Madame Roulin Rocking the Cradle (A Lullaby) — Vincent Van Gogh

Read J.G. Ballard’s story “The Terminal Beach”

“The Terminal Beach”

by

J.G. Ballard


 

The Terminal Beach

 

At night, as he lay asleep on the floor of the ruined bunker, Traven heard the waves breaking along the shore of the lagoon, like the sounds of giant aircraft warming up at the ends of their runways. This memory of the great night raids against the Japanese mainland had filled his first months on the island with images of burning bombers falling through the air around him. Later, with the attacks of ben-ben, the nightmare passed and the waves began to remind him of the deep Atlantic rollers on the beach at Dakar, where he had been born, and of watching from the window in the evenings for his parents to drive home along the corniche road from the airport. Overcome by this long-forgotten memory, he woke uncertainly from the bed of old magazines on which he slept and went out to the dunes that screened the lagoon.

 

Through the cold night air he could see the abandoned Superfortresses lying among the palms beyond the perimeter of the emergency landing field three hundred yards away. Traven walked through the dark sand, already forgetting where the shore lay, although the atoll was little more than half a mile in width. Above him, along the crests of the dunes, the tall palms leaned into the dim air like the symbols of a cryptic alphabet. The landscape of the island was covered by strange ciphers.

 

Giving up the attempt to find the beach, Traven stumbled into a set of tracks left years earlier by a large caterpillar vehicle. The heat released by the weapons tests had fused the sand, and the double line of fossil imprints, uncovered by the evening air, wound its serpentine way among the hollows like the footfalls of an ancient saurian.

 

Too weak to walk any further, Traven sat down between the tracks. Hoping that they might lead him to the beach, he began to excavate the wedge-shaped grooves from a drift into which they disappeared. He returned to the bunker shortly before dawn, and slept through the hot silences of the following noon.

 

 

The Blocks

 

As usual on these enervating afternoons, when not even a breath of on-shore breeze disturbed the dust, Traven sat in the shadow of one of the blocks, lost somewhere within the centre of the maze. His back resting against the rough concrete surface, he gazed with a phlegmatic eye down the surrounding aisles and at the line of doors facing him. Each afternoon he left his cell in the abandoned camera bunker among the dunes and walked down into the blocks. For the first half an hour he restricted himself to the perimeter aisle, now and then trying one of the doors with the rusty key in his pocket – found among the litter of smashed bottles and cans in the isthmus of sand separating the testing ground from the air-strip – and then inevitably, with a sort of drugged stride, he set off into the centre of the blocks, breaking into a run and darting in and out of the corridors, as if trying to flush some invisible opponent from his hiding place. Soon he would be completely lost. Whatever his efforts to return to the perimeter, he always found himself once more in the centre.

 

Eventually he would abandon the task, and sit down in the dust, watching the shadows emerge from their crevices at the foot of the blocks. For some reason he invariably arranged to be trapped when the sun was at zenith – on Eniwetok, the thermonuclear noon.

 

One question in particular intrigued him: ‘What sort of people would inhabit this minimal concrete city?’

Continue reading “Read J.G. Ballard’s story “The Terminal Beach””

“June” — Djuna Barnes

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Possible photographic evidence of Thomas Pynchon’s hand (and a pig piñata)

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From an article in LAist:

A photograph on the back cover of a memoir by Phyllis Gebauer, a close friend of Pynchon’s, shows the author’s hand extending out of the door of his apartment giving a peace sign with a pig piñata named Claude and Gebauer in the foreground. In 2011, Gebauer donated her rare collection of signed Pynchon novels to UCLA.

I seem to recall mention of this pig piñata in A Journey into the Mind of P (but I could be wrong).

Big thanks to Doug Eklund for pointing the photo out to me.