Island of the Cyclops: The Early Years, 2018, by Eric Fischl (b. 1948)
Queen Mab’s Cave, 1846 by Joseph Mallord William Turner (1775–1851)
Mientras Pablo no me vea (As Long as Pablo Doesn’t See Me) by Carmen Chami (b. 1974)
Manifest, 2015 by Scott Greene
The Couples, 2019 by Xiao Guo Hui (b. 1969)
The Minotaur, 1885 George Frederic Watts (1817–1904)
“Haymaking”
by
William Carlos Williams
The living quality of
the man’s mind
stands out
and its covert assertions
for art, art, art!
painting
that the Renaissance
tried to absorb
but
it remained a wheat field
over which the
wind played
men with scythes tumbling
the wheat in
rows
the gleaners already busy
it was his own—
magpies
the patient horses no one
could take that
from him
The Raconteur, 2019 by Ilya Milstein
Nude, 1967 by Gerhard Richter (b. 1932)
The Warrior’s Tomb, 1941 by Gertrude Hermes (1901–1983)
Operation I, 1939 by Leonor Fini (1908-1996)
Life, 1988 by He Duoling (b. 1948)
Birdsong, 1893 by Karoly Ferenczy (1862-1917)
Grace Sholto Douglas, 1940 by Leslie Hurry (1909–1978)
Film poster for The Man Who Fell to Earth by Tomer Hanuka.
La pietra del filosofo (The Philosopher’s Stone), 2014 by Agostino Arrivabene (b. 1967)
Biblioklept 