
Princess Maria Volkonsky at the Age of Twelve, 1945 by Balthus (1908-2001)

Princess Maria Volkonsky at the Age of Twelve, 1945 by Balthus (1908-2001)

Ceremony, 1960 by Leonor Fini (1908-1996)

Metamorphosis, 1943 by Margaret Tomkins (1916-2002)

Metamorphosis, 1965 by Riccardo Tommasi Ferroni (1934-2000)

Culmin’s Ghost Appears to His Mother, 1794 by Nicolai Abildgaard (1743–1809)
Near are the steps of Culmin; the youth came, bursting into tears. Wrathful he cut the wind, ere yet he mixed his strokes with Fillan. He had first bent the bow with Rothmar, at the rock of his own blue streams. There they had marked the place of the roe, as the sunbeam flew over the fern. Why, son of Cul-allin! why, Culmin, dost thou rush on that beam of light? It is a fire that consumes. Son of Cul-allin, retire. Your fathers were not equal in the glittering strife of the field. The mother of Culmin remains in the hall. She looks forth on blue-rolling Strutha. A whirlwind rises, on the stream, dark-eddying round the ghost of her son. His dogs are howling in their place. His shield is bloody in the hall. “Art thou fallen, my fair-haired son, in Erin’s
dismal war?”

The Confidence Man, 1919 by Guy Pène du Bois (1884-1958)


Reading, 1987 by Robert Kushner (b. 1949)

Prometheus in Chains, 1905 by Frantisek Kupka (1871-1957)

Obatan Parrot, 1926 by Hiroshi Yoshida (1876-1950)

The Inner City by Alice Rahon (1904–1987)

The Godmother, 1970 by Leonora Carrington (1917–2011)

Prometheus Being Chained by Vulcan, 1623 by Dirck van Baburen (c. 1595– 1624)





Prometheus, 1909 by Otto Greiner (1869-1916)



Three-Cornered Hat, 1943 by Walt Kuhn (1880-1949)

The Unsmiling Tsarena, 1926 by Viktor Vasnetsov (1848-1926)
Edward Hopper, especially that painting of the gas station at night—Gas (1940)—was my inspiration for a lot of the songs I made up with my band The Modern Lovers when I was a kid. Especially “Roadrunner” owes to that gas station painting, but any songs I made up about lonely nights on lonely highways and the way lights were like friends in the dark. This is what “Roadrunner” was about. The Velvet Underground covered this kind of stark, lonely feeling of wonder and had a sound which, with its drowning darkness, felt right for my explorations into bleak, modern-world terror. That plus Hopper was a big part of my starting music.
From the Art News Muses column by Jonathan Richman.
