






X-radiographic details from The Battle Between Carnival and Lent (1559) by Pieter Bruegel the Elder (c 1525/30–1569). From Kunsthistorisches Museum Vienna’s marvelous feature Inside Breugel.







X-radiographic details from The Battle Between Carnival and Lent (1559) by Pieter Bruegel the Elder (c 1525/30–1569). From Kunsthistorisches Museum Vienna’s marvelous feature Inside Breugel.

Homage to Grandville, 1968 by Dado (Miodrag Đurić, 1933-2010)

Tanuki, c. 1840 by Katsushika Hokusai (1760–1849)

Farmer’s Feast, 1566 by Pieter Aertsen (c. 1508-1575)

Preparations for a Meal, 1664 by Abraham Hendricksz van Beyeren (c.1620-1690)

Casanova, 1987 by Julio Larraz (b. 1944)

Secret Feast, 1964 by Leonor Fini (1908-1996)
The First Thanksgiving, 1973 by Warrington Colescott (1921 – 2018)




A grave and dark-clad company!” quoth Goodman Brown.
In truth, they were such. Among them, quivering to-and-fro, between gloom and splendor, appeared faces that would be seen, next day, at the council-board of the province, and others which, Sabbath after Sabbath, looked devoutly heavenward, and benignantly over the crowded pews, from the holiest pulpits in the land. Some affirm, that the lady of the governor was there. At least, there were high dames well known to her, and wives of honored husbands, and widows, a great multitude, and ancient maidens, all of excellent repute, and fair young girls, who trembled lest their mothers should espy them. Either the sudden gleams of light, flashing over the obscure field, bedazzled Goodman Brown, or he recognized a score of the church-members of Salem village, famous for their especial sanctity. Good old Deacon Gookin had arrived, and waited at the skirts of that venerable saint, his reverend pastor. But, irreverently consorting with these grave, reputable, and pious people, these elders of the church, these chaste dames and dewy virgins, there were men of dissolute lives and women of spotted fame, wretches given over to all mean and filthy vice, and suspected even of horrid crimes. It was strange to see, that the good shrank not from the wicked, nor were the sinners abashed by the saints. Scattered, also, among their pale-faced enemies, were the Indian priests, or powows, who had often scared their native forest with more hideous incantations than any known to English witchcraft.
–From “Young Goodman Brown,” Nathaniel Hawthorne (1835)

Lear and Fool, 1963 by Oskar Kokoschka (1886-1980)

House of Cards, 2015 by Francine van Hove (b. 1942)

Nemesi (Nemesis), 2017 by Agostino Arrivabene (b. 1967)

Boy Reading, 1955 by Fairfield Porter (1907-1975)

Untitled, c. 1957-60 by Saul Steinberg (1914-1999). From The Labyrinth.

Still-Life with Self-Portrait, 1663 by Cornelis Norbertus Gysbrechts (c. 1630 – c. 1675)