Books Acquired, 10.22.2011

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I was too busy on Saturday to document the books that arrived at Biblioklept World Headquarters, but here they are of a Sunday, both sporting impeccable design and, uh, burgundy.

Richard Locke’s Critical Children (Columbia UP) examines childhood in a number of novels, including Dickens, Twain, Peter Pan,Lolita, Catcher in the Rye, and The Turn of the Screw. Here’s Locke, synthesizing these figures in Holden Caulfield—

Salinger’s most famous character, sixteen-year-old Holden, is a holy rebel who combines elements of Oliver Twist and the Artful Dodger, Huckleberry Finn and Peter Pan. Like Oliver, Holden can be said to represent “the principle of Good surviving through every adverse circumstance, and triumphing at last.” Like the Artful Dodger, he is a quick-tongued urban trickster. Like Peter Pan, he mocks his own conventional (and comfortably affluent) society and wants to never grow up. But his most celebrated ancestor is Huckleberry Finn. Salinger transforms Huck the frontier fugitive into Holden the prep-school dropout: both boys’ famously provocative colloquial voices embody their quests for American freedom and authenticity.

 

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I can’t overstate the aesthetic pleasure I take in Def Jam Recordings:  The First 25 Years of the Last Great Record Label by Bill Adler and Dan Charnas. It’s huge—thick and big and crammed with photos and interviews and memories—all kinds of great stuff. It makes sense of course that Def Jam, a label as much about style as it was about music, would produce such a beautiful book, but this beast surpasses the expectations most of us might have for a coffee table book: it also functions as an oral history of the people, music, fashion, politics, money, and culture of Def Jam—the influence of which on popular culture simply cannot be underestimated. Full review forthcoming, but two random pics for now—

 

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HST and Terry Gilliam Riff About Words and Images

Books Removed from Stack, 10.07.2011

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Summer wanes into fall; time to clean out the stack of books in my nightstand. Most volumes were permitted to stay, but I’m going to go ahead and find shelf space for these fellows.

The Lowry book, Hear Us O Lord from Heaven Thy Dwelling Place collects short stories and other writings. It’s a muddled, unfinished affair, and I muddled through not very much of it, leaving it unfinished.

F.O. Matthiessen’s American Renaissance: Art and Expression in the Age of Emerson and Whitman is full of insight and keen writing, but its voluminous scope and long essays kept making me wonder why I wasn’t just reading Hawthorne and Melville themselves. No knock on lit crit, but it seems wiser to spend reading time on the originals.

Speaking of Melville—I gave his incest novel Pierre another (third?) serious shot this summer, influenced by the Matthiessen, I guess. No go. Got distracted. It’s long.

I did finish Kleinzeit by Russell Hoban, a baffling schizophrenic novel that has thwarted every attempt of mine to review it. Here’s a review: it’s a strange, funny novel, a cult novel without a big enough cult.

I read several of the essays in A Symposium (ones by Beckett and William Carlos Williams), as well as the letters it includes (attacking Finnegans Wake) and Sylvia Beach’s reluctant intro. An interesting book but sometimes dry. Its inclusion, along with Tindall’s A Reader’s Guide to Finnegans Wake remind me of the brave week I spent trying to get a handle on Joyce’s language vortex. For whatever reason, I left the Wake in the stack. A dare? A dare.

(A Very Beautiful) Book Acquired, 9.27.2011

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What a wonderful present: a 1930 Grosset & Dunlap edition Candide (read our review of Candide). Received it last week, but I’ve been to busy to photograph it. Has a nice slipcase (above), and the cover sports a tactile cameo of Gutenberg in profile—

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Illustrations are by Mahlon Blaine, and inevitably involve sex and/or violence—like this one below—

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There a number of handsome full page illustrations as well. Just lovely.

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