of which
sit the figures
of two metal
stacks–aluminum–

commanding an area
of squalid shacks
side by side–
from one of which

buff smoke
streams while under
a grey sky
the other remains

passive today–

tumblr_ovntm8X5p21rz2lkvo1_1280

Classic Landscape, 1931 by Charles Sheeler (1883–1965)

“The Preacher Addresses the Seminarians” — Christian Wiman

“The Preacher Addresses the Seminarians”

by

Christian Wiman


I tell you it’s a bitch existence some Sundays
and it’s no good pretending you don’t have to pretend,

don’t have to hitch up those gluefutured nags Hope and Help
and whip the sorry chariot of yourself

toward whatever hell your heaven is on days like these.
I tell you it takes some hunger heaven itself won’t slake

to be so twitchingly intent on the pretty organist’s pedaling,
so lizardly alert to the curvelessness of her choir robe.

Here it comes, brothers and sisters, the confession of sins,
hominy hominy, dipstick doxology, one more churchcurdled hymn

we don’t so much sing as haunt: grounded altos, gear-grinding tenors,
two score and ten gently bewildered men lip-synching along.

You’re up, Pastor. Bring on the unthunder. Some trickle-piss tangent
to reality. Some bit of the Gospel grueling out of you.

I tell you sometimes mercy means nothing
but release from this homiletic hologram, a little fleshstep

sideways, as it were, setting passion on autopilot (as if it weren’t!)
to gaze out in peace at your peaceless parishioners:

boozeglazes and facelifts, bad mortgages, bored marriages,
a masonry of faces at once specific and generic,

and here and there that rapt famished look that leaps
from person to person, year to year, like a holy flu.

All these little crevices into which you’ve crawled
like a chubby plumber with useless tools:

Here, have a verse for your wife’s death.
Here, have a death for your life’s curse.

I tell you some Sundays even the children’s sermon
— maybe especially this — sharks your gut

like a bite of tin some beer-guzzling goat
either drunkenly or mistakenly decides to sample.

I know what you’re thinking. Christ’s in this.
He’ll get to it, the old cunner, somewhere somehow

there’s the miracle meat, the aurora borealis blood,
every last atom compacted to a grave

and the one thing that every man must lose to save.
Well, friends, I’m here to tell you two things today.

First, though this is not, for me, one of those bilious abrading days,
though in fact I stand before you in a rage of faith

and have all good hope that you will all go help
untold souls back into their bodies,

ease the annihilating No above which they float,
the truth is our only savior is failure.

Which brings me to the second thing: that goat.
It was real. It is, as is usually the case, the displacement of agency

that is the lie. It was long ago, Mexico, my demon days:
It was a wager whose stakes I failed to appreciate.

He tottered. He flowered. He writhed time to a fraught quiet,
and kicked occasionally, and lay there twitching, watching me die.

“The Beach in August” — Weldon Kees

“The Beach in August”

by

Weldon Kees


The day the fat woman
In the bright blue bathing suit
Walked into the water and died,
I thought about the human
Condition. Pieces of old fruit
Came in and were left by the tide.

What I thought about the human
Condition was this: old fruit
Comes in and is left, and dries
In the sun. Another fat woman
In a dull green bathing suit
Dives into the water and dies.
The pulmotors glisten. It is noon.

We dry and die in the sun
While the seascape arranges old fruit,
Coming in and the tide, glistening
At noon. A woman, moderately stout,
In a nondescript bathing suit,
Swims to a pier. A tall woman
Steps toward the sea. One thinks about the human
Condition. The tide goes in and goes out.