
The kind people at Picador sent me a box of books, including a memoir (Margaux Fragoso’s Tiger, Tiger), a few novels (The Lover’s Dictionary by David Levithan; Ralph Sassone’s The Intimates; Alan Glynn’s noir thriller Bloodland; Dieter Schlesak’s The Druggist of Auschwitz, which purports to be a “documentary novel”; and Zoë Heller’s first novel, Everything You Know), and a work of political science (Ari Berman’s Herding Donkeys).
A box of books is a bit overwhelming, but I make it a point to spend some time with every book that comes into Biblioklept World Headquarters. Here’s some thoughts on these.
I actually ended up reading almost all of The Lover’s Dictionary, despite it having the word “lover” in the title, which, jeez. When my wife picked it up, she said something like, “How can they call this a novel?” — fair question, because the book is structured like a dictionary. In point of illustration:

I’ve got a bigger post on Levithan’s book coming up, one that tries to situate it in the context of other non-novelly novels—but in short it is a novel, a very contemporary one that tells the oldest story in the proverbial book (boy meets girl) in an elliptical way that suits our post-information age. Like I said more to come, but for now: The Lover’s Dictionary is funny, occasionally cruel, too-often saccharine, awfully real, sometimes deeply flawed, but consistently engaging (sorry for all the adverbs).
I imagine Margaux Fragoso’s memoir Tiger, Tiger will capture the fascination of a large audience, but half an hour of the book was almost more than I could bear. Not because Fragoso can’t write—far from it, in fact—but her subject matter, which is to say her stolen childhood, is rendered too raw, too real for me; there’s nothing pulpy or lurid about Fragoso’s work, nor is there the aesthetic sheen of Lolita to gloss any of the ugly, sordid details. Kathryn Harrison ponders the question of Tiger, Tiger’s audience in her favorable review at The New York Times:
So who — other than voyeurs looking for a sustained close-up of a pedophile in action — will want to read this book? To bear witness to a numbingly long series of violations of a child by a man who has honed his wickedness for decades is not more pleasant than it sounds. As a society we energetically oppose sexual abuse; as individuals most of us shy away from investigating a relationship characterized by creepy kisses and inappropriate fondling. Worse, we defend cowardice by calling it discretion — minding our own business. Maybe a book like “Tiger, Tiger” can help us be a little braver. Certainly, it took courage to write.

Ralph Sassone’s The Intimates: sex scenes (straight and gay); lots of notations about parents; lots of characters.
Dieter Schlesak’s The Druggist of Auschwitz: This “documentary novel” blends actual testimony from the Frankfurt Auschwitz Trial, interviews with camp guards and prisoners, and fictional narrative to tell the true story of Dr. Victor Capesius, an SS officer who worked with Mengele. The book is less gimmicky than it sounds in this description, and if its documentary elements are blunter and less ambiguous than W.G. Sebald’s historical fragments, I suppose that’s what the subject matter merits.
Alan Glynn’s new novel Bloodland (a Picador paperback original) is a noirish thriller set against the backdrop of political and corporate intrigue. Glynn writes with terse immediacy, telegraphing the plot in short punchy sentences that recall James Ellroy (without the finnicky slang). The book reads almost like a movie script, vivid and concrete. It’s a fast-paced page turner with a smart plot, just the sort of thing one wants from a thriller.

Herding Donkeys by Ari Berman: Honestly not my thing, but if you want to read about the DNC from the time of Howard Dean to the rise of Barrack Obama, this is probably a book for you.
Zoë Heller’s Everything You Know: This is new in paperback again after over a decade. The story focuses on a cantankerous, unlikable son-of-a-bitch named Willy Muller. Things aren’t going well for him: he’s just suffered a heart attack, his daughter’s committed suicide, and the public still believes he murdered his wife. No wonder he hates humanity. Heller is probably most famous for her novel Notes on a Scandal, which was adapted into an excellent film in 2006.
Biblioklept’s picks: The Lover’s Dictionary; Tiger, Tiger; Bloodland.
Nearly a year after earning
Sloane Crosley’s new collection of memory essays, How Did You Get This Number, finds the witty, observational young lass being witty and observational in and out of New York City–but mostly in. There are trips to Portugal and Paris, and a weird wedding in Alaska. There’s a remembrance of all the childhood pets that didn’t make it. There’s a story about buying furniture of questionable origin off the back of a truck. At times Crosley’s archness can be grating, as dry observations pile one upon the other, but her gift for exacting, sharp detail and her willingness to let her guard down at just the right moment in most of the selections make for a funny and compelling read. I’m still not sure why there’s no question mark in the title, though. How Did You Get This Number is new in hardback from Riverhead Books.
I just got my advance review copy of James Ellroy’s forthcoming memoir The Hilliker Curse, so I haven’t had time to read much of it, but the story so far is morbidly fascinating (like, you know, an Ellroy novel. But this is real. Because it’s a memoir). In 1958, James’s mother Jean Hilliker had divorced her husband and begun binge drinking. When she hit him one night, the ten year old boy wished that she would die. Three months later she was found murdered on the side of the road–the case remains unsolved. The memoir details Ellroy’s extreme guilt; his sincere belief that he had literally cursed his mother pollutes his life, particularly in his complex relationships with women. Full review forthcoming. The Hilliker Curse is available September 7th, 2010 from Knopf.