Nutcracker – Biblioklept

The good people at Random House are giving away a copy of ETA Hoffman’s Nutcracker illustrated by Maurice Sendak to one lucky Biblioklept reader. The book is beautiful, so you’ll have to work for it. The first person to answer all of the following questions correctly will be sent a copy of the book (sorry, US addresses only). Email answers and your mailing address to biblioklept.ed[at]gmail[dot]com.

Okay, folks, we got a winner. Congrats to Mihaela Geaman who was the first to send in a set of correct answers. Answers below:

1. Which Sendak book most often appears on the ALA’s 100 Most Frequently Challenged Books list?

2. Which two American Renaissance era writers did Sendak frequently cite as favorites?

3. What English artist did Sendak “borrow” images from for his collaboration with Robert Graves?

4. What fictional character did Sendak consider his “twin”?

5. What tragic news story inspired elements of Sendak’s book Outside Over There?

ANSWERS

1. In the Night Kitchen

2. Emily Dickinson & Herman Melville

3. Beatrix Potter

4. Mickey Mouse

5. The Lindbergh baby kidnapping

As the season for giving arrives, Biblioklept reviews three beautiful books that children and adults alike will enjoy.

First up is E.T.A. Hoffman’s 1816 Christmas classic Nutcracker in translation by Ralph Manheim and beautifully illustrated by the late Maurice Sendak. In 1983, Sendak designed sets and costumes for the Pacific Northwest Ballet’s adaptation of Nutcracker and in 1984 he translated some of those designs into a book edition.

According to a 2001 profile with NPR, Sendak was initially unsure about working on what he considered “the most bland and banal of ballets.” However, upon reading Hoffman’s original text, Sendak discovered a work full of “weird, dark qualities that make it something of a masterpiece,” an observation he notes in his introduction to Nutcracker.

The NPR profile notes that Sendak intended to bring “Hoffmann’s original story back to audiences, especially by having the main character, a girl named Clara, brought back into the story.” Sendak believed

The whole ballet is about her and for the most part you get her in act one, and then she discreetly disappears for the rest of the work. My feeling is this has to be disturbing to children. . . . [She goes] where the wild things are . . . She is overwhelmed with growing up and has no knowledge of what this means. I think the ballet is all about a strong emotional sense of something happening to her, which is bewildering.

These “strange, weird” qualities—the same tones that made Sendak’s Where the Wild Things Are a classic of children’s literature—are on display in Nutcracker. Hoffman’s text in Manheim’s translation has a wonderfully episodic, even picaresque quality that restores a sense of adventure—and even peril—to the smooth play we might be familiar with sitting through each December.

Nutcracker’s reading level, length, and tone make it likely appropriate for children over eight or nine, but younger children will enjoy reading the story through Sendak’s marvelous and strange illustrations.

Nutcracker is available in a new hardback edition from Random House.

Next up is Annelore Parot’s Kokeshi Kimonos from Chronicle Books.

Koskeshi Kimonos is a fun and stylish book that uses kokeshi dolls to showcase facets of Japanese culture including attire and family life. The book features folding flaps, pull out sections, and other interactive features that will appeal to younger children. It’s the sort of aesthetically charming book that adults can enjoy as well.

Kokeshi Kimonos will likely appeal to younger readers—five to nine—and seems particularly suited to girls (although this doesn’t mean boys wouldn’t enjoy it, of course). The cute kokeshis are a wonderful alternative to the sterile, plastic world of Barbie and other facile dolls.

Finally, Ernest Raboff’s Albrecht Dürer, part of his Art for Children series. The book is out of print but not impossible to find.

Raboff presents Dürer’s life simply and in clear context, using about a dozen beautiful prints from the German master, as well as many of his etchings. Raboff also hand letters the book, and provides his own sketches and illustrations occasionally to clarify and explain Dürer’s work.