Béla Tarr Interview

A gathering impossible/General merriment (From Pynchon’s Against the Day)

A DAY OR TWO LATER, Lew went up to Carefree Court. The hour was advanced, the light failing, the air heated by the Santa Ana wind. Palm trees rattled briskly, and the rats in their nests up there hung on for dear life. Lew approached through a twilit courtyard lined with tileroofed bungalows, stucco archways, and the green of shrubbery deepening as the light went. He could hear sounds of glassware and conversation.

From the swimming pool came sounds of liquid recreation—feminine squeals, deep singlereed utterances from high and low divingboards. The festivities here this evening were not limited to any one bungalow. Lew chose the nearest, went through the formality of ringing the doorbell, but after waiting a while just walked in, and nobody noticed.

It was a gathering impossible at first to read, even for an old L.A. hand like Lew—society ladies in flapper-rejected outfits from Hamburger’s basement, real flappers in extras’ costumes—Hebrew headdresses, belly-dancing outfits, bare feet and sandals—in from shooting some biblical extravaganza, sugar daddies tattered and unshaven as street beggars, freeloaders in bespoke suits and sunglasses though the sun had set, Negroes and Filipinos, Mexicans and hillbillies, faces Lew recognized from mug shots, faces that might also have recognized him from tickets long cold he didn’t want to be reminded of, and here they were eating enchiladas and hot dogs, drinking orange juice and tequila, smoking cork-tip cigarettes, screaming in each others’ faces, displaying scars and tattoos, recalling aloud felonies imagined or planned but seldom committed, cursing Republicans, cursing police federal state and local, cursing the larger corporate trusts, and Lew slowly began to get a handle, for weren’t these just the folks that once long ago he’d spent his life chasing, them and their cousins city and country? through brush and up creek-beds and down frozen slaughterhouse alleyways caked with the fat and blood of generations of cattle, worn out his shoes pair after pair until finally seeing the great point, and recognizing in the same instant the ongoing crime that had been his own life—and for achieving this self-clarity, at that time and place a mortal sin, got himself just as unambiguously dynamited.

He gradually understood that what everybody here had in common was having survived some cataclysm none of them spoke about directly—a bombing, a massacre perhaps at the behest of the U.S. government. . . .

“No it wasn’t Haymarket.”

“It wasn’t Ludlow. It wasn’t the Palmer raids.”

“It was and it wasn’t.” General merriment.

—Thomas Pynchon’s novel Against the Day.

 

Alligators All Around — Maurice Sendak

Salem, August 31, 1836 — Nathaniel Hawthorne

Salem, August 31, 1836.–A walk, yesterday, down to the shore, near the hospital. Standing on the old grassy battery, that forms a semicircle, and looking seaward. The sun not a great way above the horizon, yet so far as to give a very golden brightness, when it shone out. Clouds in the vicinity of the sun, and nearly all the rest of the sky covered with clouds in masses, not a gray uniformity of cloud. A fresh breeze blowing from land seaward. If it had been blowing from the sea, it would have raised it in heavy billows, and caused it to dash high against the rocks. But now its surface was not all commoved with billows; there was only roughness enough to take off the gleam, and give it the aspect of iron after cooling. The clouds above added to the black appearance. A few sea-birds were flitting over the water, only visible at moments, when they turned their white bosoms towards me,–as if they were then first created. The sunshine had a singular effect. The clouds would interpose in such a manner that some objects were shaded from it, while others were strongly illuminated. Some of the islands lay in the shade, dark and gloomy, while others were bright and favored spots. The white light-house was sometimes very cheerfully marked. There was a schooner about a mile from the shore, at anchor, laden apparently with lumber. The sea all about her had the black, iron aspect which I have described; but the vessel herself was alight. Hull, masts, and spars were all gilded, and the rigging was made of golden threads. A small white streak of foam breaking around the bows, which ware towards the wind. The shadowiness of the clouds overhead made the effect of the sunlight strange, where it fell.

From Nathaniel Hawthorne’s American Note-Books.

 

Two Women on the Hillside — Franz Marc