Woman Reading a Letter — Gabriel Metsu

Poetry Reading — Milton Avery

Portrait of Madame Ginoux (L’Arlesienne) — Vincent van Gogh

A Young Girl Reading — Jean-Honore Fragonard

Reading a Book — James Tissot

Reading-as-Nature or Nature-as-Reading (From Thomas Berhnhard’s Correction)

We couldn’t endure a life in nature, necessarily always a free nature, without respite, so we always step outside nature, for no reason but survival, and take refuge in our reading, and live for a long time in our books, a more undisturbed life. I’ve lived half my life not in nature but in my books as a nature-substitute, and the one half was made possible only by the other half. Or else we exist in both simultaneously, in nature and in reading-as-nature, in this extreme nervous tension which as a form of consciousness is endurable only for the shortest possible time span. The question can’t be whether I live in nature as nature, or in reading-as-nature, or in nature-as-reading, in the nature of nature-as-reading andsoforth, so Roithamer. To everything that we think and fill our own life and that we hear and see, perceive, we always have to add: the truth, however, is … as a result, uncertainty has become a chronic condition with us. Those abrupt transitions from one nature into the other, from one form of awareness into the other, so Roithamer. When we think, we know nothing, everything is open, nothing, so Roithamer.

From Thomas Bernhard’s novel Correction.

 

Begging — Norman Rockwell

The Pensive Reader — Mary Cassatt

Adolescence — Milton Avery

Portrait of the Author Fyodor Dostoevsky — Vasily Perov

Karin Reading — Carl Larsson

Gabrielle Reading — Pierre-Auguste Renoir

Portrait of Y.E. Kustodieva — Boris Kustodiev

Clovis — Paul Gaugin

St. Idelfonso — El Greco

Nurse Reading to a Little Girl — Mary Cassatt

The Pinch of Snuff — Marc Chagall