Pan — Joseph Sattler

Pan, 1895 by Joseph Sattler (1867-1931)

Thunderstorm with the Death of Amelia — William Williams

Thunderstorm with the Death of Amelia, 1784 by William Williams (active 1758-1797)

Hermit Thrush — Alan Bray

Hermit Thrush, 2022 by Alan Bray (b. 1946)

A Bloody End — Joseph Sherly Sheppard

A Bloody End, Joseph Sherly Sheppard (b. 1930)

Writing? (George Herriman’s Krazy Kat)

In Search of a Portrait B — Samuel Bak

In Search of a Portrait B, 1974 by Samuel Bak (b. 1933)

St. Christopher — Fritz Eichenberg

St. Christopher, 1949 by Fritz Eichenberg (1901-1990)

Chariot — John Jacobsmeyer 

Chariot, 2018 by John Jacobsmeyer (b. 1964)

My Bonnie Lies Over the Ocean — David Hockney

My Bonnie Lies Over the Ocean, 1962 by David Hockney (b. 1937)

The Signing of the Declaration of Independence — Sandow Birk 

The Signing of the Declaration of Independence, 2022 by Sandow Birk (b. 1962)

The Slaughter House 5 — Donald Rodney

The Slaughter House 5, 1987 by Donald Rodney (1961–1998)

White Squad V — Leon Golub

White Squad V, 1984 by Leon Golub (1922–2004)

Multi-Vortex National Disaster — Hilary Harkness

Multi-Vortex National Disaster, 2020 by Hilary Harkness (b. 1971)

Illustration for Dostoevsky’s Karamazov — Wolfgang Paalen

Illustration for Dostoevsky’s Karamazov, 1923 by Wolfgang Paalen (1905-1959)

“Sex and/or Mr. Morrison” — Carol Emshwiller

Sex and/or Mr. Morrison

by

Carol Emshwiller


I can set my clock by Mr. Morrison’s step upon the stairs, not that he is that accurate, but accurate enough for me. 8:30 thereabouts. (My clock runs fast anyway.) Each day he comes clumping down and I set it back ten minutes, or eight minutes or seven. I suppose I could just as well do it without him but it seems a shame to waste all that heavy treading and those puffs and sighs of expending energy on only getting downstairs, so I have timed my life to this morning beat. Funereal tempo, one might well call it, but it is funereal only because Mr. Morrison is fat and therefore slow. Actually he’s a very nice man as men go. He always smiles.

I wait downstairs sometimes looking up and sometimes holding my alarm clock. I smile a smile I hope is not as wistful as his. Mr. Morrison’s moonface has something of the Mona Lisa to it. Certainly he must have secrets.

“I’m setting my clock by you, Mr. M.”

“Heh, heh . . . my, my,” grunt, breath. “Well,” heave the stomach to the right, “I hope . . .”

“Oh, you’re on time enough for me.”

“Heh, heh. Oh. Oh yes.” The weight of the world is certainly upon him or perhaps he’s crushed and flattened by a hundred miles of air. How many pounds per square inch weighing him down? He hasn’t the inner energy to push back. All his muscles spread like jelly under his skin.

“No time to talk,” he says. (He never has time.) Off he goes. I like him and his clipped little Boston accent, but I know he’s too proud ever to be friendly. Proud is the wrong word, so is shy. Well, I’ll leave it at that.
Continue reading ““Sex and/or Mr. Morrison” — Carol Emshwiller”

Swinging Monkey — Brett Whiteley

Swinging Monkey, 1965 by Brett Whiteley (1939-1992)

Grown Upstalking — Barry Flanagan

Grown Upstalking, 1972 by Barry Flanagan (1941-2009)